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  • Chicago Theater Review: DICKENS’ WOMEN (Chicago Shakespeare)

    A DICKENS OF A PERFORMER It’s been two centuries since Charles Dickens’ birth. Miriam Margolyes, famed for her portrayals in Harry Potter, The Age of Innocence, and William Shakespeare’s Romeo + Juliet offers a well-deserved homage in Dickens’ Women, a one-person tribute directed by Sonia Fraser now playing at Chicago Shakespeare only through Saturday. Dickens’…

  • Theater Review: WAR HORSE (National Tour)

    AN IMPRESSIVE PUPPET, A SOMEWHAT FOGGY STORY War Horse is all about Joey, a 120 lb. puppet made of bent and stained cane and animated by three puppeteers. Their movements become the breathing of the horse; their voices become his neighs, whether they are pleasure or pain. Towering at 8 feet tall and just under…

  • San Francisco Theater Review: BELL, BOOK AND CANDLE (SF Playhouse)

    DIVERSE CHARACTERS CAST A THEATRICAL SPELL It’s not Halloween but Christmastime, and the San Francisco Playhouse is ringing in the season in a novel way with their production of Bell, Book and Candle in their sparkling new Post Street venue with its comfy chairs. With its decorative air of belonging to another, long-past time period,…

  • Chicago Theater Review: THE BOOK OF MORMON (Bank of America Theatre)

    A GILBERT AND SULLIVAN FOR 2012 The best show of the year has finally arrived. The Book of Mormon  is a perfectly packaged fusion of the satire we need in a sassy musical comedy  with the entertainment genre that America created and deserves. From the wizards who concocted the all-offending South Park series comes an equally irreverent…

  • Los Angeles Theatre Review: CHRISTMAS MY WAY (El Portal Theatre)

    LET’S BE FRANK The dictionary has two main definitions for the word “bash”: One is “a thoroughly enjoyable, lively party,” which is undoubtedly what the producers of Christmas My Way – A Sinatra Holiday Bash had in mind. However, the second definition of “bash” is far more apt for the misguided offering currently on at…

  • Off-Broadway Theater Review: WORKING: A MUSICAL (59E59)

    WORKING TOO HARD The actors mingle around onstage dressing room tables as the audience takes their seats. The stage manager (Rebecca McBee) calls cues from a corner upstage. Even the band, led by the vibrant Alex Lacamoire, is partially visible atop a platform on the industrial set, designed by Beowulf Borit. It feels appropriate that…

  • Los Angeles Theatre Review: A CHRISTMAS CAROL (A Noise Within)

    AN IMPERSONAL  CHRISTMAS CAROL What has become of Christmas since Dickens’ A Christmas Carol was published in 1843? In spite of the fact that technology has afforded us numerous opportunities including the ability to connect with one another more immediately than ever, improving our quality of life, and allowing us to select the exact product we…

  • Los Angeles Theater Review: CYMBELINE (The Broad Stage in Santa Monica)

    THE OLD COLLEGE TRY Brown University/Trinity Rep’s MFA program has a solid reputation as theatre arts training for bright, enthusiastic, well-rounded theatre artists.   The challenge for each graduating Brown/Trinity class is to figure out how to transition from the safe isolation of training in provincial Providence, Rhode Island to full-on careers in the far-reaching landscape…

  • Los Angeles Cabaret Review: CORTÉS ALEXANDER: Have a SWELL Holiday (Sterling’s Upstairs at the Federal)

    ALEXANDER THE GREAT…CHARMER, THAT IS When I first heard Cortés Alexander sing in 1992, he wasn’t alone. He was part of a group named The Tonics, and they performed a jazzy rendition of “Good Thing Going” for a PBS special, Sondheim: A Celebration at Carnegie Hall (which was accompanied by a then-unknown Jason Robert Brown…

  • Los Angeles Theater Review: OTHER DESERT CITIES (Mark Taper Forum)

    STUCK IN THE DESERT Don’t the powers that be at Center Theatre Group/Mark Taper Forum understand that casting is roughly 80% of a play’s success? Don’t they understand that any play, including Shakespeare, will suffer if an ensemble is fragmented? And when a play like Jon Robin Baitz’ Other Desert Cities is improbable, melodramatic, and…

  • Film Review: AMOUR (directed by Michael Haneke)

    MECHANICAL BUT EFFECTIVE Any review of Michael Haneke’s Amour should start by noting what a moving story it tells. Did I cry during Amour? Two-ply tissues. Amour gives a gentle but chilling view into the final months of a woman’s life, and the frustration of a husband who must care for his loved one as…

  • Off-Off-Broadway Theater Review: P.S. JONES AND THE FROZEN CITY (The New Ohio Theater)

    JONESING FOR MORE PIG SHIT Early in terraNOVA Collective’s comic book adventure P.S. Jones and the Frozen City, the villainous Great Glass Spider spins out of the wall. The regal Sofia Jean Gomez sits atop a wheeled office chair as the spider’s body; two black-clad puppeteers hunch on either side, extending the spider’s large angular…

  • Los Angeles Theater Review: SILENT (Odyssey Theatre)

    VOLUBLE Once in my earnest youth I dogged a homeless man around lower Manhattan for a whole night, from his steady gig panhandling the car line into the Holland Tunnel through four hours’ can collecting.   I was under the influence of undergraduate-level brother’s keeperism and would not be put off by the man’s clear discomfort…

  • Off-Broadway Theater Review: 13 THINGS ABOUT ED CARPOLOTTI (59E59 Theaters)

    A PENNY’S WORTH In the mood for some light-hearted, endearing entertainment that will make your face and heart smile?   Then get yourself a ticket to Barry Kleinbort’s (direction, book, music and lyrics) 13 Things about Ed Carpolotti, a new one-act cabaret based on a monologue from Jeffrey Hatcher’s Three Viewings.   Although the plot introduction takes…

  • Chicago Theater Review: THE SCHOOL FOR LIES (Chicago Shakespeare)

    MOLIÈRE FOR DUMMIES Attend David Ives’ The School for Lies’”a manic contemporary travesty’”if you want to fully appreciate Molière’s 1666 masterpiece The Misanthrope, as serious a comedy as the 17th century farceur ever attempted. Brashly brilliant, grotesquely scatological, industriously low-brow, and perversely wrong-headed, this Midwest premiere of The School for Lies at Chicago Shakespeare Theater’s…

  • Broadway Theater Review: THE ANARCHIST (John Golden Theatre)

    UNFULFILLED WANTS David Mamet’s latest dramatic work, The Anarchist, begins as abruptly as it ends, but despite the jarring effects, there is a good reason for the sharpness of these moments.   Jeff Croiter’s lighting cues punctuate the first and final scenes like black and white markers for what is otherwise grey, nebulous and “opaque” material,…

  • Los Angeles Theater Review: BOB’S HOLIDAY OFFICE PARTY (Pico Playhouse)

    BOB’S HOLIDAY OFFICE FIASCO Bob’s Holiday Office Party, now in its 17th season, is basically a fifteen-minute Carol Burnett Show-type sketch stretched out to about 100 minutes. And unless a new director is brought on board, last night will remain my first and last experience at the party. For roughly the first 30 minutes, it…

  • Los Angeles Theater Review: ANYTHING GOES (Ahmanson Theatre)

    SOME THINGS GO, SOME THINGS DON’T While it is refreshing that Cole Porter is experiencing a revival, it is unfortunate that the timeless brilliance of his music is attached to musicals whose books are mediocre at best and dated, most certainly. The challenge for the director handling a Porter musical is to manage these disparate…

  • Chicago Dance Review: THE NUTCRACKER (The Joffrey Ballet)

    A HOLIDAY CHESTNUTCRACKER The Joffrey Ballet is celebrating the 25th anniversary of its holiday production of The Nutcracker, which means audiences have enjoyed an evening of grace, beauty, charm, and magnificent dancing and music for a quarter of a century. The annual holiday event is back at the Auditorium Theatre, billed as “America’s #1 Nutcracker.”…

  • Los Angeles Theater Review: RUDOLPH THE RED-NOSED REINDOORS (Falcon Theatre)

    RECIPE FOR A CHRISTMAS STEW I sent this recipe to a friend, who will let us know how this Christmas Stew turned out: This is a family favorite, cooked up every holiday season. There are a lot of ingredients, but if you start with the basics and improvise a little, you should be fine. Even…

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