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Film Review: LIKE CRAZY directed by Drake Doremus
LOVE AND DISTANCE I don’t think I’ve seen anything lately quite like the ending of the 2011 Sundance Jury Prize winner Like Crazy. Spending time watching the rise and disintegration of a marriage, I wondered, is there really a moment when a romance ends? When the present becomes irretrievably the past? If so, then we’ve…
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Los Angeles Theater Review: DOLLY WEST’S KITCHEN (Theatre Banshee in Burbank)
DELICIOUS ACTING, HALF-BAKED SCRIPT October has seen a great run for mothers on the Los Angeles stage: Lily Knight in Peace In Our Time at Anteaus, Denise Crosby in House of Gold at EST/LA and now Casey Kramer as an Irish matriarch in Theatre Banshee’s perfect mounting of the imperfect Dolly West’s Kitchen. The second…
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Los Angeles Theater Review: HAIRSPRAY (Musical Theatre West in Long Beach)
MANAGEABLE HAIR Say what you will about Musical Theatre West’s fluffy season selections, including Winter Wonderettes, Forbidden Broadway and Spamalot, this company continues to collect an astounding assemblage of artists equal to that of Broadway (in fact, many have performed on the Great White Way). But wouldn’t it be great to see this great talent…
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National Tour Theater Review: COME FLY AWAY (Pantages Theater)
OCCASIONALLY, WHEN WE’RE LUCKY, IT FLIES In Come Fly Away, there are at least four dances – “I’ve Got A Crush On You,” “Body and Soul,” “I Like To Lead When I Dance,” and “Teach Me Tonight” – that have the old Twyla Tharp magic, and, since they are all danced by the amazing Cody…
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Chicago Theater Review: MAPLE AND VINE (Next Theatre in Evanston)
PROMISING PREMISE PRODUCES PREPOSTEROUS PRODUCT Katha and Ryu are a modern married couple fed up with their harried lives: Ryu hates his 60-hour workweeks as a doctor and Katha is discontented with her job in front a computer screen. Plus, she is drenched in depression following a miscarriage. Katha accidentally meets well-groomed, mild-mannered, and middle-aged…
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Los Angeles Theater Review: BHUTAN (Rogue Machine)
THE TROUBLE WITH BHUTAN I am not advocating that bad directors should face a firing squad in the town square in full view of the entire community. But I have seen three plays now that were directed by Elina de Santos and, in baseball parlance, three strikes and you’re out. In none of the plays…
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Los Angeles Theater Review: TWELFTH NIGHT, OR WHAT YOU WILL (A Noise Within in Pasadena)
A BIGGER NOISE NEEDS TO BE MADE WITHIN A Noise Within (ANW), one of the nation’s leading classical repertory theatre companies, has done the unimaginable: after 19 seasons in a Masonic building in Glendale, they not only amassed enough donations to build a permanent home in Pasadena, but they started their 20th season without a…
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Los Angeles Theater Review: HERMETICALLY SEALED (Katselas Theatre Company at the Skylight Theatre)
WHAT’S COOKING IN HER KITCHEN? In the bracingly intelligent and potentially powerful Hermetically Sealed, playwright Kathryn Graf has set out to explore the ways in which families deceive themselves and how, in order to protect each other, they somehow manage to effectively destroy their own lives. Since each secret is revealed as it might be…
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Los Angeles Theater Review: FIVE BEAUTIES (The New American Theatre)
TENNESSEE W’S MASTER CLASS FOR ACTORS The New American Theatre production of Five Beauties (or, as it turned out to be at the performance I attended, Four Beauties) is not like going to the theater at all: it’s like attending an acting class in which each scene is beautifully executed and is unified by the…
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Los Angeles Theater Review: THE CASK OF AMONTILLADO (Zombie Joe’s Underground Theatre Group)
DANCE MACABRE Although there are only two performances left of the Zombie Joe’s Underground production of The Cask of Amontillado, this is a piece that should be extended; if it is given a chance to find its audience, it could run as long as ZJU’s Urban Death. This is art in its purest form; Zombie…
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Off Broadway Theater Review: NOW THE CATS WITH JEWELLED CLAWS (La Mama)
TENNESSEE’S LESSER KNOWN CATS La MaMa presents the New York premiere of a short Tennessee Williams play, Now the Cats with Jewelled Claws. That’s the good news, an opportunity to see a “new” work by Williams. Here we get glimpses of Tennessee’s signature wit and forbidden, deviant sexuality. The bad news is that the ingredients…
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Regional Theater Review: THE GLASS MENAGERIE (Cygnet Theatre at The Old Town Theatre in San Diego)
CYGNET’S GLASS MENAGERIE SPARKLES It is easy to see why Tennessee Williams’ The Glass Menagerie was an immediate hit when it debuted in 1944. In an era of everyone keeping up appearances, hiding any real pains at home, personal struggles could make one feel painfully alone. Williams gave the masses a chance to sneak a…
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Chicago Theater Review: A BEHANDING IN SPOKANE (Profiles Theatre)
HAND OVER GIST Martin McDonagh, the English dramatist known for his quirky and violent plays set in rural Ireland, sets A Behanding in Spokane in the United States, but the setting hasn’t inspired him to create the rich ethnic canvas that makes his Irish plays such vivid playgoing experiences. Although it is not a great…
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Bay Area Theater Review: RACE (American Conservatory Theatre in San Francisco)
PRINCIPLES ON TRIAL Playwright David Mamet is a master of provocative, gut-wrenching truths packed in fast-paced, blue dialogue, and Race, his 90-minute, one-act take on racism and the American legal system, is chock-a-block with his shining, confrontational style. The verdict on A.C.T.’s production (a west coast premiere following last year’s Broadway run) is that it…
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Theater Review: GYPSY (ion theater company in San Diego)
MOSTLY EVERYTHING’S COMING UP ROSES For most theater lovers, Gypsy equals Ethel Merman as Mama Rose, even if you never saw her do it. After a single time hearing Merman’s larger-than-life rendition of “Everything’s Coming Up Roses,” it’s hard to imagine anyone else belting out that role. So when one hears that ion theater company…
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Chicago Theater Review: THE SOUND OF MUSIC (Drury Lane Theatre)
A RESONANT AND RESOUNDING SOUND OF MUSIC Although the Drury Lane Theatre extended the run of its revival of THE SOUND OF MUSIC even before the show opened, the laudable theater company might want to consider adding yet another extension. Director Rachel Rockwell returns after her triumphant production of Sweeney Todd to create an evening that…
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Chicago Theater Review: IRVING BERLIN’S WHITE CHRISTMAS (The Marriott Theatre in Lincolnshire)
I’M DREAMING OF A WHITE CHRISTMAS THAT WORKS It is possible that Irving Berlin’s White Christmas might succeed with audiences. Possible, that is, if they are willing to tolerate a lame, cliché-ridden plot in exchange for large samplings of the Irving Berlin songbook. The musical is an adaptation of a 1954 motion picture (simply called…
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Movie Review: THE RUM DIARY directed by Bruce Robinson
ALL ABOUT JOURNALISM (Reviewer’s note: What do you do when you really like a film but disagree with it? You write a review like this.) I’ll start my review of The Rum Diary with a short explanation of why I ceased to be a journalist some time ago. Very simply, I never knew a journalist…
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Off Broadway Theater Review: ASUNCION (Rattlestick Playwrights Theater @ Cherry Lane)
ASUNCION DESCENDING Conventional wisdom in Hollywood says that after you get an Oscar nomination, for the next five years everyone will return your phone calls. It seems Jesse Eisenberg has decided to parlay his Oscar clout into a production of Asuncion, a play he wrote and stars in at the Cherry Lane Theatre produced by…
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Los Angeles Theater Review: ALL MY SONS (Matrix Theatre)
AN ANACHRONISTIC LOOK AT RACE IN AMERICA There’s no doubt that Arthur Miller’s 1947 play All My Sons is an astonishing piece of theatre. Not only is the writing brilliant, but the themes addressed are timeless and important. It’s difficult to imagine how the play could possibly be improved. Yet that is exactly what the…
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