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Broadway Review: ELLING (Ethel Barrymore Theater)
AN ADAPTATION OF A FAMOUS FILM YOU’VE NEVER HEARD OF GOES TO BROADWAY (SANS DISASTROUS RESULTS, THIS TIME AROUND) Kjell is a big, soft, gentle slob of a boy in a man’s body.  He’s unwashed, unshaven and, to put it nicely, slow.  He wears his over-sized heart on his unwashed sleeve.  A forty-year-old virgin, any…
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Broadway Theater Review: THE SCOTTSBORO BOYS (Lyceum Theater)
THE TRUTH – IN BLACKFACE The sheer exuberant energy of one of the most formidably talented casts on Broadway rushing down aisles and onto the stage of The Lyceum is enough to knock any theatergoer out of his post-dinner lethargy and into head-bobbing, knee-pumping involvement. Once again the unconventional Kander and Ebb (Kiss of the…
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HARPS AND ANGELS music and lyrics by Randy Newman, conceived by Jack Viertel – Mark Taper Forum – Los Angeles Theater Review
AN UNABASHED LOVE LETTER TO MICHAEL McKEAN Dear Michael McKean, I hereby declare that I am unashamedly besotted with love for you. Why? Because last night, I saw you take a handful of songs by Randy Newman and watched you become a different character with every song, turning each into an exquisitely dimensional one-act play….
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Bay Area Theater Review: LOVELAND (Ann Randolph at The Marsh, Berkeley)
FASTEN YOUR SEAT BELTS Loveland is the solo show that should be the template for all one-person show wannabes. Ann Randolph incorporates creative writing, broad but truthful characters, zaniness balanced with compelling dramatic moments, and, above all, an undeniably convincing story. In fact, you will be wondering if the tale of a woman who is…
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San Francisco Theater Review: OR, (Magic Theatre)
IS THIS A SPARKLING AND CLEVER COMEDIC FARCE’¦OR, WHAT? Thank goodness Oliver Cromwell died when he did: Parliament restored the monarchy to Charles II, and the Restoration took off when, in 1660, William Davenant and Thomas Killigrew were given a royal warrant to form a theatre company, one that abolished the Puritan rule prohibiting women…
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LA RAZÒN BLINDADA by Aristedes Vargas / THE LITTLE FLOWER OF EAST ORANGE by Stephen Adly Guirgis / THE SUNSET LIMITED by Cormac McCarthy / GREAT EXPECTATIONS adapted by Neil Bartlett from the novel by Charles Dickens / PANDEMONIUM / ROCK’N’ROLL by Tom Stoppard – Los Angeles Theater Reviews
MORE GOOD L.A. THEATER AROUND THAN ONE IMAGINES There is so much theater activity in Los Angeles that there is bound to be a lot of good theater. But I have been so burned out by the extraordinary amount of bad theater I’ve had to sit through that I’ve seriously considered taking a vacation from…
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WATSON, THE LAST GREAT TALE OF THE LEGENDARY SHERLOCK HOLMES by Jaime Robledo – Sacred Fools Theater – Los Angeles (Hollywood) Theater Review
THERE’S NO PLACE LIKE HOLMES The world premiere of Watson, The Last Great Tale Of The Legendary Sherlock Holmes, presented by the Sacred Fools Theatre Company, has a lot going for it: side-splitting Vaudevillian-type sight gags, brilliantly inventive direction, comedic acting that harks back to silent film, insanely luminous and flowery dialogue, a cohesive plot,…
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Theater Review INTRíNGULIS (LAByrinth Theater Company in Hollywood)
IF YOU DON’T KNOW WHAT THE TITLE OF THE SHOW MEANS BY THE END OF THE SHOW, THEN SOMETHING AIN’T RIGHT. IntrÃÂngulis is Carlo Albán’s true-life solo show about his family’s move from Ecuador to the U.S. and his life growing up as an illegal alien, even while starring in Sesame Street as a kid….
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San Francisco Theater Review: THE TEMPEST (A Cutting Ball at the Exit Theater)
A TEMPEST OF IMAGINATION Many productions of Shakespeare’s works pass themselves off as inventive merely because the setting is New York instead of Verona, or Renaissance costumes are swapped for Art Deco – rarely do these stylistic changes improve the psychology of the piece. When it came to my attention that The Tempest was to…
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Interview with John Behlmann, now performing in ALFRED HITCHCOCK’S THE 39 STEPS, adapted by Patrick Barlow from the screenplay by Charles Bennett and Ian Hay (adapted from the novel by John Buchan, Off Broadway at New World Stages
A TRIPLE THREAT (HE ACTS, TRAPS, AND RAPS) Stage and Cinema’s Cindy Pierre recently sat down with John Behlmann (who sounds very much like the Movie Phone guy), now appearing as Richard Hannay in Alfred Hitchcock’s The 39 Steps. Cindy Pierre: You double-majored in Government and French back at Wesleyan. Â Was that to groom you…
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Off-Broadway Theater Review: PERSONAL ENEMY (59E59 Theaters)
MEANWHILE, ACROSS THE POND, DURING THE McCARTHY ERA When John Osborne and the lesser-known playwright/actor Anthony Creighton wrote Personal Enemy in 1953, it would have been courageous for someone living in the U.S. to caricature anti-communists as grotesque, proudly ignorant, anti-intellectual yahoos – it wouldn’t have been thoughtful or artistically interesting, but it would have…
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Off-Off-Broadway Theater Review: SOUL LEAVES HER BODY (HERE Arts Center)
STAGE MERGES WITH CINEMA Soul Leaves Her Body starts with the three principal actors walking toward us one by one, slowly, as if through a mist. As they do this, smooth white video plays behind them, populated by large figures that imitate like they are looming shadows, revealing the actors’ true selves. Our plain-clothed black,…
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ELF by Thomas Meehan and Bob Martin (book), Chad Beguelin (lyrics) and Matthew Sklar (music) – based on the screenplay by David Berenbaum – Al Hirschfeld Theatre – Broadway Musical Theater Review
ANOTHER MOVIE FINDS ITS WAY TO BROADWAY In 2003, Elf, a delightful Christmas comedy with dark undertones – about the adventures of an overgrown elf that discovers that he’s actually a human – was released in movie theaters to critical acclaim.  Now on Broadway, the musical version of Elf is a sugared down version of…
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Theater Review: BEAUTY AND THE BEAST (National Tour)
SMALLER PRODUCTION, BIGGER HEART Fans of the stage musical Beauty and the Beast will not be disappointed by the newly re-imagined (read: scaled down) version currently on tour. Original Broadway director Rob Roth has assembled the same team, including Tony-winning costume designer Ann Hould-Ward; what we get, instead of a two-ton castle set, is a…
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Off-Broadway Theater Review: NOTES FROM UNDERGROUND (Jerome Robbins Theater)
THEATER OF DOSTOEVSKY Fyodor Dostoevsky is recognized as a psychologist, philosopher, and storyteller. His two masterpieces, Crime and Punishment and The Brothers Karamozov, explore weighty philosophical questions: in Crime and Punishment, Raskolnikov believes himself to be an extraordinary man who is not limited by morality almost fifteen years before Nietzsche put the term übermensch (inadequately…
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Archives – Our reviews published prior to August 2010
If you’re looking for reviews and articles published before August 2010, this is the right place. Just follow the links below. Film Reviews published prior to August 2010 New York City Theater Reviews published prior to August 2010 Los Angeles Theater Reviews published prior to August 2010 DVD Reviews published prior to August 2010 Interviews…
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San Francisco Theater Review: MARCUS; OR THE SECRET OF SWEET (American Conservatory Theater)
SWEET BEGINNINGS It is thrilling to hear the poetic dialogue of a propitious new American playwright for the first time; one who uses a unique, innovative and visionary arrangement of words that not only awaken your senses, but heighten your hopes that the profligate use of technological blather will not drown out a voice which…
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Los Angeles Theater Review: THE BUTCHER OF BARABOO (Road Theatre in North Hollywood)
WISCONSIN Â IN SENSURROUND What do you get when you mix the styles of Grand Guignol, farce, and situational comedy with the sensibilities of the Coen Brothers (Fargo) and Frederick Knott (playwright of Dial M For Murder and Wait Until Dark)? One would think a bloody, horrific mess, but The Butcher of Baraboo, at the Lankershim Arts…
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Theater Review: TALES FROM HOLLYWOOD (Odyssey Theatre Ensemble / Los Angeles)
HOORAY FOR HOLLYWOOD In the fascinating (and often funny) Tales From Hollywood, playwright Christopher Hampton pays homage to the true-life émigrés from Nazi Germany who took up residence in Los Angeles to write for the movies. Many of them sacrificed their literary legacy to be paid $100 a week, forced to turn out dreck for the…
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Regional Theater Review: BECKY SHAW (South Coast Repertory in Costa Mesa)
SHARP AS A DULL RAZOR Gina Gionfriddo is smart. She has gone to no less brilliant a writer than William Makepeace Thackeray for inspiration. Becky. Gionfriddo’s contemporary gold digger, in her desperation to worm her way out of her class and into a marriage that seems recklessly impossible, even owes her name to Becky Sharp,…
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