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Leonard Bertram
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CAN AI DIRECT A FILM? A CRITIC’S TAKE ON AI-GENERATED CINEMA IN 2026
Who is really in the director’s chair when the camera was never switched on? Type a single sentence: “a woman in a red coat crosses an empty train platform at dawn, the camera drifting slowly behind her” into a generative video platform like ImagineArt’s AI Film Studio, wait about a minute, and a cinematic shot…
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Film Review: ANORA (Written and Directed by Sean Baker)
A Cannes Palme d’Or winner that trades plot for character, with Mikey Madison and a stellar ensemble stealing the spotlight Writer/director Sean Baker’s Anora is a uniquely different film that stands apart for its commitment to character-driven storytelling over plot — a choice that earned it the prestigious Palme d’Or at the Cannes Film Festival….
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Horror Film Review: FOUND (directed by Scott Schirmer)
An $8,000 budget, but Found delivers more chills and substance than Hollywood’s multimillion-dollar nightmares In order to cleanse my horror palate after the shitstain that Terrifier 3 was, I decided to find the cheapest, dirtiest little horror film I could dig up. The winner? An $8,000 indie gem called Found, streaming on Tubi and more. And let me tell…
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Film Review: PIECE BY PIECE (Directed by Morgan Neville)
Pharrell’s journey, piece by piece: An unexpected and inspiring look at the quiet genius behind decades of music. Morgan Neville, known for his ability to turn the ordinary into the extraordinary, has done it again with Piece by Piece, a film that dives deep into the life and career of one of the most influential music…
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Film Review: TERRIFIER 3 (directed by Damien Leone)
AN UNHOLY WRECK There are bad movies, and then there’s Terrifier 3, a festering pile of cinematic waste so atrocious that it’s not only the worst of the year but one of the worst I’ve ever had the displeasure of sitting through. Damien Leone couldn’t make a shittier movie if he tried. Hell, he may…
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Film Review: THE SUBSTANCE (Directed by Coralie Fargea)
THE HORROR OF A HORRIBLE THIRD ACT The Substance had me hooked — really, truly hooked — for 90 glorious minutes, and then : it feels like they yanked some middle school kid off the street and said, “Hey, wanna ruin a movie?” Because that’s the only explanation for how this thing nosedived so hard….
Theater Review: DEAD GIRL’S QUINCEAÑERA (Goodman Theatre / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterBroadway Review: 860 (Billy Crystal / Imperial Theatre)
by Paola Bellu | October 22, 2026
in New York, TheaterTheater Review: A STRANGE LOOP (Raven and About Face / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterTheater Review: THE CURIOUS CASE OF BENJAMIN BUTTON (The Public Theater / New York)
by Gregory Bernard | October 21, 2026
in New York, TheaterOff-Broadway Review: MACHINE LEARNING (Little Engine Theater)
by Alex Simmons | October 21, 2026
in New York, TheaterOff-Broadway Review: COPPERFIELD! (The Duke on 42nd Street)
by Rob Lester | October 20, 2026
in New York, TheaterOpera Review: CARMEN (LA Opera)
by Michael Landman-Karney | October 20, 2026
in Los Angeles, Music, TheaterTheater Review: CONVENTION (The Industry Loft / Los Angeles)
by Ernest Kearney | October 20, 2026
in Los Angeles, TheaterDance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
by Chuck Louden | October 19, 2026
in Dance, San Francisco
(Bay Area), Tours





