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Alex Simmons
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Broadway Review: PUNCH (Manhattan Theatre Club at Samuel J. Friedman Theatre)
A KNOCKOUT OF CONSCIENCE You always “step in,” says Jacob — that’s what you do when your mates are about to fight. Growing up in The Meadows, Nottingham, that lesson kept him safe (well, safer) than some. But now the loyalty that once protected him has undone him: a single punch, thrown in defense of…
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Off-Broadway Review: BREAKING THE FIFTH WALL (Lou Wall at SoHo Playhouse and on Tour)
LOU WALL SLAYS, AND THAT’S NO LIE Whether a comedian is obligated to tell the truth in their act comes up in mainstream discourse every once and a while. Plenty of comedians start a comedy bit with “You know, a funny thing happened to me on my way over here,” knowing full well it happened…
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Off-Broadway Review: EXORCISTIC: THE ROCK MUSICAL (Asylum NYC)
THIS SOW BELONGS TO EVERYBODY There’s the actor’s nightmare, there’s nightmare productions, and then there’s Excorcistic: The Rock Musical which is nightmarishly twisted and sick. But don’t worry, it’s a good thing here. The horror musical genre is alive and well, from classics like Sweeney Todd to rock musical adaptations of horror films like Evil…
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Off-Broadway Review: LORD NIL: 7 DEADLY SINS (Stage 42)
SINSATIONAL SENSATIONALISM OR, WHAT HAPPENS IN TIMES SQUARE, STAYS IN TIMES SQUARE Escape artistry emerged as a formal performance art in the 1860s, when the Davenport Brothers popularized their rope-escape act—paving the way for Harry Houdini, whose name became nearly synonymous with the craft by the 1890s. Carrying on this proud, magic-adjacent tradition is Lord…
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Off-Broadway Review: JUST THE TIP (Jon Schnitzer at SoHo Playhouse’s Huron Club)
HOLY LAND, HOLY LAUGHS Comedy goes a lot of places, and some say a comedian can and should be able to joke about anything. But what if a comedian wants to go to Israel and the Palestinian territories? What if that comedian wants to tell jokes about it? Jon Schnitzer is not the first comedian…
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Off-Broadway Theater Review: THE BEACON (Irish Rep)
A BEACON OF NOPE A secluded matriarch, a remote cottage on the Irish coast, and a haunting family secret. The key components of an Irish drama are here. Yet despite strong performances and a haunting ambience, The Beacon leaves its audience searching the horizon after the final bow. First presented at Garry Hynes’ distinguished Druid…
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Off-Broadway Review: PRE-EXISTING CONDITION (Connelly)
One of the most difficult crises to recover from is assault, let alone the assault from an intimate partner. Do you tell anyone? Do you confront? Do you forgive? To muse over these questions, Tony-nominated playwright Marin Ireland (Ironbound) offers the harrowing process of life after a lover’s assault with Pre-Existing Condition, now playing at…
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Theater Review: CATS: THE JELLICLE BALL (PAC/NYC)
A PUUUURFECT REVIVAL IS SERVED “Get your life!” says the pre-show announcement as the lights dim in the Perelman Performing Arts Center before last night’s opening of this much talked-about revival of Cats. The Cast of CATS: THE JELLICLE BALL That phrase might sound out-of-place in a Broadway musical’s pre-show announcement; however, when you step…
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Theater Review: OCTET (Goodman Theatre)
by Mitchell Oldham | July 19, 2026
in Chicago, TheaterTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | July 17, 2026
in Los Angeles, TheaterTheater Review: TREASURE ISLAND (Will Geer Theatricum Botanicum / Topanga)
by Judson Feder | July 16, 2026
in Los Angeles, Theater








