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Dan Zeff

  • Chicago Theater Review: RACE (Goodman Theatre)

    MAMET CONFRONTS RACISM David Mamet’s Race looks at the racial situation in this country and sees an unbridgeable chasm between blacks and whites in our society. It’s a bleak vision, fortunately delivered with scintillating dramatic tension and some very funny dialogue.   Indeed, audiences will spend much of the evening laughing at what’s happening onstage at…

  • Theater Review: INVISIBLE MAN (The Court Theatre)

    INVISIBLE MAN IS DIFFICULT TO SEE Invisible Man is a complex, panoramic, symbolic novel that’s an unlikely candidate for adaptation to the stage. It’s a sprawling work crowded with characters and incidents and drenched in the author’s densely textured prose and his elusive view of the plight of black people in American society. That makes…

  • Chicago Theater Review: GYPSY (Drury Lane Theatre)

    KLEA BLACKHURST IS QUEEN OF THIS GYPSY Gypsy is a musical theater biography of striptease performer Gypsy Rose Lee; but it’s really about Gypsy’s mother, Mama Rose, immortalized by Ethel Merman in the original 1959 production. Merman’s performance set the bar for all future performers brave enough to take on the role. Every revival of…

  • Theater Review: MR. RICKEY CALLS A MEETING (Lookingglass Theatre in Chicago)

    DECIDING THE FATE OF BLACK MEN IN BASEBALL In 1947, Jackie Robinson broke the color line in major league baseball, the first black man in modern baseball history to play in the majors. That’s a matter of record. In 1989, playwright Ed Schmidt used that seminal event in American sports and social history to write…

  • Las Vegas / National Tour Theater Review: MICHAEL JACKSON THE IMMORTAL WORLD TOUR

    OH, WHAT A FOOL THIS IMMORTAL BE [Editor’s Note: The tour reviewed below was a gigantic, arena-style show. A  more intimate and intricate encounter with the late singer’s oeuvre took up permanent residence at Las Vegas’s Mandalay Bay Resort & Casino  as Michael Jackson: ONE on June 30, 2013.] After a short run in Las Vegas, Cirque…

  • Chicago Theater Review: PENELOPE (Steppenwolf)

    SUITORS SUIT ILL-FITTING SUITS Enda Walsh, scribe of The Walworth Farce and The New Electric Ballroom, is one of the great polarizing writers in modern theater:   his admirers love the English dramatist’s quirky theatrical imagination and his command of language, while his detractors complain that his stories are improbable, if not incomprehensible, and that his…

  • Theater Review: ELIZABETH REX (Chicago Shakespeare Theater)

    MEET THE QUEEN Timothy Findley’s Elizabeth Rex confines Queen Elizabeth I and William Shakespeare inside a royal barn one wintry night in February 1601. The placement of the two most luminous personalities of England’s Golden Age should set off glorious dramatic and theatrical fireworks at the Chicago Shakespeare Theater. The performers do their best to…

  • Chicago Theater Review: IT’S A WONDERFUL LIFE (American Theater Company)

    IT’S A WONDERFUL PRODUCTION A stage adaptation of the movie classic It’s a Wonderful Life premiered in Connecticut in 1997 and, before long, the adaptation became a staple of the regional theater circuit during the Christmas season.   The show now challenges A Christmas Carol as the preeminent live theater attraction of the holidays.   There is…

  • Chicago Theater Review: A CHRISTMAS CAROL (Goodman Theatre)

    A CAROL FOR THE PAST, PRESENT, AND FUTURE The Goodman Theatre is the custodian of the most popular tradition in Chicagoland holiday entertainment, Charles Dickens’ A Christmas Carol. The 2011 production does not depart in any major way from the 33 previous presentations (excluding a disastrous revival many years ago that turned the story into…

  • Chicago Theater Review: CHANGES OF HEART (Remy Bumppo at Greenhouse Theater Center)

    THE 1700s MEET THE 1960s Back in the early 1700’s, Pierre Marivaux was a major playwright in France, but his romantic comedies never made much of an impact on the American stage until the 1990s, when opera and theater director Stephen Wadsworth translated Marivaux’s plays into English. Wadsworth’s successful adaptations made Marivaux a significant presence…

  • Theater Review: MEMPHIS (National Tour)

    MEMPHIS PROVIDES RHYTHM BUT ULTIMATELY GIVES YOU THE BLUES Kicking off its national tour, Memphis blew into Chicago trying to sell itself as a romping, stomping celebration of rhythm and blues and rock ‘n’ roll during its turbulent early years in the 1950s. There is plenty of energy on the stage at the Cadillac Palace…

  • Chicago Theater Review: THE JACKIE WILSON STORY (Black Ensemble Theater)

    THE JACKIE TAYLOR STORY TAKES PRECEDENCE OVER THE JACKIE WILSON STORY Jackie Taylor is a happy lady these days, and everyone with a fondness to Chicagoland theater should rejoice with her. Taylor finally has her new theater, a sumptuous multi-story that is the home of Taylor’s Black Ensemble Theater. The architectural ornament stands just a…

  • Chicago Theater Review: SEASON’S GREETINGS (Northlight Theatre in Skokie)

    HO HO HUM Alan Ayckbourn’s Season’s Greetings is an anti-holiday-cheer comedy which should be appropriate for audiences ready for an excursion into the dark side of the Christmas season. There’s drunkenness, attempted adultery, endless family bickering, a shooting, and a preposterous marionette show. For anyone who has endured a dysfunctional family holiday gathering, this show…

  • Chicago Theater Review: AN ILIAD (Court Theatre)

    A HOMER RUN One-actor shows are by their nature demanding, but Timothy Edward Kane’s volcanic storytelling in An Iliad is a stunning marvel. This retelling of the famous epic The Iliad – attributed to the ancient Greek poet Homer – is an exceptionally staggering test of a performer’s physical and emotional resources. The adaptation is…

  • Chicago Theater Review: THE BAKER’S WIFE (Circle Theatre in Oak Park)

    STILL WAITING TO SEE IF THIS DOUGH WILL EVER RISE The Baker’s Wife never made it to Broadway. The musical folded in Washington. D.C. in 1976 before reaching New York City but has since gained something of a cult status in both the United States and England. Area audiences now have the opportunity to see…

  • Chicago Theater Review: THE CARETAKER (Writers Theatre in Glencoe)

    TAKING CARE TO CREATE EXCELLENT THEATER The plot of Harold Pinters’ The Caretaker is uncomplicated on the surface and densely complex in its subtexts; it is a melding of realism and theatre-of-the-absurd which places a thuggish and volatile young man, his brain-damaged older brother, and a scruffy old tramp together in a rubbish-strewn room.   From…

  • Chicago Theater Review: ASSISTED LIVING (Profiles)

    PROFILES OF A DREARY EXISTENCE The Profiles Theatre has carved out an essential niche for itself on the local Chicagoland theater scene with sexy, violent, and edgy modern dramas. Recently, playwright Deirdre O’Connor gave Profiles one of its major hits with Jailbait, about a pair of teen-aged girls who venture into the adult world of…

  • Chicago Theater Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (Paramount Theatre in Aurora – Chicago Area)

    A DREAMBOAT IN DREAMCOAT In just two productions, the Paramount Theatre has elevated itself to the top of the class in Chicagoland musical theater, in company with Drury Lane in Oakbrook Terrace and the Marriott Theatre in Lincolnshire. The Paramount opened with an ecstatically reviewed revival of My Fair Lady in September and is now…

  • Chicago Theater Review: MAPLE AND VINE (Next Theatre in Evanston)

    PROMISING PREMISE PRODUCES PREPOSTEROUS PRODUCT Katha and Ryu are a modern married couple fed up with their harried lives: Ryu hates his 60-hour workweeks as a doctor and Katha is discontented with her job in front a computer screen. Plus, she is drenched in depression following a miscarriage. Katha accidentally meets well-groomed, mild-mannered, and middle-aged…

  • Chicago Theater Review: A BEHANDING IN SPOKANE (Profiles Theatre)

    HAND OVER GIST Martin McDonagh, the English dramatist known for his quirky and violent plays set in rural Ireland, sets A Behanding in Spokane in the United States, but the setting hasn’t inspired him to create the rich ethnic canvas that makes his Irish plays such vivid playgoing experiences. Although it is not a great…

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