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Chicago

  • Theater Review: THE LONG CHRISTMAS DINNER (TUTA Theatre at Bramble Arts Loft)

    THE LONGER CHRISTMAS DINNER In Wilder’s meditation on time, the actors have to do the heavy lifting ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Only time, only the passing of time can help…” TUTA Theatre’s remounting of Thornton Wilder’s The Long Christmas Dinner opens with Keith Parham’s handsome set featuring an upper-middle-class…

  • Theater Review: A YEAR WITH FROG AND TOAD (Young People’s Theatre of Chicago)

    TOAD-ALLY DELIGHTFUL Ribbiting from start to finish, this Year goes by in a flash. ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Arnold Lobel’s Frog and Toad series has delighted generations of young readers for decades, beginning in 1970. In 2000, his daughter Andrea Lobel (a well-regarded theatrical scenic designer in her own…

  • Opera Review: FALSTAFF, OSSIA LE TRE BURLE (Chicago Opera Theater)

    A COMIC REVIVAL OF FALSTAFFIAN PROPORTION ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Chicago Opera Theater (COT) has given Antonio Salieri’s unjustly neglected Falstaff, ossia Le tre burle its outstanding Chicago premiere. Similarly, Lyric Opera just gave Cherubini’s Medea its Chicago premiere. These operas were first staged in 1799 and 1797, respectively….

  • Theater Review: THE TAMING OF THE SHREW (Court Theatre)

    THERE IS NO TAMING THIS PRICKLY AND INVIGORATING SHREW ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ I won’t deny it: I squealed in excitement when I received the invitation to review Court Theatre’s new production of The Taming of the Shrew. Not because it’s one of Shakespeare’s best (it isn’t), or even…

  • Theater Review: JACOB MARLEY’S CHRISTMAS CAROL (Lifeline Theatre)

    THE OTHER CHRISTMAS CAROL A clever, moving tale of a ghost searching for grace ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Boy does it suck to be Jacob Marley. You die a lonely death, are doomed to perdition, and come back as a tortured ghost laden with chains to warn your former…

  • Theater Review: THE REAL HOUSEWIVES OF THE NORTH POLE (Hell in a Handbag Productions)

    A WIG-PULLING, EYE-SCRATCHING BAUBLE OF HOLIDAY CHEER ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ When The Real Housewives of Orange County premiered on Bravo in 2006, I doubt anyone could have predicted the “reality” television juggernaut it would become. Over the next nineteen years the franchise has launched ten series, and assorted…

  • Theater Review: RAPORNZEL (Pride Arts)

    COARSE, HAIRY FUN ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ The Christmas pantomime, or “panto”, as it is colloquially called, is a longstanding English holiday theatre entertainment that’s never made much inroads outside the Commonwealth, more’s the pity. Drawing on the commedia dell’arte tradition, they’re usually based on fairy tales and incorporate…

  • Theater Review: MUCH ADO ABOUT NOTHING (Chicago Shakespeare Theater)

    MUCH ADO ABOUT ADO AND EVERY BIT WORTH THE FUSS ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Chicago Shakespeare Theater’s Much Ado About Nothing, directed by Selina Cadell, is a reminder of what this company does best: Damn good Shakespeare that feels alive, precise, and joyously human. Deborah Hay as Beatrice Let’s…

  • Theater Review: SMOKEFALL (Wild Door Theater)

    A FAMILY IN FLUX, A PLAY IN FREEFALL Wild Door’s debut digs deep into love and legacy, even when Haidle’s sprawling story gets in its own way Chicago’s robust theater community got even stronger several days ago when Wild Door Theater made its debut in the Lincoln Park neighborhood. By “embracing bold theatrical storytelling to…

  • Theater Review: AMADEUS (Steppenwolf Theatre Company)

    Steppenwolf strips the masterpiece to its beautifully costumed bones with gains, losses, and a lingering ache for Mozart’s full glory Steppenwolf’s in-the-round production of Amadeus, directed by Robert Falls, takes a sparse approach to design, perhaps by necessity, or perhaps to highlight the juxtaposition between the court’s stiff opulence and Mozart’s descent into poverty —…

  • Theater Review: HELL’S KITCHEN (National Tour)

    HELL’S ON FIRE Hell’s Kitchen, a jukebox musical featuring the music of R&B superstar Alicia Keys (with several new songs) and a book by Kristoffer Diaz, took Broadway by storm in 2024, racking up thirteen Tony nominations. And now, a little over a year later, its first national touring production has arrived in Chicago at…

  • Theater Review: DEATHTRAP (MadKap Productions at Skokie Theatre)

    MURDER, MAYHEM, AND A MANUSCRIPT TO DIE FOR Sometimes uncontrollable forces work in your favor. How fortunate then for MadKap productions that on the opening night of their production of Ira Levin’s Deathtrap, Chicago was plunged with little warning into its first winter storm of the season, with sub-zero temperatures, gale-force winds, and heavy snow….

  • Theater Review: SUPERIOR DONUTS (TheArtistic Home at The Den Theatre)

    GO ON AND BITE INTO THIS DONUT– YOU’VE EARNED IT It must have been quite a shock to Tracy Letts fans when Superior Donuts premiered at Steppenwolf in 2008. Chicago Theatre’s favorite adopted son had been coming off a streak of intense, gripping dramas, with his most recent one, August, Osage County, cleaning up at…

  • Theater Review: ANGRY FAGS (Ghostlight Ensemble)

    SHARP CAST, BLUNT SATIRE A Fierce Ensemble Fights for Meaning in Angry Fags Topher Payne’s Angry Fags first made its appearance in 2015, in a world that was decidedly different from what it is now, and Ghostlight Ensemble’s new production at the Lifeline Theatre in Rogers Park is timely. There have been some changes made…

  • Theater Review: AS YOU LIKE IT (Midwest Premiere at Writers Theatre in Glencoe)

    425 YEARS LATER, THE O.G. ROMCOM STILL CASTS A SPELL Writers Theatre in Glencoe, a charming North Shore Chicago suburb, has developed a reputation for impeccably produced theater of extremely high quality. Their newest production, a Midwest premiere of the musical adaptation of William Shakespeare’s As You Like It by Laurie Woolery and Tony-winner Shaina Taub…

  • Dance Review: MATTERS OF THE HEART (The Joffrey Ballet at The Harris Theater)

    FROM FRIDA TO FUNK, MATTERS OF THE HEART THRILLS When words fall short of capturing the fullness and depth of life’s experience, there is dance—or more broadly, art itself. That truth was made irrefutably clear last weekend when The Joffrey Ballet joined forces with Harris Theater for Joffrey at the Harris: Matters of the Heart,…

  • Theater Review: THE HOUSE THAT WILL NOT STAND (Invictus Theatre Company)

    THIS HOUSE STANDS ON FAITH AND FURY The House That Will Not Stand blazes with wit, grief, and grace Following the smashing success of its production of Angels in America, Invictus Theatre Co. notches up another triumph with Marcus Gardley’s Obie-winner, The House That Will Not Stand. In this (very) loose adaptation of The House…

  • Theater Review: THE PILON (Red Theater in Chicago)

    PLAYING THE CARDS YOU’RE DEALT: THE PILON SHUFFLES LOVE, VALUE, AND IDENTITY Sometimes theater takes you places you never expected — or even wanted — to find yourself. For some, Red Theater’s latest production, The Pilon, might fall somewhere along that spectrum. Set in a contemporary Seattle shop that sells sports cards, nothing about it…

  • Highly Recommended Event: THE 2025 3ARTS AWARDS CELEBRATION (Harris Theater)

    CELEBRATING THE INDESPENSIBILITY OF CHICAGO’S CREATIVES Glowing cultural vibrancy and great world cities are so often intertwined they are effectively one. Scan the globe and nearly every city that enjoys high international prestige harbors a rich, and often dazzling, arts community. Whether it’s Paris, Cape Town, Mexico City, Lisbon, London or Hanoi, the arts explode…

  • Opera Review: EURIDICE (Haymarket Opera and The Newberry Consort in Chicago)

    THE FIRST OPERA GETS NEW LIFE FROM HAYMARKET AND NEWBERRY CONSORT The origins of opera are somewhat obscure and not well-known. Haymarket Opera and The Newberry Consort, two of Chicago’s finest early music ensembles, aim to change that with this delightful concert performance of the first surviving opera. Written and performed for the marriage of…

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