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Chicago
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Recommended Theater: TITUS ANDRONICUS (Redtwist Theatre)
Titus Andronicus brings prejudice and the politics of revenge to the forefront in Shakespeare’s bloodiest script. Foreign wars have left the country divided, an impulsive leader stokes resentment, and now the country teeters on the brink of civil war over petty grievances and personal vendettas. Can Rome’s leaders save the empire from itself? It’s literally…
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Theater Review: CIRCUS QUIXOTE (Lookingglass Theatre)
KNIGHTS AND ACROBATS AN ODD PAIR AT LOOKINGGLASS Circus Quixote—Lookingglass Theatre’s fun spectacle best suited for a family crowd—is an ambitious attempt to merge Miguel de Cervantes’ timeless tale, Don Quijote of La Mancha, with impressive circus artistry. While the production offers tantalizing talents, it ultimately feels like an unfinished work. Michel Rodríguez Cintra The…
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Theater Review: FRIDA … A SELF PORTRAIT (Writers Theatre in Glencoe)
Frida … A Self Portrait Enlightens and Beguiles with Impressive Force You’d have to go a long way to find someone with as potent a life force as Frida Kahlo’s. She left this branch of existence just over 70 years ago, in 1954, and still, there’s something about her spirit that continues to enthrall the…
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Theater Review: FOOL FOR LOVE (Steppenwolf Theatre)
A BRILLIANTLY BRACING LOOK AT LOVE’S OTHER SIDE Romantic love is rarely easy. Even when a relationship progresses from first attraction to full commitment to picture-perfect nuptials, there are no guarantees. Since its 1983 debut in San Francisco, Sam Shepard’s hour-long one-act Fool for Love, written after a difficult divorce, has become a template for…
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Theater Review: DEBATE: BALDWIN VS. BUCKLEY (TimeLine Theatre at Cortelyou Commons at DePaul University)
NOW VS. THEN A historic confrontation between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., America’s most influential conservative intellectual, took place on February 18, 1965 in a packed Cambridge Union in England. Broadcast live on the BBC and later re-broadcast across America, the question up for…
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Highly Recommended Dance: WINTER SERIES 2025 (Hubbard Street Dance Chicago at the Harris)
HUBBARD STREET’S WINTER SERIES PRIMED TO UNLEASH DANCE FIRE “It’s not magic, but it should seem like it is.” That advice came from a veteran jazz musician in the 1930s as he counseled a young aspiring player. In many ways, that nugget of truth applies to the world as dance as well. Closing in on…
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Off-Broadway and International Tour Review: DEAD AS A DODO (Wakka Wakka)
THE BONES OF GREAT THEATER Continuing its international tour, Wakka Wakka, the Drama Desk and Obie Award-winning theater company, returns to NYC with Dead as a Dodo, a surreal and darkly humorous production at the Baruch Performing Arts Center as part of Under the Radar. Their Norwegian-American penchant for irony—and their surreal imagination—are at the…
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Theater Review: A SLOW AIR (Steep Theatre Company)
Steep Theatre Company’s A Slow Air: An Astonishing Journey Into Forbidden Territory “Estrangement” is an unfriendly word that carries with it all kinds of negative connotations–hostility, alienation, distrust, anger and, somewhat paradoxically, very often confusion. It’s also a word that many people are ashamed of or are uncomfortable talking about; especially when it’s a part…
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Theater Review: FUN HOME (Porchlight Music Theatre at Ruth Page Center for the Arts)
THERE’S NO PLACE LIKE FUN HOME One of the first penetrating statements Alanna Chavez makes very early as Alison Bechdel in Porchlight’s Fun Home, now playing at the Ruth Page Center for the Arts, is that she “doesn’t trust memory”. To compensate, her character discovers cartooning as the most suitable vehicle for chronicling her journey…
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Theater Review: JAJA’S AFRICAN HAIR BRAIDING (Chicago Shakespeare Theater’s The Yard)
AN UNFORGETTABLE LAUGHTER-ETCHED LESSON ON LIFE BY WALKING IN SOMEONE ELSE’S SHOES There are two things to know about Jocelyn Bioh, playwright of Jaja’s African Hair Braiding, the theatrical sensation that’s currently delighting audiences in Chicago Shakespeare Theater’s The Yard and had Broadway in such a tizzy 15 months ago. She starts with character and,…
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Theater Opening: 42 BALLOONS (North American Premiere by Chicago Shakespeare Theater)
Chicago Shakespeare Theater (CST) will be presenting the North American premiere of the new musical 42 Balloons. From the multi-award-winning producers Kevin McCollum (Oh, Mary!, Rent), Andy Barnes and Wendy Barnes (SIX), and Sonia Friedman Productions (Merrily We Roll Along), 42 Balloons is an ‘80s-inspired musical based on the unbelievable true story of Larry Walters’ daring lawn chair flight. The show is produced by CST…
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Theater Review: THE BERLIN DIARIES (Open Space Arts)
EXCAVATING THE PAST TO SOLVE PUZZLES ABOUT THE PRESENT Family is so integral to our identity that it’s difficult not to be enthralled by them. A complicated source of delight, distress, curiosity and mystery, no matter how much they change and evolve, grow or shrink, they remain a source of limitless fascination. The spirit of…
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Chicago Dance Review: CHRISTOPHER WHEELDON’S THE NUTCRACKER (The Joffrey Ballet at Lyric Opera House)
REIMAGINING THE NUTCRACKER MAKES IT EVEN MORE MAGICAL In the Joffrey Ballet’s spellbinding reimagining of The Nutcracker, choreographer Christopher Wheeldon and Artistic Director Ashley Wheater have conjured a delicious historical confection that transports audiences to the threshold of one of the most magical moments of Chicago history. The Joffrey Ballet Ensemble Anabelle de la Nuez…
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Theater Review: LOUISA MAY ALCOTT’S LITTLE WOMEN (Northlight Theatre in Skokie)
A HEARTWARMING ADAPTATION The world premiere of Louisa May Alcott’s Little Women adapted by Lauren Gunderson as a co-commission from Northlight Theatre, City Theatre, People’s Light, and TheatreWorks Silicon Valley is a delightful yet imperfect exploration of the beloved classic novel. By framing the story with Alcott herself as a narrative presence, Gunderson offers audiences a meta-theatrical…
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Theater Review: FALSETTOS (Court Theatre & Timeline Theatre)
AN INCREDIBLE SCORE; A FINE PRODUCTION; A FUNNY AND POIGNANT FRACTURED FAMILY PORTRAIT; WHY, THEN, DOES THIS REVIVAL NOT EMOTIONALLY RESONATE? Court Theatre and Timeline Theatre‘s joint production of the sung-through musical Falsettos offers a technically superb exploration of a family in flux during the cusp of the AIDS crisis with exceptional vocal talent and…
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Opera Review: THE MARRIAGE OF FIGARO (Lyric Opera)
THE FRESH FUN OF FIGARO Lyric Opera repurposes and surpasses its wonderful and whimsical 2015 production of Mozart’s The Marriage of Figaro with an entirely new cast and conductor—many making their Lyric debut. Among the latter is German-born conductor Erina Yashima, whose sensitivity and quiet competence bring out the beauty and complexity in Mozart’s scintillating…
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Highly Recommended Dance Theater: THE TRAGEDY OF HAMLET: PRINCE OF DENMARK (U.S. Premiere at The Harris Theater, Chicago, November 23 & 24, 2024)
THE REAL TRAGEDY WOULD BE MISSING THE TRAGEDY OF HAMLET Legendary director Robert Lepage and dancer/choreographer Guillaume Côté reunite to re-imagine theatre’s most timeless, persistent and haunting stories. Shakespeare’s The Tragedy of Hamlet: Prince of Denmark makes its highly anticipated U.S. premiere for a limited two-day engagement at Harris Theater in Chicago. This production is…
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Theater Review: INTO THE WOODS (Kokandy Productions)
INTO THE WOODS ACCOMPANIED BY TWO PIANOS? IN A STOREFRONT THEATRE? IT’S A DREAM COME TRUE Kokandy’s production of Into the Woods directed by Derek Van Barham with music direction by Nick Sula is a clever reimagining of this Stephen Sondheim/James Lapine classic for a storefront theatre space. Most notably, this production reimagines the orchestrations…
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Theater Review: PERICLES (Royal Shakespeare Company at Chicago Shakespeare on Navy Pier)
ROYAL SHAKESPEARE’S RADIANT PERICLES All the indicators promised that it’d be special: after a 30-year lull, England’s Royal Shakespeare Company (RSC) and Chicago Shakespeare Theater (CST) entered a new and ongoing partnership. Part of this refreshed collaboration included bringing RSC’s production of Shakespeare’s seldom seen Pericles to Navy Pier. But it wasn’t until the first…
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Theater Review: LEROY AND LUCY (World Premiere at Steppenwolf’s Ensemble Theater)
The devil’s voice is sweet to hear. — Stephen King, from the novel Needful Things Steppenwolf’s production of Leroy and Lucy by Ngozi Anyanwu is a seductive and life-affirming reimagining of the legend of Robert (Leroy) Johnson and his deal with the devil. Little is known about Robert Johnson’s life, largely because it was so…



















