Chicago

THE NEXT STEP(S) It’s an impressive lineup for this respected Chicago company’s annual “Spring Series”’”not just the always impressive Hubbard Street Dance Chicago but, here and elsewhere, the San Francisco-based Alonzo King LINES Ballet. That means that one dance features a sprawling expanse of 28 dancers on the Harris Theater stage, a crowd-control extravaganza to…

A DEATH IN THE UNION Hershey Felder has already regaled audiences at the Royal George Theatre with his uncanny and heartfelt recreations of George Gershwin, George M. Cohan, Frederic Chopin, Leonard Bernstein and Ludwig van Beethoven, honoring and invigorating the music as much as he concentrated their life stories. Now he delivers a solo tour…

WRITHING INTO REVELATION Alas, it’s over  – and way too soon. Luna Negra Dance Theater’s 2013 spring program celebrated works by two contemporary Spanish choreographers: guest artist Fernando Hernando Magadan and Luna Negra company member Mónica Cervantes.   Last night’s one-time-only performance at the Harris Theatre in Millennium Park, Made in Spain, confirms the troupe’s reputation for…

A TALE OF TWO CITIES THAT BLENDS SCI FI AND MYSTERY China Miéville’s novels are dense works of science fiction, and sometimes deciphering them feels more like work than entertainment. That’s why it’s impressive that Lifeline Theatre’s world premiere adaptation of his Hugo Award-winning The City & The City is so accessible. Adaptor Christopher M….

RIGO-LENTO After a season chock full of successes, Lyric’s momentum slows with a dull production of Verdi’s Rigoletto. Not even Evan Rogister’s expert conducting nor the orchestra’s triumphant execution  of Verdi’s score could buoy opening night’s dragging performances. The show opens with a single spotlight illuminating a violent sexual encounter between the Duke of Mantua (a…

A TISSUE OF SONGS An ambitious and sporadically powerful entry in Steppenwolf Theatre Company’s fourth annual “Garage Rep,” this 2005 musical by John LaChiusa is a Rashomon-like puzzle whose song pieces can’t quite be put together. But ardently produced in the Steppenwolf Garage this becomes a healthy, rather than pointless, challenge to the listener, despite…

SOME THINGS, BUT NOT EVERYTHING, IS ILLUMINATED “With writing, we have second chances,†declares Jonathan Safran Foer in Everything Is Illuminated, his well-received and dauntingly complex first novel from 2002. Taking leaps that have nothing to do with faith, this self-reflexive look at how writing about an event serves many different truths begins with a…

WINTER FLUFF “We’re all in the gutter/But some of us have our ear to the ground.” If you find this limp lyric endlessly repeated in this silly-ass, pun-crazed musical instantly amusing, read no further and see this show. For everyone else, Strawdog Theatre Company’s Midwest premiere of Arthur Riordan’s Irish musical will need to take…

THE HORROR OF SELF-DENIAL FUELS INVENTIVE STAGING Chicago Opera Theater has teamed up with Long Beach Opera in California to produce a delightfully disturbing presentation of Philip Glass’ adaptation of Edgar Allen Poe’s renowned horror text, The Fall of the House of Usher. While the clichés of such American Gothic might seem to call for…

MUSIC’S MANY BRIDGES It’s a proven power at the Black Ensemble Theater: No disease is so deadly, no crisis so catastrophic that a song can’t cure it within twenty bars. Add 20 more songs that bridge the generation gap, as happens in B.E.T.’s generous new offering, From Doo Wop to Hip Hop, and happiness becomes…

STORIES IN A SPIN CYCLE If ever the cliché “the plot thickens” justifies itself, it’s in this relentlessly inventive 1996 work by Australian playwright Andrew Bovell; anacondas after their bi-annual meal should thicken like this self-generating drama. Bovell’s well-named Speaking in Tongues employs four actors – flawlessly coordinated in Jeffry Stanton’s intricate staging for Interrobang…

25 SAINTS A 75-minute exercise in dead-end disaster tautly directed by Susan E. Bowen, this new work by Pine Box Theater ensemble member Joshua Rollins tightly fits the theater company’s action-oriented theatricality. It also delivers a pitiless look at the “forgotten world of Appalachia,” specifically a misery known as West Virginia. Corruption seems to grow…

THEATER FOR SOCIAL CHANGE With fifty-two murders to date in 2013 as I write this review – over a murder a day – the death toll in Chicago seems as ubiquitous as it is tragic. Collaboraction Theatre Company strives to raise awareness, puncture apathy, and perhaps even instigate change in their new work Crime Scene:…

PARADOXICAL DUALITIES It’s brainy almost beyond endurance and savvy in its approach/avoidance strategies of gaming love. Happily, Itamar Moses’ Completeness at Theater Wit is also engrossingly directed by Jeremy Wechsler as it chronicles a complicated, captivating relationship between two scientific searchers, Elliott and Molly. Easily and perversely, they can reason themselves out of what they…

TWO BATTLES IN ONE WAR As sturdily written and swiftly moving as it was in 1982, Charles Fuller’s A Soldier’s Play remains an enduring testament to the homefront battles that African-American soldiers fought during World War II, within their ranks as well as with white comrades in arms. It’s the kind of upfront, downhome American…

SPRINGING INTO SPRING In Chicago, spring can never come early enough. But, alas, it’s February, so it has to be an indoor sport. Leave it to our homegrown dance company, the Joffrey Ballet,  to gloriously unleash spring fever in the bleak late winter. A quartet of dazzling works by Twyla Tharp, Jerome Robbins and the Joffrey…

YOU HAVE NO CHOICE BUT TO LEND THIS PRODUCTION YOUR EARS Brutal and relentless, Julius Caesar chronicles a fateful course of envy and revenge defeating idealism and loyalty: Brutus and Cassius, the principal murderers of the titular dictator, are dogged to death by his avengers Marc Antony and Octavius Caesar. But the republic the assassinators…

FEARFUL SYMMETRY In Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo, inspired by an actual 2003 event involving occupying soldiers in Iraq, a slain tiger takes center stage and discusses from the perspective of the newly dead that there is a flash of retrospective honesty which instills a global rather than personal viewpoint. The Tiger…

VIRTUAL THEATER Teddy Ferrara, Goodman Theatre’s new commissioned work, is almost three hours long. That excess suggests that nobody had the courage to cut or, not knowing what it was about to start with, couldn’t know where to start or stop. The indulgent length also implies that Teddy Ferrara has a lot of plot to…