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Chicago

  • Chicago Theater Review: IT’S A WONDERFUL LIFE! LIVE AT THE BIOGRAPH! (American Blues Theatre)

    IT’S A WONDERFUL SHOW After a long and trying day, I entered Victory Gardens a bit of Scrooge on Saturday night. So when Christmas-y sweater-wearing performers, their smiles stretching from rosy cheek to rosy cheek, began a holiday sing-along preshow’”a few rounds of “Jingle Bells” and “The 12 Days of Christmas”’”I was dismayed at the…

  • Chicago Theater Review: SPANK! THE FIFTY SHADES PARODY (The Royal George Theater)

    FIFTY SHADES PUREED The erotic novel Fifty Shades of Grey has made millions, maybe billions, of dollars and counting, having set the record as the fastest-selling paperback of all time, surpassing the paperback sales of the Harry Potter series. Author E.L. James wrote fan-fiction as a hobby until her Twilight-inspired work turned into the unbelievably…

  • Chicago Theater Review: WE THREE LIZAS (Steppenwolf)

    A TASTY POTPOURRI PASTICHE IS MORE PASTRY THAN PORRIDGE Billed as “a holiday bender” (as in gender), About Face Theatre’s 90-minute confection includes a 45-minute “cocktail hour” pre-show with guest performers warming up the crowd at the Steppenwolf Garage. Except that there’s already more heat than light in this lavender musical version of A Christmas…

  • Chicago Opera Review: DON PASQUALE (Lyric Opera)

    D’ARCANGELO DONS A NEW LOOK After presenting a successful string of tragic operas this season, Lyric Opera flexes its comedic muscles with a charming production of Gaetano Donizetti’s opera buffa Don Pasquale. Although this Bel Canto Era opera has been part of Lyric’s repertoire for almost 50 years, this is the first time they have…

  • Chicago Theater Review: IT’S A WONDERFUL LIFE: THE RADIO PLAY (American Theater Company)

    IT’S STILL WONDERFUL In just a few seasons, It’s a Wonderful Life: The Radio Play has ascended to the top of the Christmas tree of essential local holiday entertainments. A show that could be corny and sappy turns out to be a triumph of warmth, humor, and nostalgia. There are two versions of It’s a…

  • Chicago Theater Review: ANNIE (Paramount Theatre in Aurora)

    IT’S OK TO BELIEVE THAT THE SUN WILL COME OUT TOMORROW Director Rachel Rockwell once again astounds us with an incredibly entertaining rendition of Annie at the Paramount Theatre in Aurora, IL.   Annie   (book: Thomas Meehan, music: Charles Strouse, lyrics: Martin Charnin) is a musical based on the popular Harold Gray comic strip Little Orphan…

  • Chicago Theater Review: YOU NEVER CAN TELL (Remy Bumppo)

    A SKIRMISH OF WIT THAT CAN ONLY BE SHAW In 1896, George Bernard Shaw planned to beat Oscar Wilde at his own playful plotting and acerbic wit, so he wrote his answer to the recently successful The Importance of Being Earnest. Based on how often Shaw’s You Never Can Tell’”which has a title suggesting a…

  • Theater Review: SISTER ACT (National Tour)

    NUNBEARABLE If there’s one thing I hate, it’s to see a classic movie adapted for the stage for no apparent reason. Instead of transferring the heart and sassiness that made the movie Sister Act such a classic film, the makers of the Broadway musical, now on its national tour at the Auditorium Theatre, decided to…

  • Chicago Theater Review: WELCOME HOME, JENNY SUTTER (Next Theatre Company)

    DOWN HOME TO HEAL UP It’s hard to make healing feel dramatic. But that’s the challenge to which Julie Marie Myatt mostly rises in this engaging Midwest premiere. In 90 minutes she depicts in fragments’”since these things must be done delicately’”the beneficent aftermath of a haunted veteran’s return to California. Jessica Thebus’ painstaking but pleasure-giving…

  • Chicago Theater Review: POTTED POTTER (Broadway Playhouse)

    HOGWARTS AND ALL The Harry Potter parody called Potted Potter is the joint creation of a couple of Englishmen named Daniel Clarkson and Jefferson Turner (Dan and Jeff on the stage). The duo once worked for the British Broadcasting Corporation’s children’s network, which explains a lot. Potted Potter advertises that it will appeal to adults…

  • Chicago Music Review: CHICAGO YOUTH SYMPHONY ORCHESTRAS’ FALL CONCERT (Symphony Center, Orchestra Hall)

    AN OCCASION WHERE YOUTH IS NOT WASTED ON THE YOUNG The Chicago Youth Symphony Orchestras (CYSO) consists of more than 100 musicians. They’ve received an international reputation as a premier orchestral ensemble, and recently performed at the 2012 Ryder Cup at Medinah Country Club.  At their Fall Concert  in  Orchestra Hall, the youth performers file to their chairs…

  • Chicago Theater Review: JAMES JOYCE’S THE DEAD (Court Theatre)

    ANYTHING BUT DEAD James Joyce is not usually considered a source of Christmas cheer, but the great Irish author did write one Christmas piece of sorts, a short story called The Dead that appeared in his story collection Dubliners. The tale was adapted into a musical that had a decent run off and on Broadway…

  • Chicago Theater Review: HELLCAB (Profiles)

    WORTH THE FARE Hellcab opened in Chicago in 1992 for a 12-performance run and the immediate audience buzz had the show playing for the rest of the decade. Now it is is back at the Profiles Theatre to celebrate the show’s 20th anniversary. To the legion of playgoers who flocked to the original production for…

  • Chicago Theater Review: MY ONE AND ONLY (Marriott Theatre)

    RETRO GERSHWIN STILL BESTS TODAY’S STANDARDS Like the unsurpassable Crazy for You, My One and Only is more than more than a dozen recycled Gershwin tunes. In the spirit of those daffy Jazz Age musicals and Gershwin’s own Princess Theatre offerings (here the model is Fred Astaire’s 1927 romp Funny Face), this Tony-winning song-and-dance spectacle,…

  • Chicago Theater Review: THE BURNT PART BOYS (Theater Wit)

    MINING MEMORIES Adam Guettel’s Floyd Collins remains the ultimate spelunking musical as it depicts a cave explorer entrapped by both hard rock and a media spectacle. The Burnt Part Boys, a 90-minute slice of coal by bookwriter Mariana Elder, composer Chris Miller and lyricist Nathan Tysen (originally premiered by Playwrights Horizon), is less ambitious and…

  • Chicago Theater Review: THE ODD COUPLE (Northlight Theatre in Skokie)

    NOT IN THE CARDS Northlight audiences should cut the theater’s revival of The Odd Couple some slack. The production took a major hit when co-star George Wendt was forced to drop out of the show only a few days before the scheduled opening for medical reasons. So the production pulled Marc Grapey out of the…

  • Chicago Theatre Review: SUPERIOR DONUTS (Royal George Theatre)

    THERE’S A HOLE IN DONUTS’ PROMISING STORY Arthur Przybyszewski, the gray bearded and ponytailed proprietor of a donut shop in Chicago, enters his store one morning to find it vandalized. Two policemen and the whistleblowing next-door neighbor are already there, witnesses to the trash, tossed chairs, and graffiti. Arthur enters without a word, examines the…

  • Chicago Theater Review: TALES OF THE TWINKLING TWILIGHT (Raven Theatre)

    TWINKLE, TWINKLE, LITTLE PLAY Developed by Raven Theatre’s Workshop Series, these ten hit-and-run “playlettes” by John Weagly take only 52 minutes to rearrange reality into quirky juxtapositions and odd angles. Everything seems immediately familiar, then instantly not: An apparently innocuous wolfman refuses to be called a werewolf as he suffers a stomach ache from the…

  • Chicago Dance Review: MOULIN ROUGE – THE BALLET (Royal Winnipeg Ballet)

    THE FRAMEWORK IS A BIT ODD, BUT THE MOVEMENT IS GLORIOUS Not to be confused with the frenetic film starring Nicole Kidman or the older Oscar winner with Jose Ferrer as Toulouse Lautrec, this 2009 confection by Jorden Morris celebrates the seedy side of “la belle époque” as exposed by the still-scary underworld of Montmartre….

  • Chicago Theater Review: MUSIC FROM A SPARKLING PLANET (Eclectic Theatre Company)

    HERE. THEN. NOW. WHEN? WHAT? WHY? Which 1970’s TV show had the nicest Nazi’s’”was it Wonder Woman or Hogan’s Heroes? Which cartoon character is stoned most of the time’”was it Shaggy from Scooby Doo? Why did the Howells pack so many clothes when they were only going on a three hour tour?   As three grown…

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