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Zach Freeman
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Film Review: THE COMEDY (directed by Rick Alverson)
THE JOKE’S ON WHO? As a story, The Comedy is as blunt as its title, devoting 94 unrelenting minutes of character development to a man-boy whose development and character are equally questionable. Tasked with bringing some sense of soul to the dead-eyed, over-privileged slacker Swanson, Tim Heidecker (the Tim half of Adult Swim’s Tim and…
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Chicago Theater Review: PONTYPOOL (Strawdog Theatre Company)
THE LANGUAGE OF THE ZOMBIE Over a decade ago, author Tony Burgess penned the experimental novel Pontypool Changes Everything, which featured what could be called “zombies” but focused more on semiotics in a highly stylized and sometimes off-putting way. A few years ago, Burgess adapted that novel into a screenplay for the well-received film Pontypool,…
Dance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
by Chuck Louden | October 19, 2026
in Dance, San Francisco
(Bay Area), ToursTheater Review: THE BEST MEDICINE (Odyssey Theatre Ensemble / Los Angeles)
by Ernest Kearney | October 17, 2026
in Los Angeles, TheaterOff-Broadway Review: THE BALD SOPRANO (The Resident Acting Company)
by Paulanne Simmons | October 17, 2026
in New York, TheaterTheater Review: TO KILL A MOCKINGBIRD (The Huntington / Boston)
by Carmen Barsomian-Dietrich | October 16, 2026
in Boston, TheaterTheater Review: RIPCORD (The Roustabouts / San Diego)
by Milo Shapiro | October 16, 2026
in San Diego, TheaterOff-Broadway Review: MEMOIRS OF AMOROUS GENTLEMEN (The Night Egg at Culture Club)
by Gregory Bernard | October 16, 2026
in New York, TheaterOff-Broadway Review: THE ASK (Theater 555 / New York)
by Gregory Bernard | October 16, 2026
in New York, TheaterTheater Review: ANY REBELLION OF WILL (Trap Door Theatre in Chicago)
by Croydon Fernandes | October 14, 2026
in Chicago, TheaterOff-Broadway Review: A GHOST IN YOUR EAR (Audible Theater at Minetta Lane Theatre)
by Gregory Bernard | October 14, 2026
in New York, Theater

