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Film

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART VIII

    IF BILLY WILDER HAD DIRECTED SCHINDLER’S LIST * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series. The first exchange concerns Billy Wilder, and our contributors are producer Michael Holland and critic Jason Rohrer. Stage and…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART VII

    MEET “MEET CUTE” * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange…

  • Film Review: RULES DON’T APPLY (written and directed by Warren Beatty)

    YOU BET I THINK THIS SONG IS ABOUT YOU Against other self-made Boomers like Clint Eastwood and Robert Redford, I’ll take Warren Beatty in a walk. Productions in which Beatty was the 800-lb gorilla are virtually all he has made for 50 years, and he has stayed political but mostly avoided being didactic (Reds notwithstanding)….

  • Film Review: THE DRAMA CLUB (written and directed by Joe McClean)

    THE MELODRAMA CLUB How much joy you derive from writer/director Joe McClean’s trudging  ensemble dramedy depends on how much patience you have for yet another serving of the hoary old tale of school pals reuniting after a number of years. Emotionally involving and nostalgic,  The Big Chill (1983) was  one of the better efforts of this oft-visited rites-of-passage  genre.  But…

  • Film Review: ALL GOVERNMENTS LIE: TRUTH, DECEPTION AND THE SPIRIT OF I.F. STONE (directed by Fred Peabody)

    SOME TITLES LIE All Governments Lie is a strident and incompetent piece of activism that collates talking-head journalists with shots of the Capitol Mall, statues of Jefferson, and clips of George W. Bush and Colin Powell telling lies. The subtitle (Truth, Deception and the Spirit of I.F. Stone) promises a biography, an investigation, at least…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART VI

    GIANT KILLER * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART V

    JAWSING [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries new posts will appear in the coming weeks. The most recent was Part IV by…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART IV

    THE WORLD AFLAME [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries (Part III by Mr. Holland  last week; Part IV  by Mr. Rohrer  below) new posts will…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART III

    AUTEURIAL BLOOD [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries (Part II by Mr. Rohrer  last week; Part III by Mr. Holland  below) new posts will…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART II

    WILDER IN THE HOLE [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries (Part I by Mr. Holland last week; Part II by Mr. Rohrer…

  • Film Review: KEEPING UP WITH THE JONESES (directed by Greg Mottola)

    THIS MOVIE HATES AMERICA Recently I’ve been feeling pudgy and middle-class. I live in Encino, I drive a Toyota, I bake cookies as a hobby. I ate a Trader Joe’s lamb vindaloo for lunch yesterday and complained it was too spicy. I have always felt that people like this are broken and not to be…

  • Film Review: DO NOT RESIST (directed by Craig Atkinson)

    PRESENT THREAT While Do Not Resist only partly takes place in Ferguson, Missouri, several minutes of immersive, haunting footage place the film in the rare company of The Battle of Algiers and Bloody Sunday. But the civil unrest Pontecorvo and Greengrass filmed was staged. Accompanied by producer Laura Hartwick, Craig Atkinson filmed the Ferguson protests…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART I

    SOME LIKE IT WILDER [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries, beginning with Part I below, new posts will appear in the coming…

  • Film Review: THE LOVE WITCH (written and directed by Anna Biller)

    FEMIWITCH Men are definitely the outsiders in director and writer Anna Biller’s engrossing and increasingly strange film, a movie which frankly defies easy description; the  genre could very well be  designated as “feminist satire.” Set in the 1970s, and utilizing period costumes and sets, along with the wonderfully over-saturated colorful Technicolor hues of a Sirkian melodrama, The…

  • Film Review: THE HURT BUSINESS (directed by Vlad Yudin)

    MIXED BUSINESS Vlad Yudin’s provocatively titled informational documentary The Hurt Business feels like a cinematic version of a survey course on the sport of mixed martial arts (MMA). For those in the dark but curious about MMA, Mr. Yudin’s film, narrated by longtime MMA fan Kevin Costner, can serve as a useful introduction. But even…

  • Film Review: THE TENTH MAN (written and directed by Daniel Burman)

    ONE IN A MINYAN In Daniel Burman’s brisk and sharp human comedy The Tenth Man, Ariel (Alan Sabbagh) returns to Once, the Jewish neighborhood in Buenos Aires where he grew up, to visit his father Usher for Purim. A 30-something irreligious Jew who resides in Manhattan and has a dancer girlfriend, Ariel left his home…

  • Film Review: THERAPY FOR A VAMPIRE (directed by David Ruehm)

    A GREAT SESSION, BUT THERAPY SHOULD CONTINUE “So, what brings you here?” asks the Professor of his newest patient, in David Ruehm’s Therapy for a Vampire, a stylized romantic comedy fairy tale set in 1932 Vienna. “I’m not good at self-reflection,” replies Count Geza von Kozsnom (a mesmerizing Tobias Moretti). “I feel old and tired….

  • Film Review: NORMAN LEAR: JUST ANOTHER VERSION OF YOU (directed by Heidi Ewing & Rachel Grady)

    LEAR: KING OF THE 1970s SITCOM “Maybe [people] continued to agree with Archie Bunker – as I said earlier, you can’t change people’s minds, but you can get them to think.”   – Norman Lear When you think of words to describe 1960s television, one word that won’t come to mind is “edgy”.   It’s almost hard…

  • Film Review: BLACK GIRL (directed by Ousmane Sembí¨ne)

    BACK TO BLACK Naïve and primitive in style, Ousmane Sembène’s 1966 feature debut Black Girl is a political statement regarding some of the aftereffects of French colonialism on Senegal. The simple, if not simplistic, story concerns a young African woman, Diouana (Mbissine Thérèse Diop), who is invited to France by a white family to take…

  • Film Review: ALMOST HOLY (directed by Steve Hoover)

    ALMOST TRUSTWORTHY The collapse of the Soviet Union led to, among other things, an epidemic of child homelessness in its former republics. Whether orphaned, escaping impossible domestic situations or poorly run government institutions, on the streets these children become junkies, prostitutes, criminals. They are used and abused, raped, beaten and murdered. Officials’â€assuming they are not…

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