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Film

  • TV/DVD Feature and Interview: MHZ NETWORKS

    A BOON TO AMERICAN AUDIENCES “To learn another language is to learn another culture; And to learn another’s culture is to be a world-citizen.” Anonymous For those who have been clamoring for foreign-language television shows without paying a small fortune on specialized cable, MHz Networks has been a major godsend (MHz does indeed stand for…

  • Film Review: PSYCHOPATHS (written & directed by Mickey Keating / World Premiere, Tribeca Film Festival)

    PSYCHOSTYLE Writer/director Mickey Keating’s Psychopaths doesn’t have much of a plot. We don’t sympathize with the characters. There’s little drama, despite the dramatic subject matter’”torture, murder. Nobody changes. We don’t learn anything. There’s no arc. What there is is an abundance of style. Not disposable stylistics so often used by directors to mask a film’s…

  • Film Review: AARDVARK (written and directed by Brian Shoaf / World Premiere at Tribeca Film Festival)

    AARDVARK  IS OK, AND SO IS AARDVARK In Brian Shoaf’s dramedy Aardvark, Josh (Zachary Quinto) engages Emily (Jenny Slate) to be his therapist, pays her in cash, and tells her that he has a brother named Craig who performs on a long-running TV show and is “one of the great talents of his generation.” Later, when…

  • Film Review: NOBODY’S WATCHING (NADIE NOS MIRA) (directed by Julia Solomonoff / World Premiere at the Tribeca Film Festival)

    MANY WILL BE WATCHING In Julia Solomonoff’s latest film Nobody’s Watching (Nadie Nos Mira), Nico (a sympathetic Guillermo Pfening), an Argentine soap star who yearns to do serious work, comes to New York to play in an independent film. But with the production continually getting delayed he’s forced to work odd jobs’”babysitter, waiter, apartment cleaner’”to…

  • Film Review: SUPER DARK TIMES (directed by Kevin Phillips / North American Premiere at the Tribeca Film Festival)

    SUPER DARK TIMES LOSES ITS WAY, BUT STAND BY DIRECTOR KEVIN PHILLIPS It’s the case nearly every time that if at the beginning of a movie a mistake is made, even one that seems trivial and is in and of itself completely forgivable, as the film progresses bigger and bigger flaws will reveal themselves until…

  • Film Review: THE MIDNIGHTERS (directed by Julian Fort)

      OLD-SCHOOL OFFBEAT CRIME DRAMAS & YOU In the 1970s, “low-budget movie” was the umbrella term with which TV Guide covered products as disparate as John Cassavetes’ The Killing of a Chinese Bookie and John Carpenter’s Assault on Precinct 13. Gene Shalit and Rex Reed used a dozen adjectives between them for the entire New Hollywood…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART IX

    VICTORY AND DEFEATISTS * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series. The first exchange concerns Billy Wilder, and our contributors are producer Michael Holland and critic Jason Rohrer. Stage and Cinema  republished the  original seven entries…

  • Film Review: LA LA LAND (written and directed by Damien Chazelle)

    LA LA LAND  STARTS WITH OOH-LA-LA BUT LANDS HARD In some ways, La La Land  promises to be a moving, old-fashioned romantic musical  that plays around with old techniques and presents them in a vibrant, zestful fashion.  But some well-staged numbers and appealing actors don’t quite make up for forgettable songs, constrained storytelling, and two leads who aren’t terrific…

  • Theatre Preview: SHE LOVES ME (Fathom Events)

    EVERYONE LOVES SHE LOVES ME Fathom Events  is partnering with theater streaming service BroadwayHD to offer the Roundabout Theatre Company production of She Loves Me  in cinemas nationwide on Thursday, December 1, 2016 at 7 p.m. local time. In addition to the performance, this one-night cinema event will include exclusive interviews with the cast (Laura Benanti, Zachary…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART VIII

    IF BILLY WILDER HAD DIRECTED SCHINDLER’S LIST * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series. The first exchange concerns Billy Wilder, and our contributors are producer Michael Holland and critic Jason Rohrer. Stage and…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART VII

    MEET “MEET CUTE” * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange…

  • Film Review: RULES DON’T APPLY (written and directed by Warren Beatty)

    YOU BET I THINK THIS SONG IS ABOUT YOU Against other self-made Boomers like Clint Eastwood and Robert Redford, I’ll take Warren Beatty in a walk. Productions in which Beatty was the 800-lb gorilla are virtually all he has made for 50 years, and he has stayed political but mostly avoided being didactic (Reds notwithstanding)….

  • Film Review: THE DRAMA CLUB (written and directed by Joe McClean)

    THE MELODRAMA CLUB How much joy you derive from writer/director Joe McClean’s trudging  ensemble dramedy depends on how much patience you have for yet another serving of the hoary old tale of school pals reuniting after a number of years. Emotionally involving and nostalgic,  The Big Chill (1983) was  one of the better efforts of this oft-visited rites-of-passage  genre.  But…

  • Film Review: ALL GOVERNMENTS LIE: TRUTH, DECEPTION AND THE SPIRIT OF I.F. STONE (directed by Fred Peabody)

    SOME TITLES LIE All Governments Lie is a strident and incompetent piece of activism that collates talking-head journalists with shots of the Capitol Mall, statues of Jefferson, and clips of George W. Bush and Colin Powell telling lies. The subtitle (Truth, Deception and the Spirit of I.F. Stone) promises a biography, an investigation, at least…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART VI

    GIANT KILLER * * * * * * * * * * * * * * * * * * * * * * [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART V

    JAWSING [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries new posts will appear in the coming weeks. The most recent was Part IV by…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART IV

    THE WORLD AFLAME [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries (Part III by Mr. Holland  last week; Part IV  by Mr. Rohrer  below) new posts will…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART III

    AUTEURIAL BLOOD [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries (Part II by Mr. Rohrer  last week; Part III by Mr. Holland  below) new posts will…

  • Film Commentary: BILLY WILDER’S OEUVRE TOTAL, PART II

    WILDER IN THE HOLE [Editor’s Note:  Oeuvre Total is a film-discussion series between producer Michael Holland and critic Jason Rohrer, begun at Bitter Lemons  and continuing here at  Stage and Cinema. The first ten-part Oeuvre Total exchange concerns Billy Wilder. After we  run  the previously-published seven original entries (Part I by Mr. Holland last week; Part II by Mr. Rohrer…

  • Film Review: KEEPING UP WITH THE JONESES (directed by Greg Mottola)

    THIS MOVIE HATES AMERICA Recently I’ve been feeling pudgy and middle-class. I live in Encino, I drive a Toyota, I bake cookies as a hobby. I ate a Trader Joe’s lamb vindaloo for lunch yesterday and complained it was too spicy. I have always felt that people like this are broken and not to be…

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