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Film
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Film/VOD Review: HEY BARTENDER (directed by Douglas Tirola)
NEEDS A MIXER Douglas Tirola’s Hey Bartender is an ode to mixology in three parts: one part historical survey, one part character study, and one part massive, unquestioning endorsement. Although it is generally well-put-together, and packed with information about a thriving socioeconomic subculture, this film does not venture far enough outside the realm of trivia…
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Film/VOD Review: MARRIED AND COUNTING (directed by Allan Piper)
LOVE IS ALL AROUND US Stephen Mosher and Pat Dwyer met in undergrad at North Texas State University and have been inseparable ever since. As their twenty-five-year anniversary approaches, they decide it’s finally time to tie the knot. The trouble is, in most states, that decision isn’t theirs to make. Stephen and Pat are gay….
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Film Review: WORLD WAR Z (directed by Marc Forster)
ZOMBIE FILMMAKING There are huge citywide vistas of rambling crowds in World War Z, which may be the first film in which the cast seems to exceed the actual population of the planet. Most of these people are infected with a zombie virus that turns them into rattlesnakes with overbites and clammy hair. The fantastic…
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London Theater Review: THE AUDIENCE (National Theatre Live)
MAJESTICAL MIRREN Although she is a politically neutral monarch, The Queen of England retains the ability to give a weekly audience to a Prime Minister (PM) during his or her term of office, at which she has a right and a duty to express her views on Government matters. Peter Morgan’s new play, The Audience,…
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Film Review: MANIAC (directed by Franck Khalfoun)
MANIAC LEAVES YOU FEELING SCALPED Based on William Lustig’s 1980 film of the same name, Maniac, directed by Franck Khalfoun and penned by Alexandre Aja and Grégory Levasseur, has dynamic cinematography (Maxime Alexandre), gore effects that are frighteningly realistic (KNB Mike McCarty), and a performance by Nora Arnezeder as Anna which, though idling in the…
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Los Angeles Music and Film Review: HUNGRY HOBOS and OUR HOSPITALITY (Los Angeles Chamber Orchestra at Royce Hall)
SILENT NO MORE The Los Angeles Chamber Orchestra’s (LACO) 24th annual silent film gala and benefit performance showcased the relationship between various show business elements in this entertainment capital. Movie star Dustin Hoffman introduced a Buster Keaton movie (1923’s Our Hospitality), Walt Disney Corporation General Counsel and Senior Vice President Edward J. Nowak introduced a…
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DVD Review: CLEOPATRA (directed by Joseph L. Mankiewicz)
WHAT AN ASP During one of the tamer scenes of Cleopatra, Elizabeth Taylor’s Queen of the Nile leads Julius Caesar to the tomb of Alexander the Great. Staring down at the (pretend) grave of Western Civilization’s greatest conqueror, it’s possible that Taylor was thinking, “Amateur!” Whereas Alexander tried and failed to take with force the…
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Film Review: IRON MAN 3 (directed by Shane Black)
AN IRONING MACHINE, OR IRONY MAN In a movie where flying metal meets flying metaphors, Iron Man 3 is like rooting for a good hammer. Billionaire playboy industrialist Tony Stark makes it possible to pilot a fleet of Iron Man outfits by remote control while he munches In-N-Out burgers from miles away. Iron Man has…
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Los Angeles Cinema Feature: LAST REMAINING SEATS (Los Angeles Conservancy)
MOVIES THE WAY THEY WERE MEANT TO BE SEEN 26 years ago, a handful of volunteers from The Los Angeles Conservancy, a nonprofit that recognizes, preserves, and revitalizes the historic architectural of L.A. County, dreamt up Last Remaining Seats, a summertime program which presents classic films and live entertainment in historic movie palaces. The brilliantly…
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Film Review: SIX ACTS (directed by Jonathan Garfinkel / North American premiere at Tribeca Film Festival)
WHO’S USING WHOM? A formidable debut film by director Jonathan Garfinkel, Six Acts follows the exploits of Gili (Sivan Levy) – a poor, rube-ish, and not very beautiful teenage girl who’s just transferred to a hip new high school – as she is manipulated by the rich and popular boys into becoming a sex toy…
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Film Review: A SINGLE SHOT (directed by David M. Rosenthal / North American premiere at Tribeca Film Festival)
JUST A FLESH WOUND Starring the always brilliant Sam Rockwell, the noirish backwoods thriller A Single Shot, directed by David M. Rosenthal, follows a down and out John Moon (Mr. Rockwell) as his life spirals into an abyss after he accidentally kills a young woman and finds a case full of money. The film starts…
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Film Review: RAZE (directed by Josh Waller / World premiere at Tribeca Film Festival)
SNUFF PORN, BUT WITHOUT THE SEX Zoe Bell (of Death Proof fame) plays Sabrina, an ex-soldier forced to fight for her life in Josh Waller’s Raze, which, except for a clever little twist at the beginning and generally well-orchestrated fight sequences, is pretty much as idiotic as movies get. The premise of Robert Beaucage’s inane…
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Film Review: ALÌ BLUE EYES (directed by Claudio Giovannesi / International premiere at Tribeca Film Festival)
NATURALISM AT ITS BEST There seems to be a tendency for fledgling directors making their first narrative features to limit themselves to low-key realism. But whereas so many of these creations end up being dull, flat, and redundant statements, Claudio Giovannesi’s Alì Blue Eyes, though awash in realism, is a captivating, insightful and truthful portrait of…
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Film Review: THE RELUCTANT FUNDAMENTALIST (directed by Mira Nair / US premiere at Tribeca Film Festival)
THE RELUCTANT FILMMAKERS Director Mira Nair’s The Reluctant Fundamentalist tells of how Changez (Riz Ahmed), a young Pakistani, goes from being an ambitious, pro-American executive at an elite Wall Street financial firm to a college professor at a Pakistani university who criticizes US policy and may possibly be involved with terrorists. This thriller disguised as…
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Film Review: BLUEBIRD (directed by Lance Edmands / World Premiere at Tribeca Film Festival)
BACKWATER BLUES Lesley (Amy Morton), a school bus driver, gets distracted by a bluebird while inspecting her bus at the end of her shift and fails to notice a little boy asleep in one of the rear seats. The ramifications of this are the subject of Lance Edmands’ feature directorial debut Bluebird. Grim, cold and…
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Film Review: ALMOST CHRISTMAS (directed by Phil Morrison / World Premiere at Tribeca Film Festival)
ALMOST Directed by Phil Morrison (of the 2005 indie hit Junebug), Almost Christmas stars Paul Giamatti and Paul Rudd as two former small-time Canadian thieves Dennis and Rene, who take a truck full of Christmas trees to New York City with hopes of selling them and making some much needed cash. Mr. Morrison’s gentle direction infuses…
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Film Review: HARMONY LESSONS (directed by Emir Baigazin / North American premiere at Tribeca Film Festival)
THE DISHARMONY OF FORCED UNDERSTATEMENT Set in a village in the hinterlands of Kazakhstan, Harmony Lessons centers around a young teenager named Aslan (Timur Aidarbekov), who washes obsessively and executes cockroaches in novel ways. A poor loner and outcast who lives with his grandmother, Aslan goes to a school dominated by a classmate named Bolat…
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Film Review: TO THE WONDER (directed by Terrence Malick)
MALICK IN WONDERLAND Here’s a fun discussion for sitting around the cinematic campfire: are the worst films by the best directors still better than 80 percent of what is released? Are say, Bringing Out the Dead or The Hudsucker Proxy still relative carrots for the eyes when compared to the Transformer movies? Terrence Malick’s To…
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Film Review: THE COMPANY YOU KEEP (directed by Robert Redford)
WHERE HAVE ALL THE FLOWERS GONE? Things begin in the 60s in Robert Redford’s The Company You Keep. A group of radicals knock off a bank in Michigan. The ringleader, shown in dusty old FBI wanted posters, looks remarkably like The Sundance Kid. Who are those guys? That’s the question the Feds are asking, and…
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Film Review: THE INCREDIBLE BURT WONDERSTONE (directed by Dan Scardino)
WHERE’S THE MAGIC? Whatever positives and negatives lay within The Incredible Burt Wonderstone – the latest Steve Carell mass-market comedy – all I could do was wonder what happened to Steve Buscemi and the Coen Brothers. At one time Buscemi was arguably the foremost actor associated with the reticent Minnesota siblings, playing roles in all five of…



















