Areas We Cover
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Los Angeles
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Los Angeles Theater Review: GUARDS AT THE TAJ (Geffen Playhouse)
ROSENCRANTZ AND GUILDENSTERN ARE ALIVE AND WELL AND WAITING FOR GODOT Rajiv Joseph’s surprisingly complex and touching two-hander concerns a couple of guards assigned to stand watch at the walls in front of the newly built Taj Mahal, which will be revealed to the public for the first time since construction began 16 years earlier….
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Los Angeles Theater Preview: MY FAIR LADY (Musical Theatre West in Long Beach)
COME YE TO THE FAIR…LADY, THAT IS I’m rather certain one cannot visit enough productions of My Fair Lady. The 1956 musical, based on George Bernard Shaw’s Pygmalion, tells the tale of Professor Henry Higgins, a puffed-up upper-class grammarian, and Eliza Doolittle, his lower-class, flower girl protégé whom Higgins turns into a lady by changing her…
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Los Angeles Theater Review: GROUNDLINGS STAKEOUT (Groundlings Theatre)
HOT DOG SUCKING AHEAD You know, it’s funny, I was asking a friend just the other day if he knows of any show in town which has a guy sucking on a hot dog. And it would be great if it wasn’t a drama but something cutting edge. Oh, plus some wildly original vaudevillian humor….
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Los Angeles Theater: THE GROUNDINGS HALLOWEEN SHOW (The Groundlings Theatre)
SUNNY AND SCARE You think theater in Los Angeles can be frightening? Well, here’s entertainment that’s intentionally soulless. “It’s so funny, you’ll laugh your head off” takes on a whole new meaning with The Groundlings Halloween Show (a.k.a. You Paid to Die Tonight II), a frightening amalgam of sketch comedy and all the scary shit you…
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Los Angeles Theater Review: MAN COVETS BIRD (24th Street Theatre)
CRITIC COVETS HEART It is unfair but true that in watching 24th Street Theatre’s American premiere production of Finegan Kruckmeyer’s Man Covets Bird, one automatically compares it to Debbie Devine’s last directorial effort here, Mike Kenny’s Walking the Tightrope, in 2013. That show won all the wins and toured all the tours, made everybody feel all the…
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Theater Review: CARRIE: THE KILLER MUSICAL EXPERIENCE (Los Angeles Theatre)
GET CARRIE’D AWAY The key words in the title Carrie: The Killer Musical Experience are Killer Experience. Director Brady Schwind has taken a forever-troubled musical based on source material which probably should have never been musicalized and turned it into one of the most blazingly memorable and, yes, killer experiences you may ever have in…
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Los Angeles Theater Review: APPROPRIATE (Mark Taper Forum / Center Theatre Group)
WORLD ENOUGH AND TIME …I would Love you ten years before the flood; And you should, if you please, refuse Till the conversion of the Jews – Andrew Marvell It’s a measure of progress that a play about white people can be written by a black guy and directed by an Asian guy on what…
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Los Angeles / Tour Opera Review: UCARMEN (Isango Emsemble at The Broad Stages in Santa Monica)
BETTER ON THE MARIMBA Such is the life of a theater critic. On Friday, you might find yourself in a dusty living room in a seedier area of mid-town, seeing a salon-scale show in some half-crazed, semi-pro playwright’s dusty apartment. And then on Saturday, you might be at the Broad Theater in Santa Monica, surrounded…
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Los Angeles Theater Review: SOMETHING TRULY MONSTROUS (The Blank Theatre in Hollywood)
SOMETHING UNSATISFYINGLY APOCRYPHAL There are a few things that might not be entirely true about the Blank’s “World Premiere” of Jeff Tabnick’s Something Truly Monstrous, which opened last night in Hollywood. To begin with a quibble, a two-hour show by Tabnick called Barrymore’s Body, with what sound like most of the same elements, went up…
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National Tour Dance Review: TWYLA THARP: 50TH ANNIVERSARY TOUR (Wallis)
TWYLA’S TWILIGHT While most American dance companies go on tour with a “best of” program, Twyla Tharp has refreshingly opted to offer two world premieres for her 50th Anniversary Tour, seen at the Wallis last night (the tour continues through November, 2015). Similar in structure but different in feel, both “Preludes and Fugues” and “Yowzie”…
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Los Angeles Theater Review: ICU (Circle X Theatre Company at the Atwater Village Theatre)
INHOSPITALITY IN A HOSPITAL A few weeks ago I spent a couple of nights at a hospital waiting for someone to be born. A couple of weeks later I spent a few more nights at the hospital, including time at the ICU, trying to keep the mother comfortable while she tried to stay alive. In…
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National Tour Theater Review: THE SOUND OF MUSIC (Ahmanson Theatre)
VON TOURIST TRAPP The original stage version of Rodgers and Hammerstein’s The Sound of Music was such a crowd pleaser that many are surprised to learn the 1959 Mary Martin vehicle received very mixed reviews. The umpteenth revival which opened last night as the onset of a national tour not only illuminates why this is…
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San Diego Theater Review: LA CAGE AUX FOLLES (San Diego Musical Theatre)
OOH LA LA FOR LA CAGE AUX FOLLES If any gay activist ever derides this delightful musical, they would do well to remember just how radical La Cage aux Folles was when it hit Broadway in 1983 (the original play [1973] and film [1978] even more so). A third of a century later, it’s still…
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San Diego Theater Review: MASTER CLASS (ion theatre)
SCHOOLED BY CALLAS If you’ve ever been to a master class, then Terrence McNally’s Master Class (1995) will seem very familiar. If you haven’t, then you’re in for a real eye-opener. A master class, as its name suggests, is a class given by an expert (or master) to students in a particular discipline, typically music,…
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Los Angeles Music Preview: TEARS OF JOY, TEARS OF SORROW (Le Salon de Musiques at the Chandler)
YOUR TRANSCENDENCE AWAITS The grand opening concert of Le Salon de Musique’s 2015/2016 arrives on Sunday, October 4, 2015, at the Dorothy Chandler Pavilion. Every time I visit, Le Salon proves itself to be the greatest chamber music outfit I have ever discovered. You get world-class players in an intimate setting offering masterful works (often…
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Los Angeles Theater Review: RANT & RAVE CHAPTER 62: MEDIA (Rogue Machine Theatre)
ME NEXT TIME I’m running up Pico. It’s 7:54 p.m. and I just parked on Rimpau because I’ve only lived in L.A. for 18 years and Google Maps told me Theatre Theater was .1 mile from Rimpau, but it isn’t, it’s like 9 blocks, and I’m running. I was up at 4:30 this morning to…
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Los Angeles Theater Review: THE WHISKEY MAIDEN (Theatre of NOTE in Hollywood)
LOS PECES VIOLENTOS There is a dark parable in the bible, in Luke or maybe John; it’s in the Scheherazade – the tale of the thousandth night, perhaps. Your translation didn’t have every night, anyway you didn’t read that far, but you almost know it. It’s in the Talmud. It’s a legend your grandmother used…
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Los Angeles Theatre Preview: BONNIE AND CLYDE (Musical Theatre Guild at the Alex in Glendale)
GANGSTER MUSICAL You’ve seen the movie, you’ve seen the car, now see the musical. Meet the most famous robbing, murdering, loving couple in U.S. history. From their first meeting at a West Texas diner through their tumultuous courtship and romance, from their brief, history-making crime spree to their fateful final drive through Louisiana, this thrilling…
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Los Angeles Theater Review: HOOKED (Los Angeles Theater Festival at the Complex’s Ruby Theatre)
“DON’T LOOK AT ME” Jillian Leigh’s second play, Hooked, is extremely ambitious and fairly successful in the hands of director Terri Treas, producer Michael Zand, and a strong cast including the playwright. While the play could use another couple of drafts and at least one scene either more or less, and though the opening-night performance…
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Los Angeles Dance Preview: MARIINSKY BALLET (Raymonda at SCFTA; Cinderella at Dorothy Chandler)
MARIINSKY BALLET & ORCHESTRA DOUBLE DOSE Russia’s Mariinsky Ballet, one of the world’s most influential and historically rich dance companies, returns to Segerstrom Center for the Arts September 24 – 27, 2015 opening the Center’s 30th Season with Raymonda. Performing with the Mariinsky Orchestra, conducted by Gavriel Heine, this will be the company’s eighth visit to…



















