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Los Angeles
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Los Angeles Theater Preview: PAL JOEY (Musical Theatre West in Long Beach)
YOUR PAL IS COMING TO TOWN Sassy and brassy Pal Joey is a wondrous rouser that spins the tale of a roué gone rotten in Depression-era Chicago. As part of its Reiner Staged Reading Series, Musical Theatre West is presenting Rodgers and Hart’s original 1940 version of their masterwork, and I promise a glorious revival at CSULB on Sunday, January 24 at 7. With…
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Tour Review: 1984 (The Broad Stage in Santa Monica)
THAT WAS THE YEAR THAT IS, OR ALL’S ORWELL THAT ENDS ORWELL When the meek and paranoid everyman Winston Smith scribbles “Down with Big Brother” in his journal, he soon blossoms into a determined and impassioned rebel. But taking a stand in the dystopian superstate of George Orwell’s sadly timeless 1984 hardly creates the happy endings we see in today’s books, films,…
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Los Angeles Theater Preview: CAPITOL STEPS (Carpenter Center in Long Beach)
A CAPITOL IDEA FOR THIS WEEKEND One of the funniest troupes in the country resides in our nation’s capitol–hence the name Capitol Steps. For almost 35 years, they have skewered and satirized our political shenanigans in a take-no-prisoners fashion. They take pop songs and musicals to parody politics and current events, but every time I see…
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Tour Theater Review: BULLETS OVER BROADWAY THE MUSICAL (North American Tour)
BULL FROM BROADWAY In keeping with the never-ending trend of turning films into Broadway musicals, Douglas McGrath and Woody Allen’s 1994 comedy, Bullets Over Broadway, has been turned into a jukebox musical. It may have flopped on Broadway but, as with the disastrous If/Then before it, producers must know that tickets will be bought for this disappointing dreck,…
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Los Angeles Music Preview: NICHOLAS McGEGAN & SEAN CHEN (Pasadena Symphony)
A CLASSICAL UNFINISHED EMPEROR In a program in which familiarity breeds joy, the Pasadena Symphony begins the New Year with three of the most popular pieces in the repertoire, led by the insanely affable and exuberant Nicholas McGegan: Prokofiev’s short but mighty Classical Symphony, Schubert’s Unfinished Symphony, and Beethoven’s Piano Concerto No. 5, best known…
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Film Preview: THE CONTENDERS (MoMA’s Film Series at the Hammer Museum)
THE CONTENDERS REIGNS SUPREME For the past eight years, the Film Department of New York’s Museum of Modern Art has scrutinized releases, searching for the select few films from the previous twelve months which qualify for the end-of-the-year screening series known as The Contenders. Whether mainstream movies, independents, foreign-language films, documentaries, or art-house sensations, this intelligently and brilliantly…
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Film and Los Angeles Music Review: HEART OF A DOG & CONCERT FOR DOGS (directed by Laurie Anderson)
HEART OF DOGNESS In the middle of two hundred people and sixty dogs in the Silent Movie Theatre, in that low, dark room, some of the heads silhouetted against the screen ahead are those of standard poodles. There’s a barky collie and a St Bernard. There’s a scattering of smaller dogs, like Tango the mellow…
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Los Angeles Music Review: DAVID BENOIT TRIBUTE TO CHARLIE BROWN (Carpenter Center in Long Beach)
GREAT GOOD GRIEF It’s clear that jazz pianist David Benoit has more than an affection for all things Charlie Brown. The pensive character from Charles Schultz’ strip, Peanuts, has certainly inspired many–from filmmakers and musicians to the “Average Joe” who contemplates the enormity of just existing–but Benoit presented his charming Christmas concert with a childlike persona that was…
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Los Angeles Theater Review: THE CHRISTIANS (Center Theatre Group at the Mark Taper Forum)
CROSSFIRE Between religious zealots, especially those who use the word of God to control the populace rather than to create peace, and the liberation of a new world’”gay marriage, Roe v. Wade’”more and more people are leaving organized religion. Especially in America. A recent study indicated that millennials are leaving the church in droves. Some…
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Los Angeles Theater Review: THE LATINA CHRISTMAS SPECIAL (Los Angeles Theatre Center)
ME SO FELIZ A friend mentioned that three comediennes–a Cuban American from Miami, a Mexican American from Texas, and the daughter of an “over-dedicated Mexican mother and a compliant Lithuanian father” from Sun Valley, CA–are putting on a show in which they indulge in reminiscences about their childhood Navidades (Christmases). He invited me, but I declined, telling my friend…
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Los Angeles Music Preview: ALL-RACHMANINOFF (Cristian Măcelaru and Kirill Gerstein with the LA Phil)
GET YOUR RACHS OFF I can think of nothing better to do this holiday season then something that has nothing to do with the holidays. It’s not easy to find, but in the midst of the Messiah morass, the Los Angeles Philharmonic is offering an All-Rachmaninoff program this weekend that is sure to bring you…
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Tour Theater Review: IF/THEN (National Tour)
WHAT/EVER Saved from total disregard by a libretto that occasionally manages to engage with humor and knowingness, this brave attempt to examine the subject of fate versus choice utterly fails to cohere into a moving experience. Composer/lyricist Brian Yorkey and composer Tom Kitt, the creators of Next to Normal, use parallel time-lines to explore the…
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Theater Review: THE BRIDGES OF MADISON COUNTY (U.S. National Tour)
HOW DO YOU LIKE YOUR BRIDGES? Given Marsha Norman’s awkward and dispiriting adaptations for The Secret Garden (1991) and The Color Purple (2005), the most surprising, but not the best, element of the musicalized version of The Bridges of Madison County is her libretto. Neither is Jason Robert Brown’s score the greatest thing on stage at the Ahmanson Theatre, where this short-lived…
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Los Angeles Music Preview: DEAR MR. SINATRA, A SWINGING CENTENNIAL (John Pizzarelli, Cheyenne Jackson and Monica Mancini at Valley Performing Arts Center in Northridge)
THE BEST IS YET TO COME ON SINATRA’S BIRTHDAY Frank Sinatra was not only one of the most popular entertainers of the 20th century, but he was arguably the greatest singer as well, recording more than 1,500 songs. His extraordinary interpretative genius and the way he could rescue some songs from obscurity and extend the…
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Los Angeles Theater Preview: GUYS & DOLLS (Oregon Shakespeare Festival at the Wallis in Beverly Hills)
ALL DOLLED UP AND READY TO GO, GUYS It’s a new tradition that I could get used to. The season of the Oregon Shakespeare Festival is practically year-round. Performances begin in Ashland in February and last until late October or early November. That leaves two months for a “breather” before the company heads back into…
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Los Angeles / Regional Theater Preview: A CHRISTMAS CAROL (Rubicon in Ventura)
CREATING A NEW CAROL While Michigan-born illustrator Haddon Sundblom developed the popular image of Santa Claus for Coca Cola advertising in the 1930s, it was the Victorian era which introduced most of the Christmas customs still practiced worldwide, including the illuminated / decorated tree and holiday greeting cards. In 1843, Charles Dickens’ A Christmas Carol was published,…
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Los Angeles Music & Dance Review: STRAVINSKY & BALANCHINE’S APOLLO (LA Phil at Disney Hall)
APOLLO EARTHBOUND; SHOSTAKOVICH SOARS Rollicking, mysterious, and adventurous may be attributes of Britten’s Young Apollo,but these adjectives also describe the outcome, respectively, of the three pieces that comprised the Los Angeles Philharmonic’s program last night. Britten’s 1939 10-minute work for piano, string quartet, and string orchestra, included a rip-roaring performance by Joanne Pearce Martin; Stravinsky’s 1928 ballet…
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Los Angeles & San Diego Theater Reviews: RIO HONDO (Theatre of NOTE); INDECENT (La Jolla Playhouse)
SHOWS THAT TELL, SHOWS THAT SHOW A list of the most popular investigative themes for artistic works in 2015 would certainly include (1) art itself, particularly within the same medium, and (2) the relevance of identity politics to (1). With Indecent, which opened last week at the La Jolla Playhouse in a joint production with…
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Los Angeles Theater Review: Caryl Churchills’s LOVE AND INFORMATION (Son of Semele Ensemble)
TMI AOK I’m a librarian during the day, and one thing I remember from back in Library School (because you have to go to Library School to become a librarian, you know) is that there are many discussions about the nature of information. Oh, librarians are fascinated about information. To a specialist in such things,…
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Los Angeles Theater Review: DO I HEAR A WALTZ? (Musical Theatre Guild)
DO I FEAR A WALTZ? Musicals are generally “lost” for any one of a number of reasons: the libretto may be filled with once topical socio-political humor now meaningless to contemporary audiences; it’s too expensive to produce; the score may have gone out of fashion; or the show itself is like a machine whose parts don’t…


















