Areas We Cover
Categories
Los Angeles
-
Los Angeles Theater Review: MONTY PYTHON’S SPAMALOT (Hollywood Bowl)
THE HOLY GRAIL OF SILLINESS It’s been 40 years since the release of the landmark comedy film Monty Python and the Holy Grail and 33 years since the British sketch comedy troupe recorded Live at the Hollywood Bowl. The two events collided last night when the 2005 Broadway musical Spamalot, which original Python member Eric Idle “lovingly ripped…
-
Los Angeles Theater Preview: GROUNDLINGS RED LIGHT DISTRICT (The Groundlings Theatre)
THE FUTURE LOOKS LIGHT For almost 40 years, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang. Performers showcase material that arises from improvisation workshops; their weekly shows range from all-improv to all-sketches and anywhere in-between. The current sketch comedy offering…
-
Theater Review: BENT (Mark Taper Forum)
DACHAU DELIVERANCE TO THE MAX More than six million Jews were slaughtered by Nazis. When Martin Sherman wrote Bent in 1979, the yellow star that emblazoned the clothing of Jews was well-known, but history had yet to add “We shall never forget” to the image of a pink triangle, the insignia used to identify the…
-
Los Angeles Music Preview: THE SINATRA PROJECT (Michael Feinstein and the Pasadena POPS in Arcadia)
FEINSTEIN & FRANK: THE BEST IS YET TO COME Of all the Michael Feinstein Pasadena POPS concerts so far, my favorite was last year’s presentation of Gershwin songs’”and it wasn’t because of the selections or Feinstein’s history with George’s brother Ira as friend and archivist. It was because Feinstein set aside the conductor’s baton and…
-
Los Angeles Theater Review: GIRLFRIEND (Kirk Douglas Theatre in Culver City)
GIRLFRIEND, PLEASE! While it’s being sold as a rock musical, Todd Almond’s gay two-hander is really a play; the songs from Matthew Sweet’s 1991 breakout album Girlfriend are indiscriminately tossed into the script as filler. Take away the music and you’re left with a very small coming-of-age tale ideal for a Fringe Festival, maybe, but certainly not…
-
Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at GTC in Burbank)
SUCCESS You have had at least one dream in which the universe of potential joy is realized in a moment. The moment is ethereal and tangible, in the way of dreams. For me this dream is always of a kiss. In the dream I am young and the girl I am going to kiss is…
-
San Diego Theater Review: KISS ME, KATE (Old Globe)
A FULL-ON KISS Everything is so dang perfect about the construction of Kiss Me, Kate that it’s doubly amazing when a revival comes along to match that perfection. With some of the most boffo talent you are likely to encounter on stage, director Darko Tresnjak and choreographer Peggy Hickey (A Gentleman’s Guide to Love and…
-
Los Angeles Theater Review: ASTRO BOY AND THE GOD OF COMICS (Sacred Fools)
SYNTHETICS AND STRUCTURE Excelling at stage picture, Jaime Robledo sets a lot of toys in motion in Sacred Fools’ latest offering, recently extended into August. Robledo’s direction of Natsu Onoda Power’s 2011 spectacle Astro Boy and the God of Comics features scrims and screens, puppets, projections, live actors and plain old pen and paper, all interacting…
-
Los Angeles Theater Review: SHIV (The Theatre @ Boston Court in Pasadena)
RHYMES WITH SIEVE In her play Shiv, the third part of an immigrant-experience trilogy first workshopped in 2013, Aditi Brennan Kapil writes of a character (played by Monika Jolly) named after a Hindu god most widely known as an agent of destruction. The girl’s troubled relationship with her poet father, and her subsequent involvement with…
-
Regional Theater Preview: THE PURSUIT OF HAPPINESS (Pageant of the Masters in Laguna Beach)
YOUR PURSUIT IS OVER In writing the Declaration of Independence, Thomas Jefferson borrowed a phrase from 17th century English philosopher John Locke, who spoke of “life, liberty and property,” property perhaps being the key to happiness in the age of servants and nobility. But Locke had plenty to say about happiness in one of his…
-
Los Angeles Theater Preview: SINGIN’ IN THE RAIN (Musical Theatre West in Long Beach)
THE DROUGHT ENDS THIS WEEKEND You may know the term “Jukebox Musical” from the ridiculous amount of new Broadway musicals which take previously published songs’”most often popular hits that audiences will recognize’”and squeeze them into a new libretto. The sad truth is that even the dumbest of books is tolerated for rabid fans of the…
-
Los Angeles Theater Review: AUGUST: OSAGE COUNTY (Theatricum Botanicum in Topanga)
THE AMERICANS Tracy Letts wrote a bleak comedy in 2007 that sold a lot of tickets, won a bunch of prizes and ensured his writing career at least a footnote in the big books. August: Osage County is about three generations of a familiarly fucked-up American family – you got your moral weakness, your addiction,…
-
Los Angeles Music Preview: LIONEL BRINGUIER CONDUCTS THE LA PHIL (Hollywood Bowl)
THE PYROTECHNICS AFTER THE FOURTH OF JULY As if the blazing heat wave last week wasn’t enough of an indication that summer is upon us, the Los Angeles Philharmonic is opening the first week of its classical season at the Hollywood Bowl. It’s still tough to beat the communal experience of sitting under the stars…
-
Los Angeles Theater Review: BEST OF ALBUQUERQUE FRINGE 2025 (Hollywood Fringe Festival)
THE WORST OF THE BEST Let me say that I have no idea what I just saw. Clearly, some very clever folk have come up with the very clever idea to spoof a Fringe Festival, which Fringe Festivals certainly deserve. Two very silly and rarely believable hosts, played by Jacob Smith and Lauren Flans (the…
-
Los Angeles Music Review: BIG BAND SWING! (Michael Feinstein and the Pasadena POPS in Arcadia)
IT’S VERY CLEAR, FEINSTEIN IS HERE TO STAY No one can argue that Michael Feinstein has singlehandedly reinvigorated the American Songbook for the 21st century, but this beguiling raconteur is also a consummate showman who is so knowledgeable and adorable that you may just want to pinch his cheeks. This is why he is a…
-
Los Angeles Theater Review: MAX AND ELSA: NO MUSIC. NO CHILDREN. (Hollywood Fringe Festival)
THE HOLLYWOOD HILLS ARE ALIVE WITH THE SOUND OF MAX AND ELSA Greetings my lovelies! Garrulous Greta here with some glorious news. You may remember not long ago I received a letter from a fan of The Sound of Music (and who isn’t in love with that glorious 1965 film?’”and if you aren’t we don’t…
-
Los Angeles Theater Review: KINKY NEON ROCKER (Hollywood Fringe Festival)
THESE, OUR PLAYWRIGHTS Kinky Neon Rocker is one of those rally-round-the-flag excuses theater people use to put on shows: A beautiful old curved-wood rocking chair, painted in day-glo motley, features six times in six skits. Although six members of the Alliance of Los Angeles Playwrights (ALAP) wrote a skit each, the writing is fairly consistent,…
-
San Diego Theater Preview: TWELFTH NIGHT, OR WHAT YOU WILL (The Old Globe)
TWELFTH NIGHT LANDS AT THE OLD GLOBE A comedy’s brewing up in the rehearsal rooms of The Old Globe. Soon, winds will whip, distressed voices will call out and a ship’s timbers will be shivering, cracking, and smashing against a coastline’”all in the Lowell Davies Festival Theatre of course. Two castaways’”the lady Viola and the…
-
Los Angeles Theater Review: THE YEARBOOK (Magnum Opus Theatre at the Hollywood Fringe)
MASTERFRINGE THEATRE When Barnaby Hughes reviewed a previous Magnum Opus production of Surf Dogs Unite for Stage and Cinema, he wrote that the show “will leave you doubled over with laughter.” Even knowing my own writers, I somewhat doubted that clichéd statement. But last night, I saw the players take an actual awful screenplay about misfit high…
-
Tour Theater Review: THE PHANTOM OF THE OPERA (North American Tour)
THE PHANTOM MENACE Last night’s opening of The Phantom of the Opera, a refurbished revival of previous national tours, proves one thing: Since Andrew Lloyd Webber’s baby was born almost 30 years ago in London, the only thing that’s improved is theatrical technology, not aesthetics or storytelling or performers. In an overwrought, overblown production overseen…



















