Areas We Cover
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Los Angeles
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Los Angeles Theater Review: THE NIGHT ALIVE (Geffen Playhouse)
LOVE THAT GOES BUMP IN THE NIGHT Conor McPherson’s plays are so rooted in the characters that plot is really revelation. With unforced warmth, he captures loneliness in the act of self-effacement, and love as the best way to prove we’re really here. Geffen Playhouse’s offering The Night Alive is no nocturne’”much in the vein of McPherson’s…
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Los Angeles Theater Review: THE PITCHFORK DISNEY (Coeurage Theatre Company)
A RIDE YOU WON’T FIND IN ANAHEIM Any neighborhood with the elevated name of Silver Lake should have freshwater dolphins and interesting old hotels and a disfigured serial killer who stalks the shrubbery on the anniversary of his parasailing accident. Instead recently on a steep pavement I witnessed this conversation between an attractive pedestrian and…
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Los Angeles Theater Preview: HELLMAN V. MCCARTHY (Theatre 40 in Beverly Hills)
A FAMOUS LITERARY FEUD MAKES GREAT DRAMA In a 1980 television interview with Dick Cavett, novelist and literary critic Mary McCarthy made an especially biting comment about her longtime adversary and fellow writer, playwright and memoirist Lillian Hellman, saying that “every word she writes is a lie, including ‘and’ and ‘the.’” Unfortunately, Hellman was watching…
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Los Angeles Music Preview: ALL-SCHUBERT PROGRAM (Le Salon de Musiques at the Dorothy Chandler Pavilion)
NOTHING FISHY ABOUT THIS PROGRAM Former music critic and Chicago Symphony Orchestra program annotator Phillip Huscher wrote that Anselm Hí¼ttenbrenner, one of Franz Schubert’s regular drinking partners, loved to tell the story of the night he invited the composer over to share some bottles of Szekszárd, a Hungarian red wine he had received as a…
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Los Angeles Theater Review: THE MISSING PAGES OF LEWIS CARROLL (The Theatre @ Boston Court)
UP THE RABBIT HOLE There’s been a good deal of speculation over the last hundred-and-something years regarding the sexuality of Charles Dodgson, an Oxford professor of mathematics more famous for his writings under the pen name Lewis Carroll. Severally, storytellers Dennis Potter and Robert Wilson have investigated the subject; so have many market-minded biographers. That Dodgson…
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Regional Theatre Review: TRISTAN & YSEULT (Kneehigh Theatre Company at South Coast Rep)
THEATRICAL TRICKERY TRUMPS A TRAGIC TALE Cheeky, goofy and sassy, Tristan & Yseult at South Coast Rep affectionately mocks and contemporizes a classic love tragedy and literary legend while respecting English performing arts tradition, from music-hall and panto to Peter Sellers and Ealing Studios. This irrepressible import from Kneehigh, that brassy Cornish theater company which…
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Los Angeles Music Preview: BACH’S ST. MATTHEW PASSION (Los Angeles Master Chorale at Disney Hall)
EVERYONE’S INTERESTED IN THE LATEST PASSION The majority of Bach’s choral music dates from 1723 onward during his long tenure as Cantor of the St. Thomas Church in Leipzig. It was during that lengthy period, which lasted until his death, that he composed more than 230 cantatas (many lost to posterity) and five “passions,” of…
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Los Angeles Music Preview: BRUCKNER NINTH WITH BLOMSTEDT (LA Phil at Disney Hall)
AN EXPERIENCE NOT TO BE MISSED On a website which attempts to list every Anton Bruckner orchestral recording offered to the public (www.abruckner.com), the discography collector and annotator John F. Berky states that the Austrian composer “expanded the concept of the symphonic form in ways that have never been witnessed before or since. When listening…
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Los Angeles Theater Review: REBORNING (Fountain)
UNTO US A CHILD IS MADE This fascinating drama by playwright Zayd Dohrn is set in the bizarre subculture of women who buy dolls that eerily resemble actual babies. Can this possibly be enough material here for a play? There are many reasons for buying super-realistic baby dolls, one supposes – you could collect them, or…
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Regional Music Preview: SZYMANOWSKI QUARTET WITH JOSEPH KALICHSTEIN, PIANO (Samueli Theater in Costa Mesa)
EXCITING QUARTET COMES TO SEGERSTROM I’ve been on a chamber music kick for about four years now. From intimate salons in living rooms to concert halls, I’m discovering composers I’ve never heard of who have’â€for reasons beyond their amazing work’â€frustratingly not become ensconced in the repertoire. I’ve also been introduced to pieces by well-known composers…
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Los Angeles Theater Review: MUTANT OLIVE (Lounge Theatre in Hollywood)
MUTANT — AS IN FREAK OF NATURE After watching the roaring, sputtering, and cursing along with regretful descriptions of drug use and parental abuse back in the “bad old days,” I had to ask myself, “Wha’ kind of crazy fucking show is this?” I’m not really one to use such language, but writer-performer Mitch Hara’s…
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Los Angeles Theater Review: ANNA CHRISTIE (Odyssey Theatre Ensemble)
SAILING THROUGH FOG The title of Eugene O’Neill’s 1921 drama Anna Christie is the nom de guerre chosen by a hard-knock 18-year-old who decides that if she’s going to get pawed, she’ll damn well get paid for it. She hates men, God damn them, especially sailors, starting with the absentee father who entrusted her upbringing…
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San Diego Theater Review: AVENUE Q (Coronado Playhouse in Coronado)
IT DOESN’T SUCK TO BE AVENUE Q AT CORONADO In the right setting, irreverence is so jovial. Perhaps our era of thought-police and political correctness has made it delicious to pervert that which seems simple and pure solely for the sake of entertainment, but musicals such as The Producers and The Book of Mormon are…
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Los Angeles Theater Preview: COMPANY (Cabrillo Music Theatre in Thousand Oaks)
IN GOOD COMPANY “It’s a revue, but not a revue,” Stephen Sondheim said about Company when he was interviewed at Segerstrom in 2013. This surprised me because the groundbreaking 1970 musical is a concept musical, meaning that the themes of a show (in this case, marriage and commitment) are woven throughout the play, but do…
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Los Angeles Dance Preview: FUMBLING TOWARDS ECSTASY (Alberta Ballet at Royce Hall, UCLA)
A TAB OF ECSTASY Following Alberta Ballet’s triumphant tributes to the music of Canadian legend Joni Mitchell and England’s international superstars Sir Elton John and Bernie Taupin, Fumbling Towards Ecstasy, a “pop-fusion” ballet, features the music of Canadian singer-songwriter Sarah McLachlan, whose melodious music is the inspiration and soundtrack to this beautiful performance. The company…
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L. A. THEATER FAVORITES, 2014
A YEAR OF ECSTATIC MOMENTS Last year, as ever, I missed what I am told was some of the best theater that went up in Southern California. I don’t know what’s Best or Most. I saw shows that knocked me out and shows that didn’t. It is always a profound inspiration to see people do…
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Los Angeles Opera Preview: ¡FIGARO! (90210) (LA Opera at Barnsdall Park in Hollywood)
¡FIGARO! ¡FIGARO! ¡FIGARO! An updating of The Marriage of Figaro took New York by storm in 2013. Taking the debate over immigration reform, a multi-cultural English/Spanglish adaptation by Vid Guerrerio turns the title character into an undocumented worker at a present-day Beverly Hills mansion owned by a slimy real-estate tycoon. Having been given concert and…
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Event Preview: KODO ONE EARTH TOUR: MYSTERY (North American Tour)
A POUND OF CURE Ever since man could bang a stick on a rock, percussion has been a way for humans to express themselves. From your teenager’s bedroom to the battlefield to the theater, percussion has evolved from communicative and ritualistic purposes into an art form. We take for granted the use of percussion as…
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Los Angeles Music Preview: DANIIL TRIFONOV & GIDON KREMER IN RECITAL (Disney Concert Hall)
TRIFONOV MAKES DISNEY HALL DEBUT All it took was one performance from 23-year-old Daniil Trifonov to resoundingly validate why he is the current Big Thing of the piano world. The Liszt-like master’s rendition of Rachmaninoff’s Piano Concerto No. 2 at the Hollywood Bowl (followed by a jaw-dropping encore of Stravinsky’s Firebird for piano) convinced me…
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Los Angeles Music Preview: BEETHOVEN’S MISSA SOLEMNIS (Michael Tilson Thomas and the LA Phil)
THE GREATEST PIECE NEVER HEARD Missa Solemnis is one of Beethoven’s last works, and one of his greatest. He labored over it for four years (the most time he ever gave to composing), and then wrote on the completed score, “From the heart, may it go further to the heart!” While the epic Solemn Mass…


















