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Los Angeles
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Los Angeles Theater Preview: THE BAKER’S WIFE (Actors Co-op in Hollywood)
A RARE TREAT SERVED PIPING HOT The Stephen Schwartz/Joseph Stein musical The Baker’s Wife never made it to Broadway. The musical folded in Washington. D.C. in 1976 before reaching New York City but has since gained something of a cult status in both the United States and England (listen to the “original cast” CD starring…
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Los Angeles Dance Preview: L’ESPACE DU TEMPS (DIAVOLO at Valley Performing Arts Center)
WATCH WHAT UNFOLDS AND BE STUNNED In DIAVOLO’s dance/text hybrid piece Transit Space, author Steve Connell writes, “The only way to get there is to go.” The same can be said for what is arguably the most exciting event of the new season: The U.S. premiere of DIAVOLO’s L’Espace du Temps, three individual pieces originally…
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Los Angeles Theater Review: RANT & RAVE CHAPTER 61: JUSTICE (Rogue Machine Theatre)
RAVE ON Almost a month ago, I went to Rogue Machine’s storytelling night for the first time. You know storytelling nights – they’re like poetry slams, only whiter and less political, and you can be incapable of a rhyme scheme and still do okay. Storytelling nights have replaced karaoke at hipper-than-thou bars, and public radio…
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Theater Review: MOJADA: A MEDEA IN LOS ANGELES (Getty Villa in Pacific Palisades)
BORDERING ON TRAGEDY There is a lot to like about playwright Luis Alfaro’s Mojada, a modern retelling of Medea which sets the main character as an undocumented immigrant and seamstress in the East L.A. neighborhood of Boyle Heights. At its best moments, this Euripides redux offers remarkable insight into both the harrowing and promising aspects…
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Los Angeles Theater Preview: GREEN DAY’S AMERICAN IDIOT-RELOADED! (DOMA at The MET)
RETURN OF A SMART IDIOT It’s always satisfying to see a show that really works get a remount. DOMA, which presented the best version I have ever seen of Green Day’s American Idiot is bringing back their extraordinarily successful production for a limited run next month. Inspired by a 2004 rock album by the American punk rock…
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Los Angeles Opera Preview: GIANNI SCHICCHI & PAGLIACCI (LA Opera)
DOUBLE DUTY DOMINGO The biggest names in opera, cinema, and classical music converge for the opening of LA Opera’s impressive 30th anniversary season. The double bill which opens Saturday is one of the fastest selling events in memory, and with good reason: The program begins with director Woody Allen’s riotous staging of Giacomo Puccini’s only…
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Theater Review: SONDHEIM UNSCRIPTED (Impro Theatre at the Falcon Theatre in Burbank)
RECREATION My editor and I didn’t toss a coin to see who would write the review – he’s smarter than that; he wrote a very nice preview piece, the kind I find very difficult, and that was that. Neither one of us wanted to write a review because we’re out of words to describe Impro…
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Los Angeles Music and Dance Preview: AUDRA MCDONALD & ABT & LA Phil (Hollywood Bowl)
AMERICAN CLASSICS WITH AUDRA MCDONALD & AMERICAN BALLET THEATRE The last time I saw the captivating singer and actress Audra McDonald in concert, she sang the Bernstein/Comden/Green tune “I’m a Little Bit in Love” from Wonderful Town: “Mm–mmm! / It’s so nice to be alive / When you find someone who bewitches you.” And when you see her upcoming…
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Concert Review: ORQUESTA BUENA VISTA SOCIAL CLUB (Hollywood Bowl)
A FOND FAREWELL Back in the 1990s, Buena Vista Social Club took the world by storm. The album, inspired by the music played at a Havana members club, both celebrated and cemented the fluid formidability of popular pre-revolution Cuban music performed by Cubans. It sold over five million units worldwide, and notched a Grammy Award…
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Los Angeles Theater Preview: SONDHEIM UNSCRIPTED (Impro Theatre at the Falcon in Burbank)
COMEDY TONIGHT More like side-splitting by side-splitting by Sondheim, Impro Theatre–the masters of long-form improvisations in the style of famous authors and genres–are gearing up for an opening night the likes of which you will never see again. Literally. In fact, every night during  the run of Sondheim UnScripted at the Falcon Theater will be opening…
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Los Angeles Theater Review: LUKA’S ROOM (Rogue Machine Theatre)
DISILLUSION ON DEMAND In Rob Mersola’s Luka’s Room, Nick Marini plays a blithe, typical, technology-addicted college sophomore who has a rough summer after his father stops paying Arizona State tuition. Luka has to move in with his senile grandmother (Joanna Lipari) and pot-dealer ex-con uncle (Alex Fernandez). The kid’s fall from an upper-middle-class dorm to…
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Los Angeles Dance Preview: THE SEASONS (American Contemporary Ballet premiere at the Farmers and Merchants Bank in downtown)
TIS THE SEASONS Not unlike Timothy Leary and LSD, I have been turning people on to ACB for similar reasons. In an increasingly complicated world, one needs a stimulant to reinforce a sense of what is important. American Contemporary Ballet’”with its original programming, live accompanying chamber music, sterling dancers, and the best corps de ballet…
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Theater Review: UP HERE (La Jolla Playhouse)
THERE’S NOTHING GOING ON UP HERE It’s an idea whose time has already come this summer, and with far superior results. In fact, the character of Lindsay, a t-shirt designer who has fallen for the analytical nerdy computer whiz Dan, mentions on their first date the enormously successful Disney’¢Pixar film Inside Out, which chronicles the…
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San Diego Theater Review: BASKERVILLE: A SHERLOCK HOLMES MYSTERY (The Old Globe)
YOU CAN GO HOLMES AGAIN It turns out that you can teach an old dog new tricks, proven by The Old Globe’s contemporary stage-spoof treatment of the classic 1901 Sherlock Holmes novel The Hound of the Baskervilles. Longtime fans of Sir Arthur Conan Doyle’s literature need not be skeptical: While Ken Ludwig’s adaptation’”in which three…
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Los Angeles Theater Review: REPLICA (Urban Theatre Movement at Asylum Lab)
REAL THING I hate it when people talk about the need to “support” a good cause. Guilt is simply bad salesmanship. It kills it for me. It killed Save-the-Whales, and it sure didn’t work in time for Cecil the Lion. I heard part of a KPFK pledge-drive recently that demanded a weep-track to underscore its…
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Los Angeles Music Review: JAMIE CULLUM/SOULIVE/ LISA FISCHER (Hollywood Bowl)
UNWIELDY TRIAD The trifecta of performers at the Hollywood Bowl last night was given a strange reaction by the well-attended crowd. Whether it was during the sets of soulstress Lisa Fischer, funk/jazz trio Soulive, or big-band innovator Jaime Cullum, the inordinate amount of talking, moving, boisterous, and cell-phone playing patrons astounded me. I think that…
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Tour Theater Review: KURIOS (Cirque du Soleil)
CIRQUE DU FIN DE SIÈCLE This is a snazzy and pizzazz-packed blast from the past: Kurios: Cabinet of Curiosities draws its whimsical magic from the “steampunk” style that melds Victorian design with intricately elaborate (and often useless) industrial gadgetry of the Rube Goldberg persuasion. To this all-morphing mindset, everything can become a machine–the pulleys and fly…
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Los Angeles Theater Preview: MUCH ADO ABOUT NOTHING (Independent Shakespeare Co.)
AND NOW, WITH FURTHER ADO: Not only is it one of my favorite Shakespeare plays, but Much Ado About Nothing contains a favorite character: Dogberry. This bumbling constable arrives much later in the play than the famous sparring couple’”Beatrice and Benedick’”and adds an enormous amount of comic energy to a play that is already awash…
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Theater Review: ALWAYS…PATSY CLINE (Sierra Madre Playhouse)
A FINE CLINE Patsy Cline couldn’t be more fondly or accurately recalled than by Cori Cable Kidder in Robert Marra’s production of Always…Patsy Cline, the oft-produced 1990 paean to the once and future crossover country icon who made audiences “fall to pieces.” Written and originally directed by Ted Swindley, this tribute—equal parts play, concert and…



















