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Los Angeles
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Los Angeles Theater Review: ABOVE THE FOLD (Pasadena Playhouse)
BELOW THE FOLD Above the Fold, a new play making its debut at the Pasadena Playhouse, has two major flaws that result in an evening of uninspired theater: both a lack of credibility and compelling dramatic action. Written by former The New York Times reporter-turned-playwright Bernard Weinraub, Above the Fold follows a journalist from a…
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Los Angeles / Regional Dance Review: LILIOM (Hamburg Ballett at Segerstrom Hall in Costa Mesa)
IF I LOVED YOU At a time when many ballet companies are commissioning short dance pieces, it’s refreshing that John Neumeier’”since 1973, when he became Artistic Director and chief choreographer of the Hamburg Ballett [sic]’”continues to develop story ballets. His latest sweeping narrative which arrived at Segerstrom Hall last night is Liliom, based on Ferenc…
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Los Angeles Theater Review: BUNNY BUNNY (Falcon Theatre in Burbank)
NO NEED TO HOP ON OVER TO THE FALCON There’s an old European superstition: In order to ward off evil spirits and bad luck the first words you utter on the first day of every month must be ”rabbit, rabbit, rabbit.” As a child frightened of monsters lurking in her bedroom, comedienne and actress Gilda…
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Los Angeles Music Preview: ROMANCE AT THE PHIL (Bringuier, Tilling, Brahms, Berg & Beethoven)
ROMANTIC RENDEZVOUS Lionel Bringuier touches down at Disney Hall with the Los Angeles Philharmonic on Valentine’s Day weekend serving up a buffet of romantic music from Brahms, Berg, and Beethoven. Following his final year as Resident Conductor with the LA Phil, Bringuier returns with the exceptional Swedish soprano Camilla Tilling, whose voice carries the combination…
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Los Angeles Music Review: URBAŠƒSKI CONDUCTS CHOPIN, PROKOFIEV & KILAR (LA Phil at Disney Hall)
A PERFECT BALANCE OF BITE AND BEAUTY Krzystof Urbański’s star shines a bit brighter these days. Not yet 35, he has taken hold as the conductor of the Indianapolis Symphony, and on Jan. 25 he wowed with an LA Phil command performance. The power bursting forth from the philharmonic, along with Urbański’s exuberance and lively…
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Los Angeles Music Review: JOHN WALZ & EDITH ORLOFF (Le Salon de Musiques)
SNAPSHOTS OF PARIS What do composers Léon Boëllmann, Francis Jean Marcel Poulenc, and Bohuslav MartinН have in common? According to François Chouchan and Julius Reder Carlson, the answer is Paris. The programmer/artistic director and resident musicologist of Le Salon de Musiques, the best Chamber Music outfit in Los Angeles, contextualized three sonatas written for cello…
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Los Angeles Theater Review: NIGHT WATCH (Theatre 40 in Beverly Hills)
A SWELL WHODUNNIT CREATES ANOTHER MYSTERY: WHY THIS ACTRESS? Part Rear Window, part Gaslight, Night Watch is currently dialing up the suspense at Theatre 40 in Beverly Hills. Lucille Fletcher’s yarn unfolds around Elaine Wheeler (Jennifer Lee Laks), a rich and troubled woman who sees dead people from her window in the Kips Bay section…
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Los Angeles Theater Review: CHINA: THE WHOLE ENCHILADA (Sacred Fools Theater Company)
SHANGHAIED A musical featuring three performers and 5,000 years of Chinese history in just 90 minutes sure sounded promising, but the production of China: The Whole Enchilada currently serving up won-ton laced humor at the Sacred Fools Theater leaves the theatrical diner longing for a more satisfying meal. Upon viewing, it’s easy to see why…
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Los Angeles Dance Review: PLAY AND PLAY: AN EVENING OF MOVEMENT AND MUSIC (Bill T. Jones / Arnie Zane Dance Company at VPAC)
JONESING FOR SOMETHING MORE It’s been 31 years since the creation of the Bill T. Jones/Arnie Zane Dance Company, but since Zane’s death from AIDS in 1988, Jones’”his work and life partner’”has remained the sole artistic director. A touring 30th anniversary season includes two mixed programs, both of which are under the banner of “Play…
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Los Angeles Theater Review: A CAT NAMED MERCY (Casa 0101 Theater)
KILLER PUSSY Suicide! Euthanasia! Incest! Health Care! Racism! Old age! Corporate America! Spirits! The afterlife! Prison! Duplicity! Playwright Josefina López (Real Women Have Curves) is tackling so many issues in her new play A Cat Named Mercy that it suffocates what could have been a most compelling story. As if living with her death-wishing, diabetic,…
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Los Angeles Music Review: IL MANTOVANO HEBREO (Profeti Della Quinta at the Wilshire Boulevard Temple)
COLORATURA ME MINE If ever there was a case for live music, a renaissance vocal ensemble is a compelling one. There is something so pure about five voices interacting in perfect harmony, especially in an exquisitely beautiful room. Such was the case last Thursday at the Da Camera Society’s Mid-Wilshire Festival; as part of its…
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Los Angeles Music Review: MOZART, BEETHOVEN & HAYDN (Los Angeles Chamber Orchestra)
HALLS OFFERS SOOTHING RELIEF A concert of good old-fashioned Classical music can be such a joy. If presented with respect, classical music’s stigma can easily disappear. In a concert of chestnut favorites (Mozart, Haydn, and Beethoven), the L.A. Chamber Orchestra accomplished this precisely at UCLA last Sunday. The ballet music from Mozart’s Idomeneo combined with…
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Los Angeles Music Review: A MORE CONVENIENT SEASON (REDCAT)
NEW WORK GOES FROM PALPABLE FEAR TO A LOT OF NOISE Performed at REDCAT by what seemed like every student at CalArts, composer Yotam Haber’s A More Convenient Season had all the makings of an enormous work, not just a piece of concert music. The 75 minute three-movement multimedia quasi-opera oratorio intends to, in Haber’s…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…
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Los Angeles Theater Review: LET’S MISBEHAVE (International City Theatre in Long Beach)
MAKE IT ANOTHER OLD-FASHIONED PLEASE It’s something of a shocker, really. I had a great time watching Let’s Misbehave, a jukebox musical slim on both premise and reality. It’s actually more of a cabaret in which three super-talented and likeable performers knock off 34 Cole Porter ditties with style and elegance, and that’s the part…
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San Diego Theater Review: THE FOREIGNER (Lamb’s)
THE FOREIGNER HAS GOOD REASON TO STAY PUT Some theatre is staged to raise our awareness. Some theatre is designed to tell a story that will move us emotionally. Some theatre is intended to share a different viewpoint. All of this is good. On the other end of the scale, some theatre exists for nothing…
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Los Angeles Music Preview: A NORDIC PROGRAM WITH BOREYKO & HAHN (LA Phil at Disney Hall)
A SCRUMPTIOUS SCANDINAVIAN FEAST Russian conductor Andrey Boreyko arrives at Disney Hall this weekend for a contemplative and vivid Nordic program with the Los Angeles Philharmonic. The returning conductor will be united with the phenomenal Hilary Hahn, who consistently offers a captivating combination of classiness, élan, ferocity, concentration and shading. She will be playing Danish…
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Los Angeles / Regional Music Preview: TORADZE PLAYS SHOSTAKOVICH (Segerstrom Concert Hall)
A SHOSTAKOVICH FESTIVAL Through February 8, 2014, a dizzying array of events celebrating Russian composer Dmitri Shostakovich is being presented by Pacific Symphony and Chapman University. Starting tonight, Russian powerhouse pianist Alexander Toradze, recognized as a masterful virtuoso with deep lyricism and intense emotion, joins Pacific Symphony to introduce a journey into the music of…
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Los Angeles Theater Review: PASSION PLAY (Odyssey)
AN OCEAN OF TIME If you ever climb to the top of the Granite Park Chalet trail in Montana, you will find at the end of the hugely winding, desperately steep pathway a log book containing entries by fellow hikers. One of the entries reads something like, “I have come up here every year for…
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Theater Review: SE LLAMA CRISTINA (The Theatre @ Boston Court / Pasadena)
NO COMPRENDO CRISTINA I’m throwing in the towel, giving up the ghost, packin’ up my mules and headin’ West. Lord knows I tried. I watched attentively, I took notes, I came home and read the script on my iPad. I printed it out, read it again with pen in hand, filling the margins with asterisks…

















