Areas We Cover
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Los Angeles
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Los Angeles Music Review: ST. LAWRENCE STRING QUARTET (Wallis Annenberg Center in Beverly Hills)
A WHITE BREAD SANDWICH Beverly Hills’ newest and best-looking addition, the Wallis Annenberg Center for the Performing Arts, debuted its classical music series with the St. Lawrence String Quartet, a very promising choice given the quartet’s previous accolades: Ensemble in Residence at Stanford, winners of the Banff International String Quartet competition, and even a good line…
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Los Angeles Theater Review: JASON AND THE ARGONAUTS (Wallis Annenberg Center in Beverly Hills)
A TRIP Your average 4 to 12 year old carries enough infectious optimism and joie de vivre to put even a theater critic in a good mood. But childless people who like children notice things about them that parents can’t, for reasons of familiarity and self-preservation. Everybody knows there’s a biological reward for being around…
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Los Angeles Theater Review: PENNY PLAIN (Ronnie Burkett Theatre of Marionettes at UCLA)
STRINGS ATTACHED A worldwide pandemic has already claimed the lives of hundreds of millions of humans and the apocalypse is near. An intriguing plot line to be sure but hardly one you would associate with a puppet show. Rest assured, Penny Plain, currently stringing audiences along at UCLA’s Little Theater, is no ordinary puppet show….
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Los Angeles Theater Review: AN ILIAD (Broad Stage in Santa Monica)
YOU SEE A poet out of time, an ancient soul yet our contemporary, has come to sing to us of quarrel. He comes shabby from the road, dusty and reluctant. It is a killing effort for this gifted creature to tell us all we know of the love that causes rage. His story is the…
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Los Angeles Opera Review: THE TURN OF THE SCREW (Pacific Opera Project)
A TURN FOR THE BETTER A Henry James novella first published in 1898, The Turn of the Screw tells one of the most ambiguous ghost stories ever written. It involves a brother and sister (Flora and Miles), a housekeeper (Mrs. Grose), an unnamed governess, and two ghosts (Peter Quint and Miss Jessel). Not a lot…
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Los Angeles Theater Review: RX (Lost Studio)
A SHOW THAT’S BETTER THAN PROZAC Been to the drugstore lately? Sick of taking semi-useless pills three times a day every day? You’ve got your Losartan and your Lisinopril. You’ve got your yummy Sarafem and your delicious Celexa. There’s Venlafaxine and Mirtazapine. Zoloft and Paxil. To paraphrase the line from the movie The President’s Analyst,…
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Los Angeles Music Review: EDO DE WAART & AUGUSTIN HADELICH (LA Phil at Disney Hall)
EVERYTHING IS NEW AGAIN It was quite a blow when it was announced that both Christoph Eschenbach and Christian Tetzlaff’”due to illness’”canceled their engagement with the LA Phil at Disney Hall last weekend. While I wish them both a speedy recovery, their withdrawal resulted in one of the most exciting evenings with the LA Phil…
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Los Angeles Theater Review: THE LAKE HOUSE PROJECT (Hudson Guild Theatre in Hollywood)
FEAR THE HYPHENATE If a person is lucky enough, they will discover their passion in life and be able to fine tune and truly excel at that skill. Others flounder about, trying a bit if this and a bit of that, becoming a jack of all trades but master of none. They’re called “hyphenates.” In…
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Los Angeles Theater Review: I’LL GO ON (Kirk Douglas Theatre in Culver City)
AND HE DOES In the 1980s, Barry McGovern and Gerry Dukes collaborated to cut three novels by Samuel Beckett (Molloy, Malone Dies, The Unnamable) into a few monologues, divided by lighting cues (James McConnell) and set changes (Robert Ballagh) and an intermission, called I’ll Go On. Though spoken by different characters in their original form,…
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Los Angeles Theater Review: TAKE ME OUT (Plus One Productions at the Flight Theatre)
A SWING AND A MISS Theater, like baseball, is a team sport. To reign triumphant and put a tick in the “W” box, all the players must be at the top of their game. When everyone hits a home run its magic, but even if a few players are having an off day, check the…
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Los Angeles Theater Review: ABE LINCOLN’S PIANO (Geffen Playhouse)
SIC SEMPER BORE-ANNUS This solo musical effort by musician performer Hersey Felder has all the trappings of a work that is rich with worthy subject matter and culture. Peppered with songs from what we’d charitably call “the American songbook” (Gershwin, Stephen Foster, Louie Gottschalk), Abe Lincoln’s Piano is Felder’s tightly crafted autobiography, which is somehow threaded…
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Los Angeles Dance Review: LES BALLETS JAZZ DE MONTRÉAL (The Wallis in Beverly Hills)
MORE JAZZ, PLEASE Interestingly, the work that opened Les Ballets Jazz de Montréal’s program last night at the Bram Goldsmith Theater in the brand new Wallis Annenberg Center for the Performing Arts was “Closer,” a 2006 duet by Benjamin Millepied. This globe-trotting dance-maker is the founding director of our own L.A. Dance Project, that tony,…
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Los Angeles Theater Review: BUNK (Son of Semele)
UNFINISHED BUSINESS Son of Semele’s 4th annual Company Creation Festival presents new works by nascent Los Angeles troupes. The festival’s first offering, Bunk, is what you’d expect from such a venue: a lot of youthful energy in service of a promising voice. That the play doesn’t make much sense at this point may be less…
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Los Angeles Cabaret Review: LAURA BENANTI: IN CONSTANT SEARCH OF THE RIGHT KIND OF ATTENTION (Catalina Bar & Grill in Hollywood)
ATTENTION MUST BE PAID The two most important aspects of the right kind of cabaret act are the singer and the songs. But when you go to see Laura Benanti’s new cabaret In Constant Search of the Right Kind of Attention at Catalina Bar & Grill (if you can get tickets to her last performance…
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Los Angeles/Regional Theater Preview: CHANCE THEATER’S 2014 SEASON (Chance Theater in Anaheim)
TAKE A CHANCE Merrily We Roll Along is a notoriously difficult musical to get right. Even with Sondheim’s magnificent score, the nature of the show’”its lopsided cynicism and moving-back-in-time device’”has hampered every production I have seen. Except one. And while I truly loved Chocolate Factory’s small-scale West End revival, which screened nationwide last October, Chance…
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Los Angeles Concert Review: SALUTE TO VIENNA NEW YEAR’S CONCERT (Walt Disney Concert Hall)
VIENNA SAUSAGE Salute to Vienna is a light-hearted event which reenacts the ridiculously popular New Year’s Concert of the Vienna Philharmonic (a.k.a. Neujahrskonzert). The inoffensive, fun, and slightly cheesy potpourri includes costumed dancers, opera singers, and an orchestra that plays the waltzes and polkas of Johann Strauss Jr. and his contemporaries. Figures vary, but the…
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Los Angeles Theater Preview: ONE STARRY NIGHT (Pasadena Playhouse)
MORE LIKE ONE STARRY STARRY STARRY NIGHT If anybody knows how to put together a night of eclectic songs and singers, it’s Bruce Kimmel. While he has created some terrific revues, this prolific producer, playwright and performer has been the driving force behind cast albums, vocal albums, and (a personal favorite of mine) an original…
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Los Angeles Theater Review: SUNNY AFTERNOON (Gangbusters Theatre Company)
CONSPIRACY THEORISTS AND THEATER LOVERS, UNITE! Remember E. Howard Hunt? This intelligence officer was one of Nixon’s White House Plumbers, that clandestine band of operatives who were assigned to fix any of those nasty little security “leaks” emanating from 1600 Pennsylvania Avenue. Hunt, along with G. Gordon Liddy, plotted a burglary at the Democratic National…
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CD Review/Cabaret: IN CONSTANT SEARCH OF THE RIGHT KIND OF ATTENTION: LIVE AT 54 BELOW (Laura Benanti)
CABARET SAUVIGNON She received a Tony nomination for both the Broadway revue Swing! and for playing Cinderella in the revival of Into the Woods. She won a Tony for portraying Louise in the Patti LuPone revival of Gypsy. She soloed in Andrew Lippa’s world premiere of the song cycle I Am Harvey Milk. Recently, she…
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Los Angeles Theater Commentary: BEST OF LOS ANGELES THEATER, 2013
MY FAVORITE NIGHTS Looking back over a year’s playgoing, it’s every bit as easy to be jaded about little broke theaters as it is about big grant-eaters. Little broke theaters are constant trials of inconvenience for an audience member – you share a bathroom with the cast; you’re confused by the stage-house configuration; you have…


















