Areas We Cover
Categories
Los Angeles
-
San Diego Theater Review: DOUBLE INDEMNITY (Old Globe in Balboa Park)
STAGE NOIR In many ways, the stage adaptation of James Cain’s novel, Double Indemnity, is a radical departure from the iconic film from director/writer Billy Wilder. The film’”co-written by Cain’s contemporary and rival Raymond Chandler, who was known to deride Cain’s novels’”contains deliciously noir dialogue that Wilder and Chandler used to get past the censors….
-
Los Angeles Music Review: A NIGHT OF ELEGANCE (LA Phil at the Hollywood Bowl)
DOUBLE YOUR PLEASURE As promised, the Los Angeles Philharmonic program last Tuesday offered stylishness and sophistication, but guest artists Katia and Marielle Labéque added an element of fierce emotion. It was evident in the centerpiece, Mendelssohn’s Concerto in E major for Two Pianos (and Orchestra), how well the sisters complement each other. Marielle, wearing black, had…
-
Los Angeles Music Review: PINK MARTINI (LA Phil at the Hollywood Bowl)
A ZESTY SUMMER COCKTAIL In their seventeen years as a fourteen member full “little orchestra,” Pink Martini has established a reputation for clever, daring, sophisticated and delightful music. The unusually overcast sky at the Hollywood Bowl Sunday evening provided an excellent opportunity for LA Phil and Pink Martini to perk up the environment with some much needed color and…
-
Los Angeles Theater Review: ONE NIGHT IN MIAMI… (Rogue Machine)
THE X FACTOR How many times have we mused that we would have loved to have been a fly on the wall when ___________? That’s exactly what playwright Kemp Powers has done in his One Night in Miami…, the world premiere of which is currently on at Rogue Machine. Taking a real gathering of four…
-
Los Angeles Theater Review: REVELATION (Elephant Theatre Company in Hollywood)
RUPTURED RAPTURE Attending the opening night of a comedy at one of the smaller 99 seat theaters in Los Angeles can be problematic. In addition to a minute smattering of critics and avid theatergoers, the audience is primarily made up of friends of the cast and members of the theater company. Therein lies the rub. …
-
Los Angeles/Regional Theater Review: THE BIG PICTURE (Pageant of the Masters)
I GET THE PICTURE Pageant of the Masters’ The Big Picture is perhaps the most three-dimensional idea from the fertile mind of director Diane Challis Davy. Continuing the 80-year tradition of celebrating art with a performance of “living pictures”’”tableaux vivants’”this year’s production is a tribute to the history of motion pictures and the ways in…
-
Los Angeles Theater Review: A PARALLELOGRAM (Mark Taper Forum)
THE SHAPE OF THINGS After Bruce Norris’s A Parallelogram at the Mark Taper Forum, I overheard a few audience members describe the play as “cute.†For all of the play’s political incorrectness, ramblings about physics, a future plague, and fairly unlikeable (and unknowable) characters, it appears that the playwright was going for provocative philosophy, but…
-
Los Angeles/Regional Theater Review: I DO! I DO! (Laguna Playhouse in Laguna Beach)
I DO BUT I DON’T With all the adorability, simplicity, cliché and generic tone of a Hallmark Card, I Do! I Do! opened last weekend at the Laguna Playhouse. Starring Broadway stalwarts Davis Gaines and Vicki Lewis, the 1966 two-character musical by Tom Jones and Harvey Schmidt (The Fantasticks) has aged surprisingly well, considering it…
-
San Diego Theater Preview: 2013 SHAKESPEARE FESTIVAL (Old Globe)
ALL THE WORLD’S AN OLD GLOBE The Old Globe has officially opened the 2013 Shakespeare Festival, now on through September 29. Adrian Noble returns for his fourth and final season as the internationally renowned festival’s Artistic Director, taking the helm on both Shakespeare’s The Merchant of Venice and Tom Stoppard’s classic farce, Rosencrantz and Guildenstern are…
-
Los Angeles Theater Review: SUNSET BOULEVARD (Musical Theatre West in Long Beach)
MISGUIDED MELODRAMA Billy Wilder’s 1950 film masterpiece Sunset Boulevard starred Gloria Swanson as the washed-up-actress-turned-cougar Norma Desmond, and William Holden as her prematurely-jaded-Hollywood-writer-turned-boy-toy Joe Gillis. Using the camera as an instrument to capture performances of discomforting intensity, it wove a psychologically intricate tale of seduction, jealousy and betrayal set, of course, in Hollywood. It skirted…
-
Los Angeles Music Review: MICHAEL FEINSTEIN’S MGM MOVIE CLASSICS (Pasadena POPS)
THE NIGHT THEY INVENTED TINY BUBBLES After Marvin Hamlisch’s untimely passing, Michael Feinstein, who has singlehandedly reinvigorated the American Songbook for the 21st century, took over as principal conductor for the Pasadena POPS. His first concert, Michael Feinstein’s Songbook, saw the beguiling raconteur as a perfect fit for the POPS crowd which, let’s face it,…
-
San Diego Theater Preview: COMPANY (Cygnet Theatre)
IN GOOD COMPANY “It’s a revue, but not a revue,” Stephen Sondheim said about Company when he was interviewed at Segerstrom last year. This surprised me because the groundbreaking 1970 musical which opens at Cygnet Theatre this weekend is a concept musical, meaning that the themes of a show (in this case, marriage and commitment)…
-
Los Angeles Theater Review: THE LAST DAYS OF MARY STUART (Son of Semele Ensemble)
AND NOW FOR A BRIEF INTERLUDE What’s hip these days? It’s the old tradition of taking idiosyncratic history or historical figures and putting the stories and details to music. Sufjan Stevens produced albums about the states Michigan and Illinois to wide acclaim in the indie circuit. Electronic duo Neon Neon released Stainless Style, based on…
-
Dance Review: LE CORSAIRE (American Ballet Theatre at the Dorothy Chandler)
BEAUTIFUL BOOTY Nearly 200 years ago to the day that Lord Byron published his poem The Corsair, ABT’s monumental 3-act ballet on which it is based came bounding into the Dorothy Chandler Pavilion on Friday, offering sumptuous visuals, an enormous cast and orchestra, and crowd-pleasing virtuoso performances. Le Corsaire (“The Pirate”) premiered in 1856, but…
-
Los Angeles Dance Review: AMERICAN BALLET THEATRE (Mixed Rep at Dorothy Chandler Pavilion)
MIXED RESULTS FOR ABT’S MIXED REP As an introduction to American Ballet Theatre’s highly anticipated 4-performance weekend of the full-length Le Corsaire, the company presented a mixed repertory of the old and the new on Thursday. Surprisingly, the results were as mixed as the program itself. As ballet continues to redefine itself in the 21st…
-
Los Angeles Theater Review: THE JUDY SHOW: MY LIFE AS A SITCOM (Geffen Playhouse in Westwood)
IT IS WHAT IT IS Set your “expectation meter” in the mid-range and you will probably enjoy The Judy Show: My Life as a Sitcom starring comedienne Judy Gold. However, if you enter the theater high on anticipation expecting to be wowed you will more than likely be disappointed. The bottom line is that “it…
-
Theater Review: A VIEW FROM THE BRIDGE (Pacific Resident Theatre in Venice)
IN PLAIN SIGHT Eddie Carbone (Vince Melocchi) is a good man whose frustration at not getting everything he deserves – in this case his adopted niece Catherine (Lisa Cirincione) – costs him his soul. Such is the tale told in 1956’s A View from the Bridge, the play that marks the chronological boundary of “beloved”…
-
Los Angeles Dance Review: RAIFORD ROGERS MODERN BALLET (Luckman Fine Arts Center)
SUCCESSFULLY SIMPLE When the choreographer and Artistic Director of a dance company consciously makes the decision to eschew excess ornamentations such as costumes, lights, and recognizable movement vocabularies, one imagines how you would even go about choreographing a dance piece. I have seen minimalist-inspired pieces that either left me utterly appalled from the work’s pretentiousness…
-
Los Angeles Theater Review: ALCESTIS (Theatre @ Boston Court in Pasadena)
SELFISHNESS AND SACRIFICE Alcestis is the old Greek story of a man who allows his wife to sacrifice her life for his. As interpreted by Euripides, T.S. Eliot and others, it has much to say on the relationship between the mortal and the infinite. It is a reverie on egotism, love, mortality, personal redemption, and…
-
Los Angeles Music Review: VOICES OF LOS ANGELES: SONGS OF EXPERIENCE (Hollywood Master Chorale)
BLAKE: IN DELICACY AND DISTRESS Hollywood Master Chorale concluded their Songs of Experience concert series Sunday night at the West Hollywood Library. Since the concert was inspired by Poet-painter William Blake’s “Songs of Innocence and Experience,” the library was an an apt location to showcase his intimate, poignant poems set to song. The composers enlisted…



















