Areas We Cover
Categories
Los Angeles
-
Los Angeles Music Review: THE SILK ROAD ENSEMBLE (Valley Performing Arts Center)
A MUSICAL TRAVELOGUE Silk Road Ensemble’s violinist Colin Jacobsen introduced his “Atashgah” to an attentive crowd at the gorgeous Valley Performing Arts Center with a simple, “I wrote this piece.” Yet magically, it didn’t appear written at all. The consistent soul-searching and yearning that emanated from the 11-piece ensemble rendered the work seemingly improvisational. The…
-
Los Angeles Theater Review: A STRANGE DISAPPEARANCE OF BEES (Raven Playhouse)
A STRANGE DISAPPEARANCE OF ACTING Last August, Time’s cover story, “A World Without Bees,” brought to light a frightening occurrence: In recent years, there have been mass deaths of honeybees around the globe, known as “Colony Collapse Disorder.” Scientists are surmising the reasons – agricultural pesticides, parasitic mites, bacterial and HIV-like diseases – but they’ve…
-
Los Angeles Theater Review: KISS ME, KATE (Cabrillo Music Theatre in Thousand Oaks)
A CLOSED-MOUTH KISS There are so many sexual allusions and situations in Cole Porter’s Kiss Me, Kate that it is remarkable the musical came out in 1948. I surmise the reason that Porter got away with such startling and blatant innuendos was his ability to wrap them up in sophisticated, witty lyrics. The musical is…
-
Los Angeles Theater Review: INVISIBLE CITIES (The Industry and L.A. Dance Project at Union Station)
SEEING WHAT’S INVISIBLE In describing Invisible Cities, allow me to paraphrase Gore Vidal’s critique of Italo Calvino’s 1972 novel of the same name on which this production is based: Of all tasks in reviewing director Yuval Sharon’s marvelously inventive theater event in Union Station, recounting Christopher Cerrone’s opera is the most difficult and perfectly irrelevant….
-
Los Angeles Concert Preview: AUDRA MCDONALD: ONE NIGHT ONLY (Dorothy Chandler Pavilion)
I’M A LITTLE BIT IN LOVE The captivating singer and actress Audra McDonald performed last September at the SF Symphony gala opening, sharing the program with two orchestral works. At one point, she sang the Bernstein/Comden/Green tune “I’m a Little Bit in Love” from Wonderful Town: “Mm–mmm! / It’s so nice to be alive /…
-
Los Angeles Theater Review: CREDITORS (Odyssey Theatre in West Los Angeles)
COMPRESSED CRUELTY IN A SMALL STRINDBERG SHOCKER August Strindberg, the “father of modern psychological drama,” told his publisher that Creditors, a drama that he prized as much as he did his masterpiece Miss Julie (also written in 1888) was “humorous, loveable, all of its characters sympathetic.” Nothing could be further from the truth – as…
-
Regional Theater Review: THE TALLEST TREE IN THE FOREST (La Jolla Playhouse)
A NOURISHING TREE While lacking in emotional engagement, Daniel Beaty’s solo outing exploring the life of actor/singer/activist Paul Robeson undoubtedly entertains, educates, inspires, and leaves the audience with a great deal to talk about. With an international following of his music, stage performances and cinema work, Paul Robeson was one of the best-known black men…
-
Los Angeles Music Review: SALONEN CONDUCTS DEBUSSY & BARTÒK (LA Phil at Disney Hall)
A LASTING IMPRESSION Fab Fin Esa-Pekka Salonen returned to the hall where he established the reputation of LA Phil, educated audiences to challenging new music, and garnered adulation for his graceful manner and acute interpretation of various works, classical and contemporary. The program this past weekend set the stage for Salonen to do as he…
-
Los Angeles Dance Review: NEDERLANDS DANS THEATER 1 (Dorothy Chandler Pavilion)
PUTTING THE THEATER IN DANCE Living up to its name, Nederlands Dans Theater 1 bounded into Los Angeles last night, showing off the reasons why The Hague-based contemporary dance outfit is known for defying convention. With a mixture of acting, multi-media, unique choreography and bravado inventiveness, this world-class company offered three works in a program…
-
Los Angeles Theater Review: WAIT UNTIL DARK (Geffen Playhouse in Westwood)
AN EASY PILL TO SWALLOW Thrillers are always a tough act to pull off in the theater which is why they are so rarely produced. When the show is a revival (or reworking as it is here) and it has been turned into a widely seen motion picture the ability to involve, surprise and shock…
-
Los Angeles Music Review: THE LAST DAYS OF SOCRATES (Los Angeles Philharmonic at Disney Hall)
A DIFFERENT TYPE OF SOCRATIC PROBLEM Perhaps one of the reasons Socrates has become a god-like figure in the world of philosophy is that we know very little about the actual man who existed during the dawn of writing. He kept no diaries and wrote no treatises, yet philosophies attributed to the classical Greek thinker’”Socratic…
-
Los Angeles Theater and Tour Review: TOTEM (San Pedro, Irvine and Santa Monica)
CIRQUE’S PERKS What’s a circus without lions, tigers, and elephants? In the case of Cirque du Soleil’s Totem, their eleventh major production in 26 years, it’s a marked improvement, proving that animal acts are strictly for the birds when it comes to grand circus entertainment. Press materials tell us that “Totem traces the fascinating journey…
-
San Diego Theater Review and Commentary: OUR TOWN, PLATONOV and the WithOutWalls Festival (La Jolla Playhouse)
SITE-SPECIFIC IS NOT SO SPECIFIC La Jolla Playhouse supported the trend of site-specific and immersive theater by presenting a four-day program of over 20 different performances in and around the Playhouse. The WoW (WithOutWalls) 2013 festival was a beehive of activity which sadly played only one weekend. It was an arena for nurturing and showcasing…
-
San Diego Theater Review: TRAVESTIES (Cygnet)
STOPPARD AND GO Tom Stoppard’s brilliant Travesties (1974) is literate and fiercely crafted, tackling ideas of love, wit, politics, art, theater, literature, intellectualism and whatever else flows its way through Stoppard’s cosmic inquisitiveness. The plot, if you can call it that, is complex and nonlinear. World War I veteran Henry Carr reminisces with failing memory…
-
Los Angeles Theater Review: CIVILIZATION (ALL YOU CAN EAT) (Son of Semele)
BIG HOGS AND HOT POCKETS We buy products because they consume us. Ultimately our products replace us, because if you are what you eat, it follows that what you eat also is you. And at that point, does the food chain even need you anymore? Supernumerary to your own plans, it’s easy to end up…
-
San Diego Theater Review: WIT (Lamb’s Players Theatre in Coronado)
WIT DOESN’T HOLD BACK Years back, Oldsmobile released a new line of sporty, sleek cars with the tagline “This is NOT your father’s Oldsmobile.” For those who associate Lamb’s Players with lighter fare such as Godspell, Guys and Dolls and Christmas specials, the powerhouse production of Wit which opened this week proves that this is NOT…
-
San Diego Theater Review: THE LAST GOODBYE (Old Globe)
NO HALLELUJAH FOR THE LAST GOODBYE No one can deny why Jeff Buckley has achieved cult status. The coffeehouse-rock singer brought an aching, wrenching, ethereal and vulnerable quality to both his original songs and his covers of other composers’ work (his version of “Hallelujah” is widely regarded as the definitive interpretation of Leonard Cohen’s masterpiece)….
-
Los Angeles Theater Review: DELUSION: MASQUE OF MORTALITY (Bethany Presbyterian Church in Silverlake)
HOLY HORROR It’s that that time of year again when everyone and their brother is looking to scare the crap out of you. To that end, The Original Interactive Horror Theatre Company is back to terrorize their patrons with Delusion: Masque of Mortality. Last year they presented the highly successful Delusion: The Blood Rite at a…
-
Los Angeles Music Preview: THE LAST DAYS OF SOCRATES (La Phil at Disney Hall)
LA PHIL FIRST IN PREMIERES Having presented exceptionally successful premieres this year, the Los Angeles Philharmonic is on a roll. From the West Coast premiere of Adam Schoenberg’s Bounce to the U. S. Premiere of Tan Dun’s The Tears of Nature to the posthumous World Premiere of Peter Lieberson’s percussion-rich composition Shing Kham, the LA Phil has proven…
-
Los Angeles Theater Review: THE LIGHT BULB (NoHo Arts Center in North Hollywood)
SAY WATT? While it is probably safe to assume that the NoHo Arts Center Ensemble’s “playwright in residence,” Joshua Ravetch, had some bright idea in mind when writing The Light Bulb, I must admit that after sitting through the uninterrupted 90 minutes I was left totally in the dark. Try though I did, I simply…



















