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Los Angeles
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Los Angeles Theater Review: CIVILIZATION (ALL YOU CAN EAT) (Son of Semele)
BIG HOGS AND HOT POCKETS We buy products because they consume us. Ultimately our products replace us, because if you are what you eat, it follows that what you eat also is you. And at that point, does the food chain even need you anymore? Supernumerary to your own plans, it’s easy to end up…
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San Diego Theater Review: WIT (Lamb’s Players Theatre in Coronado)
WIT DOESN’T HOLD BACK Years back, Oldsmobile released a new line of sporty, sleek cars with the tagline “This is NOT your father’s Oldsmobile.” For those who associate Lamb’s Players with lighter fare such as Godspell, Guys and Dolls and Christmas specials, the powerhouse production of Wit which opened this week proves that this is NOT…
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San Diego Theater Review: THE LAST GOODBYE (Old Globe)
NO HALLELUJAH FOR THE LAST GOODBYE No one can deny why Jeff Buckley has achieved cult status. The coffeehouse-rock singer brought an aching, wrenching, ethereal and vulnerable quality to both his original songs and his covers of other composers’ work (his version of “Hallelujah” is widely regarded as the definitive interpretation of Leonard Cohen’s masterpiece)….
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Los Angeles Theater Review: DELUSION: MASQUE OF MORTALITY (Bethany Presbyterian Church in Silverlake)
HOLY HORROR It’s that that time of year again when everyone and their brother is looking to scare the crap out of you. To that end, The Original Interactive Horror Theatre Company is back to terrorize their patrons with Delusion: Masque of Mortality. Last year they presented the highly successful Delusion: The Blood Rite at a…
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Los Angeles Music Preview: THE LAST DAYS OF SOCRATES (La Phil at Disney Hall)
LA PHIL FIRST IN PREMIERES Having presented exceptionally successful premieres this year, the Los Angeles Philharmonic is on a roll. From the West Coast premiere of Adam Schoenberg’s Bounce to the U. S. Premiere of Tan Dun’s The Tears of Nature to the posthumous World Premiere of Peter Lieberson’s percussion-rich composition Shing Kham, the LA Phil has proven…
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Los Angeles Theater Review: THE LIGHT BULB (NoHo Arts Center in North Hollywood)
SAY WATT? While it is probably safe to assume that the NoHo Arts Center Ensemble’s “playwright in residence,” Joshua Ravetch, had some bright idea in mind when writing The Light Bulb, I must admit that after sitting through the uninterrupted 90 minutes I was left totally in the dark. Try though I did, I simply…
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Los Angeles Theater Review: THE GUARDSMAN (A Noise Within in Pasadena)
BE ON YOUR GUARDSMAN Nationwide, nearly half the couples that get married today end up divorced. The aphorism about the difference between the way relationships are handled by this generation and the so-called greatest generation is “back then when something was broke, we tried to fix it, not buy a new one.” Since the 1911…
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San Diego Theater Review: THE FEW (Old Globe)
TOO FEW Samuel D. Hunter’s slice-of-life one-act, The Few, returns to familiar territory for this up-and-coming playwright. As in his previous plays, Hunter takes us to small-town Idaho; this time, it’s 1999 and we are in the ramshackle trailer office of DZ (Eva Kaminsky), publisher of a small newspaper for truckers. Enter the paper’s founder,…
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Los Angeles Music Review: LOS ANGELES MASTER CHORALE: 50TH SEASON CELEBRATION (Disney Hall)
WORDS FAIL TO EXPRESS THE TRIUMPH When one of the finest chorales in the world offers a musical compendium from their last five decades, one expects a sterling program. Yet the Los Angeles Master Chorale’s 50th Season Celebration at Disney Hall went beyond mere expectation. LAMC cleverly compiled signature works heard under the leadership of…
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Los Angeles Music Review: LA PHILHARMONIC: DUDAMEL & BRONFMAN (Walt Disney Concert Hall)
MORE THAN A CELEBRATION The Walt Disney Concert Hall celebrates its 10th anniversary this week, but the program last night was more of a celebration of The Los Angeles Philharmonic. Do Angelinos truly understand that one of the finest orchestras in the world is in their own backyard? Even with Gustavo Dudamel at the helm,…
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Los Angeles Opera Preview: EINSTEIN ON THE BEACH (Dorothy Chandler Pavilion)
RELATIVITY, STAGED A trusty theater friend witnessed Einstein on the Beach at BAM in New York last year, and she told me it was not just one of the greatest theatrical experiences of her life, but one of the greatest experiences she had ever had, period. I have consistently heard that the 1976 opera by Philip…
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Los Angeles Music Review: EMMYLOU HARRIS & RODNEY CROWELL (Valley Performing Arts Center)
AMERICAN LEGENDS Emmylou Harris and Rodney Crowell took the stage at Valley Performing Arts Center to deliver a hot set of good old-fashioned country-flavored Americana music. It was an evening of legends paying tribute to those whom they revere and love, not excluding each other. Since their first meeting forty years ago, these highly regarded…
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Los Angeles Theater Review: FLOWERS FOR ALGERNON (Deaf West)
MOUSE TRAP Flowers for Algernon has had many incarnations since it was first published as a short story in 1959 in The Magazine of Fantasy and Science Fiction: a novel, a telecast, a film (which won an Oscar for actor Cliff Robertson) and a Broadway musical. At its heart, the story is a moving account…
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Los Angeles Theater Review: HUMOR ABUSE (Mark Taper Forum)
A THREE-RING ONE-MAN SHOW Start with a true story about a family circus that shot to prominence even though it eschewed big-business-conglomerate backing, ran in a single ring without exotic animals, and interacted with and embraced the communities where it performed. Spice it up with superbly executed acrobatics. Top it off by having it performed…
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Los Angeles Theater Review: ENRIQUE VIII (Rakatá at the Broad Stage)
MY KINGDOM FOR A TRANSLATION In the “What Were They Thinking?” Department, the Broad Stage has brought in a magnificently acted, thrillingly staged and cleverly edited version of Shakespeare’s Henry VIII, but it was booked on one of the notoriously busiest theater weekends of the year (which includes the international RADAR L.A. theater festival). However,…
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Los Angeles Theater Review: ST. JUDE (Kirk Douglas Theatre in Culver City)
HEAVENLY SAINTS PRESERVE US Ten days after opening night, Luis Alfaro still wasn’t off-book for his one-man confessional work-in-progress. This matters because the moment when he leaves his lightly comic, heavily clichéd script, and whirls himself into performance-art dervish, it is transporting and beautiful; but there is only one such occasion in an hour and…
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Los Angeles Opera Review: CARMEN (LA Opera at the Dorothy Chandler Pavilion)
SAFETY IN NUMBERS The production of Carmen that opened this week at the Dorothy Chandler Pavilion has been seen before. Emilio Sagi’s production originated at Madrid’s Teatro Real and was previously seen in Los Angeles in 2004 and 2008. To put it mildly, this seems like a safe choice for the season opener: With music…
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Dance Review: STARDUST (David Roussève/REALITY, REDCAT)
STARRY STARRY NIGHT David Roussève’s full-length dance piece that opened at REDCAT last night is something of a miracle. Choreographed, written, and directed by Roussève, Stardust effectively amalgamates so many elements of multi-disciplinary performing arts–theater, story, dance, multi-media–that it should be a template for any dance company that desires to move, touch and inspire their…
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Los Angeles Theater Review: THE NORMAL HEART (Fountain Theatre)
THE HEART OF THE MATTER Larry Kramer’s blistering condemnation that chronicles the early years of the AIDS epidemic has arrived with an intimate production that highlights the urgency of the play but produces mixed results in casting and direction. A brilliant juxtaposition of love story and agit prop, The Normal Heart follows activist and unruly…
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Los Angeles Music Review: ORQUESTA BUENA VISTA SOCIAL CLUB (Valley Performing Arts Center at CSUN)
BUENA BUENA Back in the 1990s, Buena Vista Social Club took the world by storm. The album, inspired by the music played at a Havana members club, both celebrated and cemented the fluid formidability of popular pre-revolution Cuban music performed by Cubans. It sold over five million units worldwide, and notched a Grammy Award as…


















