Areas We Cover
Categories
Los Angeles
-
San Diego Theater Review: SIDE SHOW (La Jolla Playhouse)
YOU CAN’T TWIN THEM ALL There is nothing more fascinating for this Broadway musical aficionado than a flop’”but not for gloating purposes. It’s natural to wonder “What were they thinking?” with any train-wreck, but I’m obsessed with this particular branch of theater: With so many elements, a musical is one of the most difficult art…
-
San Diego Theater Review: VENUS IN FUR (San Diego REPertory at the Lyceum)
WHIPPED INTO A FRENZY If I had any doubts prior to attending San Diego REP’s production of Venus in Fur (an on-again, off-again playwright; two characters; two directors), they were vanquished within minutes of curtain. This funny and fascinating look into the world of dominant/submissive relationships proved itself to be one of a handful of “must-see” shows…
-
Los Angeles Music Review: BEYOND LA DOLCE VITA (L’Orchestra Italiana Del Cinema at Royce Hall)
MAGNIFICENT MUSIC, MESSY MULTI-MEDIA Last Friday, 50-plus members of the Orchestra Italiana Del Cinema (beefed up with local talent) gathered under the baton of Daniele Belardinelli for artistic director Marco Patrignani’s multimedia symphony concert, Beyond La Dolce Vita. Since the concert was co-presented by the Consulate General of Italy and the Italian Cultural Institute in…
-
Los Angeles/Tour Dance Review: LAR LUBOVITCH DANCE COMPANY (Valley Performing Arts Center)
UPDATING THE OLD, PRESENTING THE NEW As part of the North American tour celebrating its 45th season, the Lar Lubovitch Dance Company arrived at Valley Performing Arts Center last Saturday with a program of mostly newer works and some older duets. With Picasso’s 1905 Family of Saltimbanques as inspiration, we are taken through the creative…
-
Los Angeles Theater Review: PLAY DEAD (Geffen Playhouse)
JUST IN TIME FOR THE HOLIDAYS: A DARK CARNIVAL OF DEATH AND TERROR! This tour de force of trickery from creators Todd Robbins and the magician Teller (the traditionally silent half of the famous magician duo Penn and Teller) is a magic show. However, be warned before attending: This is not a cheerfully sweet show…
-
Los Angeles/Tour Dance Review: MATTHEW BOURNE’S SLEEPING BEAUTY (Ahmanson Theatre)
A HITCH IN THE BOURNE LEGACY It’s a shame that Matthew Bourne’s narrative began to fizzle out in the second act of his Sleeping Beauty, for up to then this extraordinarily imaginative and enthralling retelling was close to proving itself another feather in the cap of this British director known for his Dance Theater productions….
-
Los Angeles Theater Review: WONDERFUL TOWN (Musical Theatre Guild)
MUSICAL THEATRE GUILD GOES TO TOWN “Charming” doesn’t begin to describe Musical Theatre Guild’s offering of the 1953 musical Wonderful Town. Even with a recent 2003 Broadway outing starring Donna Murphy, this breezy and buoyant musical comedy is rarely produced, making it perfect for a company whose mission it is to present concert staged readings…
-
Los Angeles Theater Review: ANTON, NEKO, KURI (REDCAT)
EXPERIMENT SANS CONTROL GROUP In 2012, Tokyo-based company Faifai decided to bring its 2009 movement-and-language assembly Anton, Neko, Kuri to international audiences. In a move she revealingly describes as “marketing,” director Chiharu Shinoda (with the help of stage designer Ayami Sasaki) imposed a huge projection screen dwarfing the four performers, upon which to project animated…
-
Los Angeles Theater Review: WE’RE GONNA DIE (Ivy Substation in Culver City)
TWEE OF KNOWLEDGE New York downtowner Young Jean Lee’s 2011 rock concert-with-monologues We’re Gonna Die begins very well – at Wednesday’s Los Angeles premiere, a horrifyingly sad story had the audience breathless within a couple of minutes. The show ends with a thoughtful flourish, choreographed with disarming physicality by Faye Driscoll and enthusiastically directed by…
-
Music Preview: ZIMMERMANN PLAYS DVOŘÁK (LA Phil at Disney Hall)
THE WORDS BEHIND THE MUSIC Just like anyone else, I occasionally turn to critics when choosing to attend a particular concert. The reports about German violinist Frank Peter Zimmermann playing Antonín Dvořák’s seldom-heard Violin Concerto with the Boston Symphony Orchestra last year were so stellar that I have no choice but to see him perform…
-
Los Angeles Theater Review: TWELVE ANGRY MEN (Pasadena Playhouse)
CHEAPENED BY THIS DOZEN Words such a “tolerance” and “acceptance” are bandied about as America continues a national dialogue on race, oversimplifying the subject of prejudice. Sadly, political correctness has tainted our conversation, and I believe as a white man that the freedom to express my honest feelings on the subject has been restricted, even…
-
Los Angeles Music Review: BEETHOVEN: PASTORAL HANS GRAF, CONDUCTOR / ALESSIO BAX, PIANO (Los Angeles Chamber Orchestra)
MUSICAL NATURE It isn’t so uncommon when an up-and-coming piano player has all the right moves but has yet to incorporate personality into their work. Making his Los Angeles premiere with the L.A. Chamber Orchestra last night, Italian pianist Alessio Bax demonstrated a youthful command of Mozart’s Piano Concerto No. 24, but lacked the oomph…
-
Los Angeles Theater Review: LOVE ON SAN PEDRO (Cornerstone at LA Mission)
HERE’S LOOKING AT YOU, SKID You want to hear some of the freshest, funniest dialogue in town? Head over to Cornerstone’s world premiere of Love on San Pedro. James McManus’s script was developed via personal interviews he had with Skid Row denizens, so the stories in the play take place in this one square mile…
-
Los Angeles Music Review: SHOSTAKOVICH FIFTH WITH TOVEY (LA Phil at Disney Hall)
TOVEY SLAMS DOWN THE FIFTH A funny thing happened on the way to witty raconteur and conductor Bramwell Tovey’s presentation of his Songs of the Paradise Saloon featuring trumpet soloist Alison Balsom at Disney Hall last Sunday: I came for this newer concerto but ended up being blown away by his ecstatic interpretation of Shostakovich’s…
-
Los Angeles Music Review: VIENNA PIANO TRIO (The Da Camera Society at the Guasti Villa)
EUROPEAN ELEGANCE IN LOS ANGELES Once while in Salzburg, I happened upon a chamber concert in a private home (well, they called it a home, I called it a tiny palace). Our host explained that piano trios’”compositions for two stringed instruments and a piano’”were designed for intimate spaces such as the luxuriant parlor we sat…
-
Los Angeles Theater Review: A PERFECT LIKENESS (Fremont Centre Theatre in Pasadena)
LIKING THIS LIKENESS Writer/producer/director Daniel Rover Singer’s A Perfect Likeness imagines a meeting between Charles Dickens and Charles Dodgson–better known by the alias, Lewis Carroll. Had Dickens taken up amateur photographer Mr. Dodgson’s request to meet him and have his portrait taken, this would be the scenario. The ninety-minute two-person drawing-room play is set somewhere…
-
Los Angeles Theater Review: BARRYMORE (Good People Theater Company)
THE HAM IN WINTER Here’s a show that means well, but which somehow falls a little short of expectations. It’s actually somewhat difficult to put one’s finger on why: By rights, the play should astound. It’s written by William Luce, considered one of the great writers of solo biographical shows, whose works include the transcendent…
-
Los Angeles Music Review: BRUCKNER EIGHTH WITH BYCHKOV (LA Phil at Disney Hall)
AN EXPERIENCE NOT TO BE MISSED On a website which attempts to list every Anton Bruckner orchestral recording offered to the public (abruckner.com), the discography collector and annotator John F. Berky states that the Austrian composer “expanded the concept of the symphonic form in ways that have never been witnessed before or since. When listening to…
-
Los Angeles Opera Review: FALSTAFF (LA Opera)
BLOATED SCORE OR A BIG FAT MUSICAL TRIUMPH? LA Opera’s production of Verdi’s Falstaff, his last opera which premiered in 1893, fascinatingly elucidates why his one successful comic romp has both detractors and ardent admirers. Those who crave memorable arias will be disappointed, but those who appreciate evocative orchestral music which expresses character and blazes…
-
Los Angeles Dance Review: THE LOST BOYS (Highways Performance Space in Santa Monica)
WHAT EXACTLY IS THE INTENT BEHIND PROJECTILE MILK? ONE CAN ONLY GUESS. Highways Performance Space is a venue that is both historic and very intimate. For the past 24 years, it has served as a Los Angeles cultural center in Santa Monica where artists of all genres come to create and perform. It also prides…

















