Areas We Cover
Categories
Los Angeles
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Los Angeles Theater Review: DO ANDROIDS DREAM OF ELECTRIC SHEEP? (Sacred Fools)
COUNT THIS SHEEP AND FALL ASLEEP As dull as its premise is exciting, Jaime Robledo’s production of Edward Einhorn’s 2010 play, adapted from Philip K. Dick’s novel Do Androids Dream of Electric Sheep?, could not be further divorced from its source. The novel is a philosophical visit to the defining boundaries of human nature, and…
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Theater Review: FOREVER FLAMENCO! PAINT A WOMAN (Fountain Theatre)
THEY COULD HAVE DANCED ALL NIGHT Once a month at the Fountain Theatre, Deborah Lawlor presents Forever Flamenco!, an assemblage of the greatest flamenco artists anywhere. Programs change each time, but based on the show I saw last Sunday (which had two different artists than previously announced) it would be impossible to have a tepid…
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Theater Review: THE WIZARD OF OZ (National Tour)
NO HEART. NO BRAIN. NO NERVE. STAY HOME. Just short of insulting, a Broadway Machine-styled version of the iconic film, The Wizard of Oz, opened at the Pantages this week. Instead of writing additional new material that matched the screenplay by Noel Langley, Florence Ryerson and Edgar Allan Woolf (uncredited in the program), bookwriters Andrew…
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Los Angeles Music Preview: LE SALON DE MUSIQUE, SEASON 4: L’INVITATION AU VOYAGE (Dorothy Chandler Pavilion)
A VOYAGE YOU HAVE TO TAKE Have you ever been to a Chamber Concert of virtuosic musicians in a grand venue such as Walt Disney Hall or Carnegie Hall but wished you could experience the program in an intimate setting? Do you wish that you could be just a few feet from the musicians? Have…
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Los Angeles Theater Review: R II (Theatre @ Boston Court in Pasadena)
YON METHINKS SHE STANDS Over the last year or so, some of my best time in an audience has been spent watching Paige Lindsey White. Twice in collaboration with director Jessica Kubzansky at Boston Court, once with Debbie Devine at 24th Street, this actor has embodied the reasons I revere artists. Sometimes portraying children, sometimes…
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Los Angeles Theater Review: THE BURNT PART BOYS (Third Street Theatre)
SHAFTED! There’s a story to be mined in “them thar” hills of West Ver-ginny but unfortunately The Burnt Part Boys, making its west coast premiere at the Third Street Theatre, doesn’t dig deep enough to unearth it. The West Coast Ensemble Theater has ventured below ground before with their award-winning production of Floyd Collins back…
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Los Angeles Theater Review: PERICLES, PRINCE OF TYRE (A Noise Within in Pasadena)
POSITIVELY PEERLESS PERICLES There’s a certain respect lost among most national leaders today, especially here in America, due to the excessive regard for individuals graduated from northeast institutions, and an improper recognition for those who serve in the military’” especially those who fight overseas. The last three Presidents of this country have avoided harm’s way…
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Los Angeles Theater Review: HAMLET (Los Angeles Women’s Shakespeare Company at the Odyssey Theatre)
THERE IS NOTHING EITHER GOOD OR BAD, BUT CASTING MAKES IT SO Can it really be twenty years now that I have admired Lisa Wolpe’s work? Time and again, the actress has impressed me with her ability to seamlessly inhabit male Shakespearean roles while bringing fresh significance to characters as disparate as Romeo, Iago and…
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Los Angeles Theater Review: LOST GIRLS (Rogue Machine Theatre)
WOMEN WITH HEARTS OF IRON Before going to see Rogue Machine Theatre’s latest production, Lost Girls, I turned to my companion and asked, “Why is everything that Rogue does so good?” Then a horrible sinking feeling hit. I bet I just jinxed it. It’s a very Jewish idea’”that in praising something out loud, you incite…
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Los Angeles Theater Review: TWILIGHT ZONE UNSCRIPTED (Falcon Theatre in Burbank)
THE KEY OF IMAGINATION Many an actor, writer, and director settles for professionalism. To get it up there and know your lines, to raise a question or resolve a story, to light the performers and make them audible: this seems enough. And for some kinds of theater, journeyman work is completely adequate. But watching Impro…
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Los Angeles Theater Review: THE END OF IT (Matrix Theatre)
MID-LIFE MYSTERIES AND MISUNDERSTANDINGS A long-married couple says good-bye to the final guests who leave their house after a party. They are known for their parties; for their happy marriage; for their easy charm with one another. Except that tonight, the husband asks his wife for a divorce, shocking himself as well as her. Then, with…
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Los Angeles Theater Review: AH, WILDERNESS! (Actors Co-op)
AH, GOOD THEATER! Ah, Wilderness! is Pulitzer and Nobel Prize-winning O’Neill’s only comedy, and he describes it as, “a wistful recollection:the kind of childhood I wished I had growing up.” One can certainly see the parallels between what must’ve been a young O’Neill and the character of Richard Miller as Wilderness also provides a rose-colored…
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Los Angeles / Regional Theater Review: DEATH OF A SALESMAN (South Coast Repertory in Costa Mesa)
NOT MUCH LIFE IN DEATH The miracle of Arthur Miller’s Death of a Salesman is that it contains so many themes relevant to today’s world’”the American Dream, the disconnect of father and son, a lifetime of work resulting in fiscal emptiness, self-deception’”that this 1949 play can truly be called timeless. Yet so lifeless and lacking…
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Los Angeles Music Review: ROMANTIC FAVORITES (LA Phil at the Hollywood Bowl)
A STUNNING TRIFONOV MAKES HIS HOLLYWOOD BOWL DEBUT It was both fascinating and distracting to watch 22-year-old Daniil Trifonov, the current Big Thing of the piano world, perform Rachmaninoff’s Piano Concerto No. 2 (1897) at the Hollywood Bowl on Tuesday. Hunched over the keys and stroking them with a fierce tenderness, he consistently appeared to…
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Los Angeles Theater Review: BARE (Hayworth Theatre)
THE BARE TRUTH There’s a kind of desperate seriousness about the “rock” musical Bare ’” more pop than rock ’” first produced in 2000, now back with updated music and a telegenic and talented cast. The original production preceded Spring Awakening and Glee, but it feels like it cashes in on both genres of teen musical:…
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Los Angeles Theater Review: BLUE MAN GROUP IN CONCERT (Hollywood Bowl)
BLUE MAN GROUP GETS BOWLED OVER International phenomenon Blue Man Group (BMG) made their Hollywood Bowl debut on Friday in a wildly uneven yet ultimately entertaining evening ranging from moments of true wonderment to “what were they thinking?” befuddlement. The theme of the night was FUN and Principal Guest Conductor Thomas Wilkins and members of LA Phil’s…
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Los Angeles Dance and Music Review: MUSIC BY GLASS – DANCE BY DIAVOLO (LA Phil at the Hollywood Bowl)
MAGNIFIQUE Sometimes, dance performances are entertaining, but only for the spectator who understands the storyline behind the dancing. Other times, the performances are less about dance and more about the esoteric, self-righteous fulfillment of the dancer being able to perform. Where is the line drawn between these forms and how does the viewer know when…
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Los Angeles Theater Review: A SHORT STAY AT CARRANOR (Theatre West)
TOO MUCH OF TOO LITTLE FOR TOO LONG An aged widow and an even more aged married man have a shared, passionate history with each other that ended after World War II. Now, nearly seventy years later, they find themselves with an opportunity to reunite, make up for lost time, and take one last shot…
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Los Angeles Dance Interview: JACQUES HEIM (Artistic Director of Diavolo Dance Theater)
“I AM AN ARCHITECT OF MOTION” Born and raised in Paris, France, Jacques Heim received his MFA in Choreography from the California Institute for the Arts and founded Diavolo Dance Theater in 1992. For the past twenty years Heim has choreographed for Diavolo, Cirque de Soleil, theater, and television. He has also gained international recognition…
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Los Angeles Theater Review: RAPTURE, BLISTER, BURN (Geffen Playhouse)
THE GRASS IS ALWAYS GREENER:OR IS IT? Smart, funny and thought-provoking, Rapture, Blister Burn has arrived at the Geffen Playhouse in Westwood with the original New York cast in tow. Written by Gina Gionfriddo (Pulitzer Prize finalist for Becky Shaw) the show puts a new spin on the often beaten to death themes of gender…


















