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Tony Frankel
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Off-Broadway Theater Review: ROCOCO ROUGE (Company XIV)
A CABARET SHOW THAT GOES FOR BAROQUE Mae West, the sage and sybarite from Brooklyn, used to say, “Let joy be unrefined,” a point of view that also suits Austin McCormick, artistic director and choreographer of Company XIV. His latest extravaganza Rococo Rouge retools the roisterous risk-taking revelry he’s known for: bare skin, sultry ballet,…
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San Francisco Theater Review: STOREFRONT CHURCH (SF Playhouse)
DIME STORE PROPAGANDA One of the problems with watching a play that has an agenda, political or otherwise, is the difficulty of enjoying with a good conscience even those parts that work; knowing the playwright’s intentions to be dishonest (in that he’s serving up propaganda as art), one feels foolish being affected emotionally, as though…
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Los Angeles Theater Review: TRIBES (Center Theatre Group at Mark Taper Forum)
FINDING YOUR TRIBE Theatre of Identity, aka Social Issues Theatre, is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that culture and other cultures to experience that culture’s joys, problems, history, traditions, and point of view. Plays like Torch Song Trilogy, The Boys Next Door, and Yellow Face…
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Los Angeles Theater “Reviews”: PLAYS IN THE PARK (Santa Monica Playhouse) and GRACE NOTES & ANVILS (Odyssey Theatre)
TWO CRITICS; TWO STAGED READINGS; BASICALLY ONE OPINION From Jason Rohrer: Plays in the Park, Brian Conners’ collection of one-acts (only one of which is set in a park), intends to showcase its writer (who also directs) in the glow of its rotating cast of Actors’ Studio headliners. Mark Rydell, Ed Asner and Esai Morales…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, Theater



