Areas We Cover
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Los Angeles
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Los Angeles Theater Review: HAMLET (The Broad Stage in Santa Monica)
LEAN HAMLET ON THE BROAD STAGE Shakespeare’s Globe’s touring production of Shakespeare’ Hamlet is currently on the boards at the elegant Broad Stage in Santa Monica, CA. Written in a time of great upheaval in Britain after Elizabeth’s reign, Hamlet falls neatly into the family of Jacobean revenge tragedies. Shakespeare most probably wrote Hamlet as…
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Theater Review: DEATH OF A SALESGIRL (Bootleg Theater)
BETTER THAN THIN MINTS FROM A GIRL SCOUT The World Premiere of Patricia Scanlon’s Death of a Salesgirl is a must-see surreal tragicomedy presented by The Bootleg Theater. Its fresh and innovative use of space coupled with its inspired use of integrated multimedia make the already powerful piece that much more immediate to today’s attention…
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Los Angeles Concert Preview: RAíšL ESPARZA SINGS SONDHEIM (Valley Performing Arts Center)
BEING ALIVE IS AN UNDERSTATEMENT When the senseless Leap of Faith had its out of town tryout at the Ahmanson before its crash-and-burn on Broadway, there was only one thing which made sense: the pyrotechnic performer Raúl Esparza. This magnetic talent made evident that he could sing the listings from a phone book and make…
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Los Angeles Theater and Film Review: WRECK-IT RALPH (Directed by Rich Moore)
AN IMAGINATIVE STORY AND SPECTACULAR VISUALS MAKE UP FOR CALCULATED FAMILIARITY It’s quite an accomplishment for Disney that the multitude of elements in Wreck-It Ralph don’t collapse in on themselves. It’s fast-paced and stunning visuals abound, 190 distinct characters are introduced (some familiar from video games), Shrek-like topical references thrive, and $165 million worth of…
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Los Angeles/Regional Theater Review: HOW TO WRITE A NEW BOOK FOR THE BIBLE (South Coast Rep in Costa Mesa)
HOW TO LAUGH AND CRY AND BE UNMOVED AT THE SAME TIME Playwright Bill Cain, after discovering his mother, Mary, had six months to live, moved into the family home in Syracuse, New York. Like any good writer, Cain kept a diary during that trying time. His notes became the basis for How to Write…
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Los Angeles Theater Review: IN THE RED AND BROWN WATER (Fountain Theatre)
RED AND BROWN IS THEATRICAL GOLD Los Angeles is usually the last major theater city in the states to see productions of playwrights whose works have received praise in their world premieres, either in New York or at a regional house. It often takes years for exhilarating plays to arrive in what is the busiest theater city…
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Los Angeles Theater Feature: DEATH OF A SALESGIRL (Bootleg)
ATTENTION MUST BE PAID Bootleg Theater continues its run of the world premiere of Death of a Salesgirl, an absurdist tragicomedy with integrated media, about one woman’s struggle to free herself from her past. Written by Patricia Scanlon, and starring Scanlon and Paul Dillon, Death of a Salesgirl is a dark and humorous parable of a salesgirl breaking…
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Los Angeles Theater Review: 42nd STREET (Carpenter Performing Arts Center)
FLEET FEET, HOLLOW HEART When notes jostled in and out of the written score during the overture of Musical Theatre West’s 42nd Street, it portended a production that doesn’t have all the ingredients in place for a fully satisfying experience. The opening, that has the curtain raise just a bit to let us meet a…
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Los Angeles Theater Review: MUCH ADO ABOUT NOTHING (Zombie Joe’s Underground)
LESS ADO IS STILL MUCH ADO Shakespeare’s plays tend to be longer than those of contemporary playwrights, typically running 120-150 minutes. This leads many theatre directors to wonder about the feasibility of performing Shakespeare, since contemporary theatre audiences seem to have increasingly short attention spans – perhaps 70-90 minutes. A typical solution is that of…
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Los Angeles Theater Review: THE RIVALS (The Actors’ Gang)
THE SHTICK MAY DETRACT FROM THE PLAY, BUT JUST TRY TO RIVAL THE ACTORS’ GANG The Rivals (1775), Richard Brinsley Sheridan’s wonderful Comedy of Manners, is a play about pretension; everyone in the work is pretending to be better in station or morality than they actually are’”from a military officer who mimics being a sexy…
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Stage and Cinema Interview: ERIC ROSS (Theremin Virtuoso)
ERIC ROSS BRINGS HIS UNIQUE TALENTS TO L.A. WITH ULTIMEDIA THEREMIN AT REDCAT You may not know the Theremin by name but if you have ever seen a horror film or listened to the Beach Boys Good Vibrations you have undoubtedly been wowed by its unusual and often eerie and other-worldly sound. It is without…
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Los Angeles Theater Review: BUILD (Geffen Playhouse)
AT PLAY IN THE FIELDS OF SILICON VALLEY Build hasn’t started yet, but the minute you walk into the Audrey Skirball Kenis Theater at the Geffen Playhouse you feel drawn into another world by Sibyl Wickersheimer’s beautifully conceived and executed set. You’re in the middle of what looks like a mid-century Cliff May Rancho gone…
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Los Angeles Theater Review: I OUGHT TO BE IN PICTURES (Falcon Theatre)
I OUGHT TO BE IN PICTURES OUGHT TO BE BETTER You would be hard-pressed to find anyone proclaiming I Ought To Be In Pictures to be Neil Simon’s finest hour, but even with its shortcomings it deserves much better treatment that it is currently receiving at the Falcon Theatre in Burbank. Unlike his mid-60’s smashes…
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Los Angeles Theater Review: FAITH: PART ONE OF A MEXICAN TRILOGY (Los Angeles Theatre Center)
A SENTIMENTAL JOURNEY Faith by Evelina Fernandez, directed by Jose Luis Valenzuela, is a sensitive portrayal of a Mexican-American family in the 1940’s. Good performances and a smart use of music ultimately succeed in transforming a spotty episodic tale into a meaningful drama. Two melodramatic vignettes in Mexico seem to serve as a prequel, planting…
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Theater Review: THE DOCTOR’S DILEMMA (A Noise Within)
JUST WHAT THE DOCTOR ORDERED Even though the legislation for a public health care option passed by Democratic majority in Congress, matters of wellness and proper treatment are anxieties that still plague the hearts, souls, and minds of all mortal individuals. It concerns us greatly because we hunger to make the most of our lives;…
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Los Angeles Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (Pacific Opera Project)
A CLOSE SHAVE The Pacific Opera Project’s production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street promises so much blood that before the curtain goes up three characters ask if the people in the first two rows might like to buy ponchos for one quid each. The ponchos aren’t really for sale…
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Los Angeles Theater Review: YOU CAN’T TAKE IT WITH YOU (Antaeus)
A DELECTABLE CHESTNUT Kaufman & Hart’s You Can’t Take it With You has earned its place in the American canon as a great American chestnut, one of those charming, heartfelt comedies from the first half of the 20th century. You Can’t Take it With You is such a lovely and funny play that it has…
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Los Angeles Theater Review: A BRIGHT NEW BOISE (Rogue Machine Theatre)
HIS OWN PRIVATE BOISE We’re in Boise, Idaho, in the break room of an arts and craft chain store called Hobby Lobby. Two men appear on closed circuit television doing a sort of home shopping channel patter about their wares. (They also break the fourth wall and do the announcement about turning off cell phones…
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Los Angeles Theater Review: SEMINAR (Ahmanson Theatre)
SEMINAR SEARCHES FOR MEANING The premise: four fiction writers have paid five thousand dollars each to participate in an exclusive seminar with a renowned teacher. Filled with witty wordplay, love triangles, and hints of something deeper, Center Theatre Group’s production of Theresa Rebeck’s writerly comedy Seminar is fun, colorful, and entertaining’”but ultimately offers emotionally lean…
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Los Angeles Theater Review: AND THEN THERE WERE NONE (Actors Co-op)
THEY’RE DROPPING LIKE FLIES AT ACTORS CO-OP Since it was first published in1939, Agatha Christie’s And Then There Were None (originally titled Ten Little Niggers and quickly renamed for the 2nd printing) has sold over 100 million copies, making it the best-selling mystery novel of all time. In 1943 Dame Aggie adapted the novel for…
















