Areas We Cover
Categories
Los Angeles
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Los Angeles Opera Review: THE BARBER OF SEVILLE (Pacific Opera Project)
A MATCH MADE IN HOLLYWOOD Last year, the Pacific Opera Project (POP) put on a show about a serial killer who also happened to be a barber: Sweeney Todd. This year, they have staged a production about a much different kind of barber. Figaro, the titular Barber of Seville, is a matchmaker who’s trying to…
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Theater Review: THE WHALE (South Coast Repertory in Costa Mesa)
NOT WORTH THE WEIGHT The title of Samuel D. Hunter’s The Whale refers to three things. The first is Charlie, a homebound, 600-pound tutor who instructs online classes in expository writing. Second is a student essay on Moby-Dick. The third is the biblical story of Jonah. At the top of South Coast Rep’s production, Charlie,…
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San Diego Theater Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER (The Old Globe Theatre)
CHARM GALORE WITH A SIDE OF CHARM THROWN IN FOR GOOD MEASURE A Gentleman’s Guide to Love and Murder is a captivatingly charming affair. Set in Edwardian England, the west coast premiere is loosely based on Roy Horniman’s Israel Rank: The Autobiography of a Criminal, which was adapted for the screen as the 1949 black…
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Los Angeles Theater Review: END OF THE RAINBOW (Ahmanson Theater)
A TRIUMPHANT TRAINWRECK If you’ve never applauded a trainwreck, be prepared to do so when you see Peter Quilter’s End of the Rainbow. I am not talking about the gossip-driven, hardly revelatory play about Judy Garland’s last days; I am talking about Tracie Bennett’s devastating portrait of a Ritalin-addled, vodka-soaked, emotionally greedy and equally needy,…
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Los Angeles Theater Review: THE IMPORTANCE OF BEING EARNEST (Theatre Banshee in Burbank)
THE WILDE ACCORDING TO BURBANK By Los Angeles standards, Theatre Banshee’s The Importance of Being Earnest is pretty good. It’s a time-tested script; the actors know their lines, the director knows where to find the laughs, and one efficient, mostly lovely set by Arthur MacBride serves as three. But two of those three settings feature…
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Los Angeles Theater Review: TOMORROW (Skylight Theatre)
WHEN ‘TOMORROW’ ISN’T ANOTHER DAY Anyone who cares about acting or classical theater or Shakespeare (particularly Macbeth) must see Donald Freed’s new play Tomorrow. It has moments of spot-on, sublime specificity that make you gasp out loud. Without fuss, without preening, it explores the art of acting as a means of exploring the art of…
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Los Angeles Music Review: JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS (Disney Hall)
THE PRIDE OF JAZZ PURITANS Wynton Marsalis has received a plethora of awards from numerous countries, committees and academies for his talents and contributions to the world as a musician, arranger, composer, and cultural ambassador. In 2009, he received the Insignia Chevalier of the Legion of Honor from France; it’s the equivalent of attaining knighthood in…
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Los Angeles Theater Review: TRAINSPOTTING (Elephant Theatre in Hollywood)
TRAINSPOTTING IS ON THE RIGHT TRACK Whether L.A. theatergoers are ready or not, seat of your pants Productions has resurrected it’s much ballyhooed 2002 mounting of Henry Gibson’s Trainspotting at the Elephant Theatre in Hollywood and while much of its power remains intact, it is definitely not for the squeamish. All matter of human excrement…
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Los Angeles Music Review: LE SALON DE MUSIQUE (Season 3, Concert 6 at the Dorothy Chandler Pavilion)
SOUL MASSAGE It’s easy to walk into a salon and pamper your body with a facial, pedicure, or rubdown, but there is a different salon in town where once a month there is an opportunity to have your soul massaged: a Chamber Music Concert Series called Le Salon de Musiques, a compendium of LA’s most…
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Los Angeles Theater Review: TRIBES (Center Theatre Group at Mark Taper Forum)
FINDING YOUR TRIBE Theatre of Identity, aka Social Issues Theatre, is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that culture and other cultures to experience that culture’s joys, problems, history, traditions, and point of view. Plays like Torch Song Trilogy, The Boys Next Door, and Yellow Face…
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Los Angeles Theater Review: URBAN DEATH (Zombie Joe’s Underground in North Hollywood)
L. A. THEATER RISES FROM THE DEAD With an assemblage of the bravest actors in Los Angeles, Zombie Joe returns with an all-new Urban Death, the naturalistic horror show in the style of Le Théâtre du Grand-Guignol. In just under an hour, this ghoulishly delightful series of vignettes serves up unfathomable repulsions, profound evils, distressed…
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Los Angeles Theater Review: SONGS OF BILITIS (Rogue Artists Ensemble at the Bootleg)
FAKE BOOK COMES TO TRUE LIFE Published in Paris in 1894, The Songs of Bilitis is a book of poems and epitaphs describing the life and loves of an ancient lesbian heroine named Bilitis. With emotional flourish, author Pierre Louí¿s biographically describes her simple country upbringing, pinnacles of romantic love and sexual gratification, and eventual…
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Los Angeles Theater Review: MOMMUNE (Chalk Repertory Theatre)
WHAT DO YOU DO WITH A BAD MOM? Chalk Repertory Theatre continues presenting non-traditional, site-specific theatre with the world premiere of Dorothy Fortenberry’s newest work, Mommune. “Mommune” is the name of a childcare center, and the two-hour real-time melodrama about motherhood – featuring an all-woman ensemble – takes place at an actual day care center,…
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Theater Review: THE TROUBLE WITH WORDS (Coeurage Theatre Company at Lost Studio)
THE TROUBLE WITH THE TROUBLE WITH WORDS In 2011, I stumbled upon a refreshing new composer at the Hollywood Fringe Festival. The extraordinarily encouraging work in Gregory Nabours’ song cycle, The Trouble with Words, was thrilling. Comparable to the work of Duncan Sheik (Spring Awakening), the music, whether bouncy or haunting, incorporated innovative harmonies with…
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Los Angeles Opera Review: THE FLYING DUTCHMAN (LA Opera at Dorothy Chandler Pavilion)
SALVATION IN A STORM Who is the titular Flying Dutchman? Is he a mythological figure, a type of the wandering Jew bound to traverse the earth in travail until his day of salvation comes? Is he in some way the composer, an outsider and a genius yearning for acceptance and recognition? Or he is simply…
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Theater Review: WOLVES (Celebration Theatre)
HOWLER Steve Yockey’s new play isn’t new, and it isn’t a play. The first contention first: Part of a new promotional concept of “rolling world premieres” designed specifically to hype theaters and the scripts they mount, Wolves already played in Atlanta, New Orleans, and Tempe last year. This isn’t a tour; it’s four different productions…
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Los Angeles Theater/Dance Review: KEN ROHT’S MISS JULIE(N) (MorYork Gallery in Highland Park)
GAY ABSTRACTION For years, Ken Roht has proved himself to be one of the most inventive theater practitioners in Los Angeles. His avant-garde works include the renowned 99 Cent Only shows, which contain extravagant costumes by Ann Closs-Farley and sets wholly manufactured with items acquired at the 99 Cent Only Store. The original, entertaining and…
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Los Angeles/Tour Theater Review: MIKE TYSON: UNDISPUTED TRUTH (Pantages and National Tour)
SMILE, AND SMILE, AND BE A VILLAIN Since civilization stopped executing them outright, the notorious have always had the fallback of a second act as freakshow attractions. From 1883 well into the first decade of the Twentieth Century, Americans and Europeans paid to see Buffalo Bill’s Wild West show, featuring old Indian fighters and actual…
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Los Angeles Theater Review: WHEN YOU’RE IN LOVE, THE WHOLE WORLD IS JEWISH (Greenway Court)
WHAT WERE JEW THINKING? Baby boomers should recall the time when a great comedy album could be played with regularity. Some of my favorites were Bill Cosby Is a Very Funny Fellow…Right! (1963), which contained his iconic “Noah” sketches; George Carlin’s Class Clown (1972) with its infamous track entitled “Seven Words You Can Never Say…
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Los Angeles Theater Review: THE LAST DAYS OF JUDAS ISCARIOT (Victory Theatre in Burbank)
THE PLAY ABOUT A TRIAL ULTIMATELY BECOMES A TRIAL TO WATCH Stephen Adley Guirgis’ The Last Days of Judas Iscariot is a courtroom drama set in Purgatory where the guilty or not guilty verdict literally means heaven or hell for the one standing trial. The one being judged in this case is former apostle and…



















