Areas We Cover
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Los Angeles
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Los Angeles Theater Review: TRIASSIC PARQ: THE MUSICAL (Chance Theater in Anaheim Hills)
FRINGE-O-SAUR Winner of the Best Musical title at the 2010 FringeNYC, with music by Marshall Pailet and book by Pailet, Bryce Norbitz and Steve Wargo, Triassic Parq: The Musical is a parody which explores the relationship of personal identity to gender, sexuality, and spirituality in the context of a group of female dinosaurs in the…
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Los Angeles Theater Review: CHESS (Musical Theatre Guild)
MUSICAL WITH A CHECKERED PAST GETS A CHECKERED PRODUCTION Chess, the musical about two chess tournaments between the U.S. and the U.S.S.R. during the Cold War, is the 1979 brain child of lyricist Tim Rice, who teamed up with ABBA composers Benny Andersson and Björn Ulvaeus to create the (still) immensely popular 1984 concept album….
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Los Angeles Theater Review: CATCHING THE BUTCHER (Long Beach Playhouse)
PROMISING SCRIPT BUTCHERED BY PRODUCTION VALUES Adam Seidel’s sanguinary dark comedy, Catching the Butcher, is an unlikely and eccentric love story in which a secret and utterly sick relationship develops between Bill, a selectively cruel serial killer, and Nancy, his Stockholm Syndrome affected victim. Seidel uses psychological horror to craft a deliciously demented commentary about…
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San Diego Theater Review: PYGMALION (Old Globe)
GALATEA COMES TO LIFE Transformation. Evolution. Metamorphosis. These words are often confined to biological definition, abused in a critic’s articulation, and criminally under-applied by artists of this generation. Most popular art today can be likened to fast food: Sub-par products synthesized under the pretense that it’s what the consumer is demanding. In actuality, it is…
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Los Angeles Theater Review: THE GIFT (Geffen Playhouse)
I’D LIKE TO RETURN THIS GIFT, PLEASE The Geffen Playhouse has a proud tradition of staging crackerjack productions of dramatic works by some of the modern theater’s greatest playwrights. To their misfortune, though, these works invariably turn out to be the celebrated playwrights’ most excruciatingly dreadful plays – the ones, you suspect, that the authors…
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San Diego Theater Review: THE BROTHERS SIZE (Old Globe)
A SIZE THAT DOES NOT FIT ALL Of the three plays which constitute Tarell Alvin McCraney’s “The Brother/Sister Plays,” The Brothers Size, now playing at The Old Globe, is the most intimate and confined, much like a chamber piece. The first play of the triptych, In the Red and Brown Water, is an epic tale…
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Los Angeles/Regional Dance Review: THE LITTLE MERMAID (Hamburg Ballet at Segerstrom)
ALL HANS ON DECK Don’t expect the Disneyfication of Hans Christian Andersen’s The Little Mermaid when you attend Hamburg Ballet’s rendition of the tragic 1836 fairy tale, which opened last night at Segerstrom Hall. This imaginative and handsome adaptation is more faithful to its dark and bittersweet source material. In John Neumeier’s version, created for…
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Los Angeles Theater Review: BENCHED (InterACT at Avery Schreiber)
BENCHED SHOULD HAVE BEEN BENCHED A cantankerous senior gets his dander up when he discovers a stranger occupying his favorite Central Park bench in the L.A. premiere of Richard Broadhurst’s Benched. Five minutes into the show I began wishing that the squatter would simply get up and leave so I could as well. No such…
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Los Angeles Dance/Theater Review: TRAVERSE (Arcosm at Theatre Raymond Kabbaz)
CROSS OVER FROM ROUTINE AND VIVRE LE VIE Napoleon’s vision to make the world his grand empire of France was stifled by his winter campaign in Russia and his defeat at Waterloo. However, what he may not have imagined is France’s prevailing influence in the world – not necessarily as a military superpower – but…
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Stage and Cinema Theater Interview: IMPRO THEATRE
AN IMPROVISED TRUTH Los Angeles-based Impro Theatre opens a run of Jane Austen: UnScripted on Valentine’s Day at the Pasadena Playhouse’s Carrie Hamilton Theatre. Their most recent L.A. performance at the Odyssey Theatre, inspired by another giant of international literature, may offer a parallel idea of what to expect in Pasadena: The set awaits, a pleasant throw…
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LOS ANGELES THEATER FEATURE: MISS COCO PERU: SHE’S GOT BALLS (L.A. Gay & Lesbian Center)
THE DRAG QUEEN TO DRAG YOUR THOUGHTS AWAY FROM YOUR TROUBLES I first saw Coco Peru perform in a B movie sendup – a campy romp called Blood Orgy of the Carnival Queens! But at New York’s Off-Off-Broadway Hamlet Theatre in 1994, the actress playing Kitty Valise, Student Nurse was simply Miss Coco. Later that week,…
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Los Angeles Theater Review: THE DEEP THROAT SEX SCANDAL (Zephyr Theatre)
WHERE’S THE SCANDAL? When I first drove past the Zephyr Theatre looking for parking, I saw what appeared to be anti-pornographic picketers on the sidewalk in front of the building. I wasn’t looking forward to wading through that melee. Well, by the time I parked and finally arrived for the show, the picketers were nowhere…
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Los Angeles Theater Review: BACKBEAT: THE BIRTH OF THE BEATLES (Ahmanson Theatre)
TALK ABOUT A LONG AND WINDING ROAD So, this cool cat painter, a blonde Frau, and several Liverpool lads named John, Paul, George, and Pete walk into a bar in Hamburg: While this sounds like the beginning of a bad joke, it is actually a more accurate description of Backbeat, a bad “musical.” Based on…
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Dance Review: THE JOFFREY BALLET’S LE SACRE DU PRINTEMPS (Reconstructed Version at the Dorothy Chandler Pavilion in Los Angeles)
THE RITE OF JOFFREY One hundred years ago, a new ballet took place in Paris’ Théâtre des Champs-Élysées. This highly controversial work – for both its music and choreography – would revolutionize dance and thrust ballet and classical music into the modern era. As if the avant-garde nature of the dance was not enough to…
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Los Angeles Theater Review: RED, BLACK & GREEN: A BLUES (Marc Bamuthi Joseph/The Living Word Project at REDCAT)
THE COLORS OF OUR LIVES red, black & GREEN: a blues is art at its best and most purposeful; a visceral, engaging narrative that combines theatre, dance, music, spoken word and visual art created and expressed by and for “wonderful human beings” to ask what we are doing to protect and nurture our world and…
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Los Angeles Music Review: LISE DE LA SALLE PLAYS RACHMANINOFF (LA Philharmonic at Disney Hall)
A RARELY HEARD SYMPHONY TRUMPS AN OFT-HEARD RHAPSODY It never makes sense to me why Rachmaninoff’s Symphony No. 3 is still not in the popular orchestral repertoire. Yes, it is approximately 20 minutes shorter than his other Symphonies – No. 1 (1896) and No. 2 (1908) – containing three instead of four movements. It was…
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Los Angeles Music Review: THE INTERRUPTERS (House of Blues)
A WELCOME INTERRUPTION Social Distortion played for over two hours with hardly a break, and sounded better than they did thirty years ago. Eddie Spaghetti of the Supersuckers rasped several songs about smoking and drinking too much. But the story of the night was the aptly-named Los Angeles punks The Interrupters, who opened for all…
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Los Angeles Theater Review: CASSIOPEIA (Theatre @ Boston Court in Pasadena)
IN THE SHADOW OF STARS David Wiener’s ten-year-old, never-before-produced play Cassiopeia needs work. As usual at Boston Court, this experimental piece has received a production so grand that it more than warrants seeing. Also typical of Boston Court, this challenging show is so sharp that it highlights the weaknesses of its script, such that Mr….
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Los Angeles Theater Review: WALKING THE TIGHTROPE (24th STreet Theatre)
WALKING THE TIGHTROPE STRIKES A PERFECT BALANCE AND SOARS TO THEATRICAL PERFECTION Lab24, the resident experimental theater company of the 24th STreet Theatre [sic], has scored a stupendous success with their debut production Walking the Tightrope. Based on a lyric poem by Mike Kenny, director Debbie Devine has transformed the ode into a highly stylized…
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Los Angeles Theater Review: LOVESICK (LOFT Ensemble)
GOTH MEETS GIRL During the first five minutes of Lovesick I was beginning to think I had ended up at a school play. The acting was highly exaggerated, the props looked like elementary school paper-mache and the dialogue was doggerel verse. Fortunately, it got better. I wish I could say it got a lot better….


















