Los Angeles

JUSTIN IS JUST IN THE MIDDLE The best thing about Justin Love, Celebration Theatre’s 30th season opening production, is the fun of watching the stylish performance of Grant Jordan, who gives his twink role a seriously meta spin that makes you laugh out loud. Like most of the characters in the show, he lusts after…

A PRO-CHOICE ARGUMENT Michael Michetti’s staging of Kathryn Walat’s Creation will, I hope, long hold the record in my experience for Most Literal Production.   This decidedly non-realistic play does much to invite such a treatment: its awkward, unhelpful structure features many redundant soliloquies (a trope in which the director has his actors engage the audience…

SASSY SENIORS PROVE THE BEAT GOES ON FOR THE YOUNG AT HEART At 80 years young,  Jackie Goldberg, a.k.a. The Pink Lady, is on a mission. After becoming a widow at 70 she created a series of seminars entitled “Get Up, Get Out, & Get A   Life” to encourage baby boomers and seniors to follow new…

JOPLIN TRIBUTE NEEDS TO TRY, NOT A LITTLE BIT, BUT A LOT HARDER 42 years ago, Janis Joplin joined fellow rock visionaries Jimi Hendrix and The Rolling Stones’ Brian Jones in the “27 Club,” a term  reserved  for popular musicians who died tragically at 27 years of age’”typically by way of drug-related overdose (Kurt Cobain and Amy…

THE ‘TROUBLES’ WITH FAITH Choosing to write about the Irish Troubles comes with baggage’”many people have come before you, and many will come after. Like the Holocaust, it can conjure a deep vein of feeling, but the idea of slogging through it again can also seem like a chore to audiences. It takes skill, flair,…

DUALITY IN A NOISE WITHIN’S CYMBELINE Are women faithful to the men they love? Or are they so weak-willed and inconstant as to be easily seduced by another? While many writers and dramatists have explored these questions over the centuries, Shakespeare addresses them as just one important strand in the complicated plot of his late…

SEMI-CIRCLE The drawing room comedy has fallen out of fashion over the years. These extremely well-made, light, sophisticated plays center around members of polite society whose lives unravel in a literal drawing room during otherwise civilized weekends in the country. Featuring wit and verbal banter among wealthy, leisured, upper-class Brits, the form eventually morphed into…

AN OCTOBER UNSURPRISE Scott Zigler learned to direct theater from David Mamet, which is like having David Ortiz teach you how to pitch for the major leagues.   A designated hitter thinks every pitch should come right over the plate, and may be excused for only paying attention to the elements of the game that concern…

OFF AND ON Once again, I talk to a troupe of foreign artists, and once again, apart from the art, there’s an utter lack of coherent understanding between their world and mine.   It’s especially funny since so many Americans claim to believe that we’re the least sophisticated and least cross-culturally educated of the industrialized nations.  …

HAUNTED BY EXPOSITION Last October, Hollywood stuntman Jon Braver put up Delusion, a much-celebrated high-end haunted house.   One of Mr. Braver’s purposes with this project, which he wrote, directed, and produced, was to correct what he saw as a tired tendency toward “jump-out-of-the-corner” type scares in the haunted houses he visited.   He added narrative to…

MAID IN HOLLYWOOD The history of people of color on the screen is complicated, to say the least. The great Hattie McDaniel was hurt and bewildered by criticism from some in her own community who felt she should turn down maid and mammy roles. “Why should I complain about making $700 a week playing a…

IN LOVE OR IN LOVE WITH BEING IN LOVE Playwright Kristen Vangsness’ intriguing, but ultimately frustrating comedy features as its center a gal who makes the mistake of confusing love with, well, let’s charitably call it the desire “to be” in love.   It is what folks brought up in civilized company would call “passion”’”but it’s…