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Mark Alan Anderson
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Los Angeles Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (Pacific Opera Project)
A CLOSE SHAVE The Pacific Opera Project’s production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street promises so much blood that before the curtain goes up three characters ask if the people in the first two rows might like to buy ponchos for one quid each. The ponchos aren’t really for sale…
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Los Angeles Theater Review: ABSURD PERSON SINGULAR (South Coast Repertory in Costa Mesa)
LIFE IN THE KITCHEN Suicide is no laughing matter. No laughing matter, that is, until someone tries to commit it repeatedly in a room full of oblivious friends. Then it’s hilarious. Alan Ayckbourn’s Absurd Person Singular is about three couples, who each in turn throw disastrous Christmas Eve dinner parties at their homes; under David…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater
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