Areas We Cover
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Los Angeles
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Los Angeles Theater Review: STAGE KISS (Geffen)
KISS OFF A backstage comedy with more personalities than Sybil, Sarah Ruhl’s preposterous — and in some ways pretentious — 2011 play was apparently given a boffo treatment at Playwrights Horizon, San Francisco Playhouse, The Guthrie, and more. But not at Chicago’s Goodman Theatre, where Stage Kiss had its World Premiere, and certainly not at the Geffen,…
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Los Angeles Music Preview: MURRAY PERAHIA IN RECITAL (Disney Hall)
MURRAY PERAHIA IN RECITAL AT DISNEY HALL Murray Perahia is the rare concert pianist so popular and profound that his performances cannot be confined to a standard recital hall. That’s to be expected of a pianist who has consistently engaged with music that’s greater than any one performer, and who combines a joyous, lucid virtuosity…
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Los Angeles Music Review: BEHZOD ABDURAIMOV & EDO DE WAART (LA Phil at Disney Hall)
DO NOT MISS BEHZOD ABDURAIMOV AT DISNEY HALL THIS WEEKEND I am happy to say my instincts were correct: When pianist Behzod Abduraimov appeared in his Disney Hall debut as a last-minute replacement in 2014, I knew he was the real thing. They don’t appear often, these fresh-to-the-scene soloists who completely enrapture ’” those who combine the old-school…
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Los Angeles Theater Preview: I ONLY HAVE EYES FOR YOU – THE LIFE AND LYRICS OF AL DUBIN (Ricardo Montalban Theatre in Hollywood)
INDEED I DUBIN He wrote the lyrics to the songs that kept the world singing through some of the darkest times in human history: The Great Depression and WWII. But as with most songwriters who aren’t named Gershwin, Porter, Berlin or Rodgers & Hammerstein, this man, who passed at the age of 53, has been forgotten…
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Los Angeles Music Review: AMERICAN CHAMBER MUSIC / JOSEFOWICZ PLAYS ADAMS (LA Phil)
NOISE WILL BE NOISE Two vastly different programs offered by LA Phil this week confirm that “contemporary” music doesn’t sound modern — that is, “new.” For me, both Brad Lubman’s Tangents and John Adams’s Scheherezade.2 fall squarely into “noise,” and I’ve heard it all before. As a reviewer, I have tried to create a critical and…
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Tour Theater Review: KINKY BOOTS (National Tour at Pantages Hollywood)
BOOTS GOT MY KINKS OUT Another bus-and-truck tour of Harvey Fierstein and Cyndi Lauper’s Tony Award-festooned musical has “sashayed and shanted” its way back into Los Angeles at the Hollywood Pantages Theatre, and it may just be the tonic you need after a rough day. Oh, yes, one can look at the show with the jaundiced old…
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Los Angeles Theater Review: CHILDREN OF EDEN (Cabrillo Music Theatre in Thousand Oaks)
FAR MORE EDENIC THAN I EXPECTED You would think that if Stephen Schwartz (composer/lyricist of Pippin and Wicked) wrote a musical with John Caird (adapter of Les Misérables and Candide), we would have seen a production of it — or at least heard of it. But shows that haven’t played Broadway rarely make it into the public consciousness….
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Los Angeles Theater Review: SISTER ACT (Musical Theatre West in Long Beach)
NUNBEARABLE Deloris, a pushy, smart-alecky, malopropism-spouting black woman, is disguised as a nun as she awaits a court date to squeal against her gangster boyfriend. Her background as a nightclub entertainer makes her perfect to convert a convent of silly oddball sisters into a kick-ass choir — one which turns a cash-strapped church into a…
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Regional Music Preview: TANGO SONG AND DANCE (Augustin Hadelich, Joyce Yang and Pablo Sainz-Villegas in La Jolla and Irvine)
NOT YOUR AVERAGE VIOLINIST; NOT YOUR AVERAGE TANGO Coming up on April 15 and 16, 2016, in Irvine and La Jolla, acclaimed violinist Augustin Hadelich will be joined by dazzling pianist Joyce Yang and dynamic guitarist Pablo Villegas for an evening of Spanish-themed music built around André Previn’s three-part piece Tango Song and Dance, written…
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Tour Theater & Film Preview: HISTORIA DE AMOR (Teatrocinema at REDCAT L.A. and MCA Chicago)
AMOR MEANS NEVER HAVING TO SAY YOU’RE SORRY Based on the graphic novel of the same name by French writer Régis Jauffret, Historia de Amor, which opens this Thursday, March 31 at REDCAT in L.A., addresses the hardly distinguishable boundary between reason and madness, love and domination. An English teacher abducts the young Sofia and…
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Los Angeles Theater Review: DREAMGIRLS (La Mirada Theatre & Valley Performing Arts Center)
KEEPING THE DREAM(GIRLS) ALIVE Dreamgirls opened on Broadway in 1981, won six Tony awards, and ran for nearly four years. Since then, the Michael Bennett musical has been revived, presented in concert, revised, made into a movie, played at high schools, community and regional theaters, and toured. Now at La Mirada Theatre we get a revival of…
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San Diego Theater Review: THE ROCKY HORROR SHOW (Cygnet Theatre)
GIVE YOURSELF OVER TO ABSOLUTE PLEASURE Those familiar with the movie version of The Rocky Horror Show may be shocked to find that there is no typo in the title of the stage version: Here, there is no “Picture” before “Show.” Before anyone had thoughts of a movie about the gang from Transsexual Transylvania, there…
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Los Angeles Theater Review: BROKEN FENCES (The Road on Magnolia in North Hollywood)
FENCES THIS AIN’T We are taught that tolerance is a virtue, that common ground is not only findable but a state of mind. We are taught that our obligation is to our neighbor as much as to ourselves. We learn in school, or in church, that home is the foundation of community. We know it….
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National Tour Theater Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER (Ahmanson)
KISSING KILLING COUSINS Serial killers can be fun. In the film Theatre of Blood Vincent Price sardonically played a Shakespearean actor, a hate-filled ham who doggedly “offs” the critics who panned him, snuffing out each scribe in endgames inspired by the Bard (don’t get any ideas). Who’s Killing the Great Chefs of Europe? was a less important…
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Los Angeles Dance Preview: EVIDENCE/A DANCE COMPANY (The Broad Stage in Santa Monica)
FOLLOW THE EVIDENCE WHEREVER IT LEADS Evidence, A Dance Company is recognized nationally and internationally for its fusion of African dance with contemporary choreography and storytelling that combines Cuban, Caribbean, West African and modern American dance movement. A selection of signature works from its repertory will be performed to tell the story and mark the extraordinary…
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Los Angeles Film & Music Preview: BEN-HUR: A TALE OF THE CHRIST (1925 Silent Film and Rock Orchestra Score at VPAC and Segerstrom)
HURRY TO BEN Published in 1880, Lew Wallace’s Ben-Hur: A Tale of the Christ not only beat out Harriet Beech Stowe’s Uncle Tom’s Cabin (1852) in sales, it remained the reigning champion of best-selling books for over half a century, finally being toppled by Margaret Mitchell’s Gone with the Wind (1936). Not only does the…
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Los Angeles Theater Review: SLEUTH (Little Fish Theatre Company in San Pedro)
YOU WANT THE SLEUTH..? The kind of intimate theater I saw Sunday is targeted for elimination by Actors’ Equity Association: Low-tech projects, produced of donated resources without hope of profit. One of Equity’s arguments, repeated recently by its president, is that a proliferation of tiny nonprofits puts the development of commercial theater at a disadvantage. The…
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Los Angeles Theater Review: COLONY COLLAPSE (The Theatre @ Boston Court in Pasadena)
THERE WILL BE BUZZ ABOUT THIS PLAY, BUT IT’S ALL STING AND NO HONEY As honey bees gather pollen and nectar for their survival, they pollinate crops such as cranberries, melons and broccoli. “A World Without Bees,” Time’s cover story in August of 2013, brought to light a frightening occurrence: In recent years, there have…
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Los Angeles Theater Review: A HOUSE NOT MEANT TO STAND (Fountain Theatre)
A FUNHOUSE NOT MEANT TO PRODUCE You must run to the Fountain Theatre to see the delightfully quirky oddity, Tennessee William’s last play A House Not Meant to Stand. Fasten your seatbelts, slam down a mint julep, and keep all arms, legs and gaping mouths inside the McCorkle’s Southern Gothic living room at all times….
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Los Angeles / Regional Theater Preview: THE MAN WHO SHOT LIBERTY VALANCE (Rubicon in Ventura)
A NEW BIRTH FOR LIBERTY Adapted from the short story by Dorothy M. Johnson that also inspired the legendary John Ford 1962 film, The Man Who Shot Liberty Valance is a classic tale of love, honor, ambition and revenge set against the backdrop of the American West. While Quentin Tarentino is valiantly keeping the oater…



















