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Los Angeles
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Theater Review: AN ACT OF GOD (Ahmanson Theatre)
EVEN GOD CAN’T SAVE THIS FROM ITSELF Dear God (if I may quote Alice Walker): What’s going on with the theater these days? Oh, that’s right, you already know. In fact, you’re appearing on stage at the Ahmanson in the guise of TV’s Will & Grace star Sean Hayes, whose name actually is placed over your…
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Opera Preview: THE MAGIC FLUTE (Los Angeles Opera at the Dorothy Chandler Pavilion)
MAGIC STRIKES TWICE IN THE SAME PLACE In 2013, a new production of The Magic Flute from Berlin’s Komische Oper became a sell-out sensation, courtesy of the Los Angeles Opera. Now, it returns to the Dorothy Chandler Pavilion starting Saturday, February 13, and then playing for six performances only. Directors Suzanne Andrade and Barrie Kosky…
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Los Angeles Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Cabrillo Music Theatre in Thousand Oaks)
A FUNNY AND NOT-SO FUNNY THING An irresistible mix of Roman “new comedy,” commedia dell’arte, and vaudeville, A Funny Thing Happened on the Way to the Forum rivals The Producers as the funniest musical comedy ever. Cabrillo Music Theatre’s tame-yet-still-diverting revival is fine for the first-time visitor to this once and future 1962 smasheroo. The gags here are…
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Los Angeles Theater Review: CANDIDE (Beverly O’Neill/Center Theater in Long Beach Opera)
COLORFUL COLORATURA IN A CLUNKY CANDIDE There isn’t much I could say about the musical Candide that hasn’t been written about before. Leonard Bernstein created one of our greatest Broadway scores when he – along with Lillian Hellman (book), Richard Wilbur (lyrics) and John Latouche (additional lyrics) – adapted Voltaire’s 1758 novel satirizing the mores…
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Los Angeles Theater Preview: Harold Pinter’s THE ROOM (The Wooster Group at REDCAT)
CENSORSHIP COMES TO LOS ANGELES The Wooster Group has let Stage and Cinema know that Samuel French, Inc., which manages the United States rights for Harold Pinter’s work, has banned critics from reviewing (or reviewers from criticizing) the world premiere of Wooster’s production of his The Room at REDCAT, opening next week on February 4, 2016 and running through February 14….
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Los Angeles Music Preview: SALONEN & BRONFMAN, MAHLER & BEETHOVEN (LA Phil at Disney Hall)
COME HOLLER FOR MAHLER A pair of mind-blowing works meets a stunning pair of artists when the Los Angeles Philharmonic plays a full weekend beginning Friday night, January 29, 2016. LA Phil Conductor Laureate Esa-Pekka Salonen returns to Disney Hall to lead Beethoven’s First Piano Concerto, with soloist Yefim Bronfman, and Mahler’s First Symphony. Beethoven’s first piano…
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Los Angeles Music Review: JESíšS LÒPEZ-COBOS & GARRICK OHLSSON (LA Phil at Disney Hall)
DREAMY There were some noticeable threads in three seemingly disparate works presented at Disney Hall. The program consisted of Dvořák’s Eighth Symphony — one of the great listener favorites in the entire canon of Romantic symphonies; Brahms’ impellent, magnificent, and demanding First Piano Concerto; and the West Coast premiere of Spanish composer Cristóbal Halffter’s Tiento…
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San Diego Theater Review: WHEN THE RAIN STOPS FALLING (Cygnet Theatre)
WHEN IT RAINS, IT SOARS Let’s start with the unavoidable down-side so we can end with the up-side. While Cygnet Theatre’s When the Rain Stops Falling is spectacular, it is terribly complicated and confusing. It’s challenging enough that the 2008 play time-jumps across four generations, sometimes with different actors playing the same character, but Australian playwright Andrew Bovell purposely holds…
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Los Angeles Cabaret Preview: CHRISTINE EBERSOLE: BIG NOISE FROM WINNETKA (The Wallis)
CHRISTINE EBERSOLE COMES TO THE WALLIS Two-time Tony award-winning actress Christine Ebersole has really done it all. I’ve seen her on the Broadway stage, on television, in films and concerts, and own her many recordings. Not only is she one of our most captivating performers, but she’s funny as all get-out. I still recall her amazing 1993…
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Los Angeles Theater Preview: HAM: A MUSICAL MEMOIR (LGBT Center’s Renberg Theatre)
CARVING A “HAM” Direct from a critically acclaimed off-Broadway run, Harris’s HAM: A Musical Memoir makes its West Coast debut at the LGBT Center’s Renberg Theatre this Saturday, January 23, 2016. But the show can only last so long (as with any great ham, even if its refrigerated), so this strictly limited engagement will close on February 7. Tell me you remember…
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Los Angeles Theater Preview: EMPIRE (La Mirada Theatre for the Performing Arts)
A MUSICAL THAT REACHES FOR NEW HEIGHTS Built during the Depression between 1930 and 1931, the Empire State Building became the world’s tallest office building’”surpassing the Chrysler Building by a whopping 204 feet. The design of the building changed 16 times during planning and construction, but 3,000 workers completed the building’s construction in record time:…
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Los Angeles Dance Preview: LES BALLETS TROCKADERO DE MONTE CARLO (Carpenter Center)
THE TROCKS ROCK! As part of their worldwide tour, one of the most original troupes on the globe is coming to Carpenter Center in Long Beach this weekend. Les Ballets Trockadero de Monte Carlo, affectionately know as “The Trocks,” are not just men in tutus and pointe shoes going for laughs (although even their title “the…
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Los Angeles Music / Film Preview: JUSTIN KAUFLIN & QUINCY JONES (The Wallis in Beverly Hills)
IT JUST KEEPS ON KEEPIN’ ON This Friday, January 22, Clark Terry protégé and jazz pianist Justin Kauflin will be appearing at the Wallis in Beverly Hills for one night only. Following an 8pm screening of Keep On Keepin’ On, Alan Hicks’ ode to the friendship between the prodigious lifetime Grammy Award-winning trumpeter Clark Terry and Kauflin (see…
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Los Angeles Theater Preview: PAL JOEY (Musical Theatre West in Long Beach)
YOUR PAL IS COMING TO TOWN Sassy and brassy Pal Joey is a wondrous rouser that spins the tale of a roué gone rotten in Depression-era Chicago. As part of its Reiner Staged Reading Series, Musical Theatre West is presenting Rodgers and Hart’s original 1940 version of their masterwork, and I promise a glorious revival at CSULB on Sunday, January 24 at 7. With…
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Tour Review: 1984 (The Broad Stage in Santa Monica)
THAT WAS THE YEAR THAT IS, OR ALL’S ORWELL THAT ENDS ORWELL When the meek and paranoid everyman Winston Smith scribbles “Down with Big Brother” in his journal, he soon blossoms into a determined and impassioned rebel. But taking a stand in the dystopian superstate of George Orwell’s sadly timeless 1984 hardly creates the happy endings we see in today’s books, films,…
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Los Angeles Theater Preview: CAPITOL STEPS (Carpenter Center in Long Beach)
A CAPITOL IDEA FOR THIS WEEKEND One of the funniest troupes in the country resides in our nation’s capitol–hence the name Capitol Steps. For almost 35 years, they have skewered and satirized our political shenanigans in a take-no-prisoners fashion. They take pop songs and musicals to parody politics and current events, but every time I see…
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Tour Theater Review: BULLETS OVER BROADWAY THE MUSICAL (North American Tour)
BULL FROM BROADWAY In keeping with the never-ending trend of turning films into Broadway musicals, Douglas McGrath and Woody Allen’s 1994 comedy, Bullets Over Broadway, has been turned into a jukebox musical. It may have flopped on Broadway but, as with the disastrous If/Then before it, producers must know that tickets will be bought for this disappointing dreck,…
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Los Angeles Music Preview: NICHOLAS McGEGAN & SEAN CHEN (Pasadena Symphony)
A CLASSICAL UNFINISHED EMPEROR In a program in which familiarity breeds joy, the Pasadena Symphony begins the New Year with three of the most popular pieces in the repertoire, led by the insanely affable and exuberant Nicholas McGegan: Prokofiev’s short but mighty Classical Symphony, Schubert’s Unfinished Symphony, and Beethoven’s Piano Concerto No. 5, best known…
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Film Preview: THE CONTENDERS (MoMA’s Film Series at the Hammer Museum)
THE CONTENDERS REIGNS SUPREME For the past eight years, the Film Department of New York’s Museum of Modern Art has scrutinized releases, searching for the select few films from the previous twelve months which qualify for the end-of-the-year screening series known as The Contenders. Whether mainstream movies, independents, foreign-language films, documentaries, or art-house sensations, this intelligently and brilliantly…
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Film and Los Angeles Music Review: HEART OF A DOG & CONCERT FOR DOGS (directed by Laurie Anderson)
HEART OF DOGNESS In the middle of two hundred people and sixty dogs in the Silent Movie Theatre, in that low, dark room, some of the heads silhouetted against the screen ahead are those of standard poodles. There’s a barky collie and a St Bernard. There’s a scattering of smaller dogs, like Tango the mellow…



















