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Los Angeles
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Los Angeles Music Preview: YO-YO MA PLAYS HAYDN AND BRAHMS (Los Angeles Chamber Orchestra)
YO-YO MA JOINS LACO FOR ONE-NIGHT ONLY EVENT When classical music is performed correctly–a joyous amalgamation of proficiency and interpretation–it’s actually very difficult to put words on our experience. It’s best to just wants to sit back and be swallowed up by the dreamy music. As Jeffrey Kahane departs Los Angeles Chamber Orchestra (LACO)–the 2016-17 season is…
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Los Angeles Theater Review: DEAR WORLD (Valley Performing Arts Center in Northridge)
WHAT A WORLD 1969. The final year in what was one of the most turbulent decades in American history. The battle between counterculture dissidents and the corporate establishment could melt lead, and in the middle the blood was drained from the ideal Ozzie and Harriet family and the U.S. was headed to a most uncertain…
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Los Angeles Theater Review: THE TRUMP CARD (Mike Daisey at The Broad Stage in Santa Monica)
DAISEY’S TRUMPETRY The virtues of monologist Mike Daisey are many. He’s gifted at societal critique; he creates awesome mental pictures; and he’s a wiz at diagnosing and dissecting our modern world. Part journalist, part storyteller, part embellisher, part memoirist, the corpulent and energetic Daisey performs his shows seated at a table–quite often mopping his brow–as…
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Los Angeles Music Preview: JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS (Valley Performing Arts Center Gala)
THE PRIDE OF JAZZ PURITANS Wynton Marsalis has received a plethora of awards from numerous countries, committees and academies for his talents and contributions to the world as a musician, arranger, composer, and cultural ambassador. In 2009, he received the Insignia Chevalier of the Legion of Honor from France; it’s the equivalent of attaining knighthood in the…
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Los Angeles Theater Review: AND THEN THEY FELL (Brimmer Street Theatre Company)
FELLED Brimmer St. Theatre Co. only puts up a play when it thinks it’s got one worth doing, and always one that it has developed in-house. Some years it doesn’t produce anything but readings. This seems to me a better plan than that of many companies that fill ten slots a year with whatever they…
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Regional Theater Review: ALL THE WAY (South Coast Repertory in Costa Mesa)
MOST OF THE WAY Sick of politics? Miss the days when strongarm politicians got things done with blackmail, threats, and tit-for-tat backroom deals? Well, politics are exciting and inspiring again in Robert Schenkkan’s 2012 All the Way, which opened last weekend at South Coast Rep. The 3-hour docudrama begins on the day of Lyndon Baines Johnson’s…
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Los Angeles Theater Review: A LIGHT IN DARK PLACES: A COLLECTION OF PLAYS FOR HOPE (Stella Adler Lab in Hollywood)
SUICIDE ISN’T PAINLESS My dad had a great record collection. At 16, I would drive over after school to smoke cigarettes and listen to Stan Getz. One afternoon I found Pop putting his affairs in order. The divorce had broken him. Whiskey had taken its own toll, and an ill-advised romance had sucked up his…
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Los Angeles Theater Review: CHARM (Celebration Theatre in Hollywood)
TO SIR MA’AM WITH LOVE It’s an irresistible setting seen in many successful films and plays: When an underdog teacher shapes her troubled teenaged students, she is rewarded by bucking a system that all but excludes the seemingly hopeless youth. Chicago playwright Philip Dawkins (The Homosexuals, Failure: A Love Story) gives the genre a refreshing…
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Theater Review: NEWSIES (National Tour at the Hollywood Pantages Theatre)
THERE’S GOOD NEWSIES AND BAD NEWSIES Winner of two 2012 Tonys for best score and choreography, the rampaging romp called Newsies is mediocre material wrapped up in a special delivery. It comes from the Disney dreamers of Disney Theatrical Productions who fleshed out The Lion King, Mary Poppins, et al. from their original film counterparts. This screen-to-stage adventure…
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Los Angeles Theater Preview: LI’L ABNER (Musical Theatre West in Long Beach)
DIAMOND LI’L Musical Theatre West’s Reiner Reading Series wraps up its amazing season with a musical from smack dab in the middle of Broadway’s golden age. Given the terrific score (music by Gene De Paul, and lyrics by Johnny Mercer) and deliciously satiric book (Norman Panama and Melvin Frank), it’s no surprise that Li’l Abner brought…
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Los Angeles Theater Review: MAESTRO: A PLAY WITH MUSIC (The Wallis in Beverly Hills)
BRINGING BERNSTEIN TO LIFE Older spectators will remember Leonard Bernstein not just as a conductor, composer, and pianist, but as one of the most vivid personalities and astonishingly effective communicators in the history of American classical music. His life may have ended on notes of regret and frustration, but he was a one-of-a-kind phenomenon, and…
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Los Angeles Dance Preview: ADAMIANA (American Contemporary Ballet)
NEW BALLET PREMIERES IN L.A. It is said that American novelist James T. Farrell regretted writing the Studs Lonigan trilogy, novels that were so iconic that fellow Chicagoan “Studs†Terkel adopted the hero’s name for a pseudonym. Farrell always believed he’d written better books but they suffered because of Studs’ popularity. We don’t know if…
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Los Angeles Theater Preview: TWELFTH NIGHT (The Shakespeare Center of Los Angeles in Santa Monica)
SHAKESPEARE UNDER ATTACK A comedy’s brewing up in Santa Monica. Soon, winds will whip, distressed voices will call out and a ship’s timbers will be shivering, cracking, and smashing against a coastline in Shakespeare’s play about the confusion caused at Countess Olivia’s court by a set of identical brother and sister twins. Two castaways’”the lady…
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San Diego Theater Review: GYPSY (Cygnet Theatre)
A SCALED-DOWN GYPSY NONETHELESS GOES OFF THE SCALE Gypsy, the musical theater biography of striptease performer Gypsy Rose Lee, is really about Gypsy’s mother, Mama Rose, immortalized by Ethel Merman in the original 1959 production. Not just a chronicle of the superstar ecdysiast’s checkered childhood, Gypsy is a celebration of the addictive insanity of show business….
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Concert Review: WEST SIDE STORY (Los Angeles Philharmonic at the Hollywood Bowl)
HERE’S A PLACE FOR US When I first heard West Side Story, it was the original Broadway cast recording on my parents’ mono Magnavox console. Without the Jerome Robbins’ direction and choreography, without the sets and costumes, and without the dialogue, I was transfixed over and over by the 1957 trailblazing musical, an updating of…
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Los Angeles Music Preview: THE SINATRA PROJECT, VOLUME 2 (Michael Feinstein & the Pasadena POPS)
YOU AIN’T SEEN NOTHIN’ YET I have seen Michael Feinstein perform many times, but he was never better than last year when he celebrated Frank Sinatra’s 100th birthday with the Pasadena POPS at the Los Angeles County Arboretum. Indeed, The Sinatra Project was one of my favorite concerts ever, and not just because of the wonderful songs…
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Theater: CABARET (Roundabout’s production on National Tour)
RUN TO THE CABARET You better tell Momma and everybody else to come see Roundabout’s production of Cabaret, which kicked off its national tour this year. It plays the Hollywood Pantages Theatre for a limited three-week run from July 19 – August 7, 2016, and continues through the summer of 2017. The backstage story that becomes…
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Los Angeles Theater Review: PROSPECT THEATRE and R+J: LOVE IS A BATTLEFIELD, VOL. II in Hollywood
A FIRE SPARKLING IN HOLLYWOOD Opening a play or musical is always a risk. Plenty of hard work (and sometimes a lot of money) goes into a show, and producers just have to keep their fingers crossed hoping the public will attend. But opening a new theater, especially one which is designed for immersive productions,…
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Regional Theater Preview: PARTNERS (Pageant of the Masters in Laguna Beach)
IT’S TIME TO PARTNER UP Pageant of the Masters, now in its 82nd year, is a singularly unique entertainment that has perfected the art of tableaux vivants (“living pictures”). With world-class designers and over 600 volunteers (including actors and a research team), this elegant and classy outfit’”equal parts museum, play, concert, and lecture’”re-creates for seated…
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Los Angeles Theater Review: RICHARD III (Independent Shakespeare Co. in Griffith Park)
A MORE CASUAL CRUELTY Richard III, the final play of eight of Shakespeare’s histories, has also been an ever-popular play. It offers one of the most coldblooded characters in all of literature, and is told with such compelling, exciting drama that its length can go virtually unnoticed (in Shakespeare’s canon, only Hamlet is longer). The…



















