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Los Angeles
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Los Angeles Theater Review: THE LION (Geffen Playhouse in Westwood)
THE MANE EVENT Watching the Los Angeles premiere of writer/performer Benjamin Scheuer’s one-man show The Lion, directed by Sean Daniels, the element I am most taken with is Mr. Scheuer’s radiant charisma. His earnestness, his sincerity, his spiritual and emotional investment, are penetrating as he tells his story, mostly through songs, accompanying himself on different guitars’”six…
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Theater Review: AMÉLIE, A NEW MUSICAL (Pre-Broadway Run at the Ahmanson Theatre)
WHIMSY WASHOUT Adapting a film or play into a musical is a dicey proposition. There’s no perfect formula, but theater’s great librettists—Oscar Hammerstein, Alan Jay Lerner, et al.—knew that however well the source material worked, scenes had to be shuffled, characters dropped, and songs written to establish character and advance plot. The creators of Amélie,…
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Theater Review: THE KING AND I (National Tour)
NOT ALWAYS THE ROYAL TREATMENT, BUT STILL A PRINCELY KING It’s no puzzlement why The King and I is oft-revived. Rodgers and Hammerstein’s semi-historical domestic drama’”the unlikely alliance between a Siamese monarch in the 1860s and a British governess/tutor’”shows how history is all about people at pivotal points. Change comes from unexpected places in improbable…
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Los Angeles Theater Feature: RUBY LAPEYRE (now in “Thoroughly Modern Millie” at Morgan-Wixson)
THOROUGHLY THESPIAN Youth theater is mostly musicals, and many musicals are essentially infantilizing entertainments, most appropriate to teaching children how to perform. The kids themselves make up for a lot that I find unforgivable in book and music. In many kids’ shows half the cast can be expected not to have the choreography down pat,…
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Los Angeles Theater/Music Preview: NOTES OF A NATIVE SONG (Stew & The Negro Problem at REDCAT)
TAKING NOTES TO THE NEXT LEVEL Los Angeles native Stew, born Mark Stewart, is one of today’s most fascinating songwriters. He has released both solo albums and with his band, The Negro Problem. He became well known to the theater world in 2008, when he made the transition from the pop-rock scene to Broadway. The…
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Los Angeles Music Preview: COOL YULE (Gay Men’s Chorus of Los Angeles)
MAKE THE YULETIDE GAY Attending GMCLA’s Holiday Spectaculars is more like a pilgrimage for me, and is a no-brainer when choosing my wintertime concerts. This year’s musical extravaganza, Holiday Spectacular: Cool Yule, plays at Glendale’s gorgeous Alex Theatre for four performances beginning this Thursday, Dec. 15, 2016, and running through Sunday. And while there is no…
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Los Angeles Theater Feature: IMPRO THEATRE’S HOLIDAY OFFERINGS, 2016
IMPRO FOR THE HOLIDAYS -dad- Family sucks. Spending time with the people you moved away from is so un-American, so anti-Manifest Destiny, such an embarrassing parochial guilt-trip, that it’s been relegated to the worst weather of the year. What we call the holidays are a “let’s get it over with” season of grown siblings reduced…
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National Tour Theater Review: IRVING BERLIN’S WHITE CHRISTMAS
I’M DREAMING OF A WHITE CHRISTMAS WITH A BETTER SCRIPT I suppose it’s possible that Irving Berlin’s White Christmas might succeed with audiences. Possible, that is, if they are willing to tolerate a lame, cliché-ridden plot in exchange for large samplings of the Irving Berlin songbook accompanied by tap dancing and snow (and even tap dancing in…
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Los Angeles Theater Preview: WONDERFUL TOWN (Los Angeles Opera)
WONDERFUL WONDERFUL Never heard of the 1953 musical, Wonderful Town? Well, certainly you’ve heard of composer Leonard Bernstein and lyricists Betty Comden and Adolph Green. Even though the songs are terrific, none of them have entered the hit parade. Bernstein offers catchy melodies in tunes that range from conga to an Irish jig, and the lyrics…
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Los Angeles Theater Review: ICEBERGS (Geffen)
METHANE DEPOSIT A new play opened at the Geffen this week. It is called Icebergs, and it was written by Alena Smith. It was directed by Playhouse artistic director Randall Arney. It is a show illustrative of several tendencies in modern regional theater: It is written by a Yale-educated TV writer. Smith’s best work is…
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Los Angeles Theater Preview: SHE LOVES ME (Musical Theatre West in Long Beach)
EVERYBODY LOVES SHE LOVES ME I’ll be the first to admit that it may be impossible to create a bad production of the 1963 jewel-box musical She Loves Me. This perfect show, based on the 1937 play Parfumerie by Miklós László, is so resplendent, so charming, and so well-constructed that a 2011 gathering of literati…
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Los Angeles Theater Review: THE BEAUTY QUEEN OF LEENANE (Druid Theatre at Mark Taper Forum)
BLACK COMEDY AND KITCHEN SINK DRAMA: A BEAUTY-FULL IRISH STEW While the horror and suspense aren’t as palpable as previous efforts of The Beauty Queen of Leenane’”Martin McDonagh’s 1996 black comedy’”the dark humor, bleakness, and romance positively boil over, making Galway’s Druid Theatre Company’s revival a recommended trip. For 20 years, 40 year-old spinster Maureen…
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Los Angeles Music Preview: HADELICH and URBAŠƒSKI (Los Angeles Philharmonic at Disney Hall)
BEYOND COMPARE In the past five years, I have encountered only a handful of fresh-to-the-scene classical soloists who completely enraptured’”those who combine the old-school magnetic quality of superlative technique with energetic experimentation, soul, and discovery. Among the electrifying performers that have made me literally lean forward in my seat are cellist Alisa Weilerstein and pianists…
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Los Angeles Theater Review: 1984 (Greenway Arts Alliance at the Greenway Court Theatre)
LOVE STORY Watching 1984 live, in a roomful of high school students, my biggest surprise was how long two minutes lasts. I’m a hateful person now, and as a teenager even more so, but during Fairfax High School’s second period this morning, none of us could keep shouting epithets at Emmanuel Goldstein for even a…
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Los Angeles Theater Preview: THE BOYS FROM SYRACUSE (Musical Theatre West in Long Beach)
BOYS WILL BE BOYS Musical Theatre West’s (MTW) Reiner Reading Series begins its 2016-17 season with a musical from the beginning of the second decade of the Broadway Musical’s Golden Age. Some say this era began with Oklahoma! in 1943, but it’s also safe to say it began in 1927, the year that Showboat was born. The fully…
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Los Angeles Music Preview: DVOŘíK & SIBELIUS / ROUVALI & MOSER (Los Angeles Philharmonic)
DVOŘíK & SIBELIUS AT DISNEY HALL An LA Phil favorite, prizewinning German-Canadian cellist Johannes Moser (pictured left) makes his return under the baton of exciting young Finnish conductor Santtu-Matias Rouvali (pictured below) for a performance of Dvořák’s monumental and much-loved cello concerto. Also this Friday through Sunday (Nov. 11-13, 2016), Rouvali leads the acclaimed L.A. orchestra in…
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Los Angeles Theater Review: URINETOWN: THE MUSICAL (Coeurage Theatre in North Hollywood)
AGITPOOP When Urinetown opened up Off-Broadway in 2001, then splashed all over Broadway just after 9/11, the show was hailed as a Brechtian revamp of musical theater. About an overpopulated, under-hydrated world in which private toilets are outlawed, Urinetown is a simultaneous assault on fascist economics and on mindless revolution. It’s supposed to be a black…
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Theater Review: HANSEL & GRETEL BLUEGRASS (24th Street Theatre)
FAIRY TALE THEATER Debbie Devine and Jay McAdams are a theater couple. They’ve been putting up shows for a long time. If you and your love dream of having your own space and staging your own stuff, you’d do well to study 24th Street Theatre. One of the first things you’ll notice is that it’s…
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Los Angeles Opera Preview: AKHNATEN (LA Opera)
THE PHARAOH-EST OF THEM ALL Egyptian Pharaoh Akhnaten was not just provocative in his lifetime. Today, over three millennia after his reign, Egyptologists still debate theories about his life and relative importance. After his death, succeeding Pharaohs did their best to erase every trace of the man who had dared to displace the many gods…
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Theater Review: HEDWIG AND THE ANGRY INCH (National Tour)
THE WINNER BY AN INCH Not long into its original run at Jane Street Theatre Off-Broadway in 1998, a cult following had already been firmly entrenched for Hedwig and the Angry Inch. It was the West Village’s answer to Rent (1996), which gave a musical voice to gays, AIDS, homelessness, and a disaffected generation. Hedwig…



















