image - 2025-02-03T092338.004

New York

  • Off-Off-Broadway Review: LILI / DARWIN (The Tank)

    A woman with long hair looks thoughtfully ahead in a dimly lit portrait.

    DARWIN DEL FABRO STUNS IN A PERFORMANCE OF BECOMING One reason the queer community has found broader acceptance in America — generally speaking — is that most people today know someone who identifies as lesbian, gay, or bisexual: a family member, friend, or colleague. They’ve heard stories and recognize the humanity of the community. Sadly,…

  • Off-Broadway Review: CAN I BE FRANK? (Soho Playhouse)

    Black and white movie poster featuring a man with a question mark and playful text.

    FRANK MORGAN Not too long ago in Sag Harbor, Morgan Bassichis spent time at an artist residency. For those unfamiliar with such places, Morgan wryly explained that “an art residency is when you go somewhere else to have sex with people.” During open visiting hours, a man stopped by the studio and asked about Morgan’s…

  • Cabaret Review: BACKSTAGE BABBLE LIVE! (July 7 at 54 Below)

    Promotional banner for Charles Kirsch's Backstage Babble event.

    THE HISTORY, HYSTERICAL HAPPENINGS & HAPPINESS THAT SPELL “BROADWAY” Broadway musicals feature a parade of talent which, like time, marches on. Sometimes it seems that parade of pizzazz passes by pretty quickly, but the talented stage veterans who were guests at Backstage Babble on July 7 at 54 Below didn’t seem to have lost their…

  • Off-Broadway Review: LORD NIL: 7 DEADLY SINS (Stage 42)

    Dark, moody portrait of a man with the text 'Lord Nil Se7en'.

    SINSATIONAL SENSATIONALISM OR, WHAT HAPPENS IN TIMES SQUARE, STAYS IN TIMES SQUARE Escape artistry emerged as a formal performance art in the 1860s, when the Davenport Brothers popularized their rope-escape act—paving the way for Harry Houdini, whose name became nearly synonymous with the craft by the 1890s. Carrying on this proud, magic-adjacent tradition is Lord…

  • ALL IN: HOW CASINO CULTURE IS INFLUENCING SET DESIGN, SOUNDTRACKS, AND STAGECRAFT

    Close-up of musicians playing violins in an orchestra.

    When audiences settle into their seats and the curtain rises, they’re transported into worlds built not just with story and performance, but with texture, music, color, and symbolism. One unexpected aesthetic influence that’s been making its mark on stage and screen design in recent years? Casino culture. From glittering Vegas showgirl-inspired productions to psychological thrillers…

  • Off-Broadway Review: ROLLING THUNDER (New World Stages)

    Logo for Rolling Thunder VNM, a rock music journey.

    PATCHWORK PATRIOTISM, POWERED BY A KILLER SETLIST With a book credited to Bryce Hallett, one may expect Rolling Thunder to be a new Off-Broadway musical. Despite the presence of a librettist, however, the show—now playing at New World Stages—functions far more as a rock concert than a traditional book musical. Of its 2-hour runtime, only…

  • Off-Broadway Review: GENE & GILDA (Penguin Rep at 59E59)

    Poster for the musical 'Gene & I' by Gary Gitter at Penguin Rep Theatre.

    Hollywood is full of iconic love stories but none is quite as brilliantly weird and tragically sweet as the romance between Gene Wilder and Gilda Radner, two comedy legends who fell madly in love somewhere between a silly goof and a punch line. And it is hard to think of somebody wanting to put their…

  • Cabaret Review: FROM BROADWAY, WITH LOVE (Melba Moore at 54 Below)

    Melba Moore on the cover of 54 Below magazine, smiling warmly.

    THE SHOW MUST GO ON, MOORE OR LESS She’s a singer, certainly a star, and a survivor. Melba Moore has had a decades-long career that includes musical theatre, film, TV, and recordings covering such genres as R&B, dance music, and pop, and disco. Her stage work began with a role in the legendary rock musical…

  • Cabaret Review: TESSA SOUTER (“Shadows and Silence: The Erik Satie Project” Album Release at Joe’s Pub)

    Tessa Souter performing live at Joe's Pub for her album release.

    SOUTER SATISFIES WITH SATIE & SINCERITY In a presentation that featured many self-penned, self-revealing lyrics – an album release show by singer Tessa Souter and her band made for an evening that was intimate, intense, intriguing, and involved to the Nth degree. The concert at Joe’s Pub on the first night of July was, first…

  • Dance Review: LADY WHITE SNAKE (Lincoln Center)

    Inspirational quote urging authenticity and self-expression in a dark, artistic style.

    A Woman’s Journey of Self-Discovery Presented in the Year of the Snake, Lady White Snake offers a contemporary interpretation of one of China’s great folktales—long retold in theatre, film, and television, and now reimagined as a two-act dance drama. The story follows a wife’s awakening consciousness and her struggle for freedom against the forces that…

  • Off-Broadway Review: GINGER TWINSIES (Orpheum Theatre)

    Two red-haired wigs on a beige background labeled 'ginger twinsies'.

    TWO GINGER SNAPS UP FOR THIS PARENT TRAP PARODY The subtitle for Ginger Twinsies, the new Off-Broadway comedy which opened last night at the Orpheum Theatre, reads: “The Parent Trap parody (legally speaking).” Having never seen Nancy Myer’s 1998 Disney film starring Lindsay Lohan, it gave me pause; I wondered if I’d spend the evening…

  • Dance Review: MARK MORRIS DANCE GROUP (45th Anniversary Season Kick-Off at The Joyce; Program “B”)

    Dancers performing in a joyful group dance event poster.

    THE MORRIS, THE MERRIER The Mark Morris Dance Group celebrates its 45th anniversary with a dynamic return to The Joyce Theater. Program B showcases a wide-ranging display of the company’s hallmarks: musicality, wit, and structural clarity. Each act features two contrasting works, performed by a company of seasoned dancers and accompanied—often live—by musicians of equal…

  • Off-Broadway Review: JOY: A NEW TRUE MUSICAL (Laura Pels Theatre

    A joyful woman dancing in front of a bright yellow background with the word 'JOY'.

    JOY TO THE WHIRL For every inventive soul who’s ever heard “no,” “pass,” or “next,” Joy is for you. Based on the life of Miracle Mop inventor Joy Mangano, this briskly staged musical delivers an energetic blend of domestic chaos, entrepreneurial grit, and interior musical theater gold to keep it well fueled for its two-hour…

  • Cabaret Review: THE ANDERSON BROTHERS PLAY ARTIE SHAW (Peter & Will Anderson at Birdland)

    Anderson Brothers band promotional image with Artie on clarinet.

    REED ALL ABOUT IT! SHAW BIZ WITH THE ANDERSON TWINS When jazz musicians of the current generation explore and embrace the repertoire of stars of the past, it can be an enjoyably educational experience. Such was the case when, along with four fine colleagues, Peter and Will Anderson turned their attention to bandleader Artie Shaw…

  • Highly Recommended Off-Broadway: PEN PALS (Encore Run at DR2 Theatre Begins August 15, 2025)

    Promotional image for the play 'Pen Pals' by Michael Graff.

    SIGNED, SEALED AND DELIVERED: PEN PALS GETS AN ENCORE RUN Casting has been revealed for Michael Griffo’s play Pen Pals, which is headed back Off-Broadway at DR2 Theatre with a rotating cast of actors beginning August 15, 2025. Stage and Cinema‘s rave review for the original production is republished below. See you at the theater!…

  • Off-Broadway Review: THE WEIR (Irish Repertory Theatre)

    A stone house at night with a mysterious figure in blue outside.

    GHOSTS POURED NEAT Conor McPherson’s The Weir, a beloved staple for Irish Rep, returns for its fourth production under the intimate, finely tuned direction of Ciarán O’Reilly. This unusual and deeply human play walks you into a small, wind-battered pub in rural County Donegal for “just a quick pint,” only to watch you stumble out…

  • Dance Review: MARK MORRIS DANCE GROUP (The Joyce)

    Mark Morris Dance Group performance dates, July 15-26, 2025.

    PLEASE, SIR, I WANT SOME MORRIS Mark Morris Dance Group kicks off its 45th anniversary season with a two-week sprint at the Joyce Theater. I caught Program A in which the eclectic choreographer revisits three of his works, The Muir (2010), Silhouettes (1999), and Mosaic and United (1993), and then presents a world premiere: You’ve…

  • Cabaret Review: ASHLEY PEZZOTTI (Birdland, NYC)

    Promotional poster for Ashley Pezzotti's Birdland performances in July.

    IN THE TRADITION OF THE GREAT JAZZ SINGERS When Ashley Pezzotti sings, it will only take a few notes for listeners new to her manner to gratefully discover that their ears will be caressed, rather than assaulted, by her timbre and talents. Some vocalists whose main asset is being long on loveliness and legato lines…

  • Off-Broadway Review: THE GOSPEL AT COLONUS (Little Island)

    Crowd gathered for The Gospel at Colonus performance outdoors.

    BIG GOSPEL ON LITTLE ISLAND Greek religion and Christianity had very different views on the nature of God and salvation, but the current revival of The Gospel at Colonus still manages to turn Little Island into a Pentecostal revival meeting. The show is based on an adaptation of Robert Fitgerald’s version of Sophocles’ Oedipus at…

  • Art | Theater Review: BLOOMING WONDERS (ARTECHOUSE NYC at Chelsea Market)

    Bold text with a colorful flower promoting an immersive world of flow.

    BLOOM WITH A VIEW In the heart of New York’s Meatpacking District, beneath the High Line and Chelsea Market, ARTECHOUSE’s latest immersive installation, Blooming Wonders, invites visitors into an artful reimagining of the natural world rendered in digital art, light, sound, and interactivity. Created by ARTECHOUSE Studio, an interdisciplinary collective of artists, it features an…

[my_pagination]

Search Articles

Please help keep
Stage and Cinema going!