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New York
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Broadway Review: CALL ME IZZY (Studio 54)
SMART SELLS IT Jean Smart is a phenomenal stage actress of great depth and specificity. Not exactly news but since she’s possibly best known as the warm-hearted and slightly naïve “Charlene Stillfield” on the iconic television sitcom Designing Women, it might bear repeating. Currently starring at Studio 54 in the riveting new play Call Me…
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Off-Broadway Review: THE WASH (WP Theater)
EVENTUALLY, EVERYTHING COMES OUT IN THE WASH Woodie King Jr.’s New Federal Theatre has found a new home, relocating from the Lower East Side to the Upper West Side’s WP Theater. Their second offering, The Wash by Kelundra Smith, opened tonight—an earnest, history-minded drama recounting the overlooked 1881 labor strike by Black laundresses in Atlanta,…
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Concert Review: SAMARA JOY & HER BAND (Carnegie Hall)
FROM CASTLE HILL IN THE BRONX TO A DEBUT AT CARNEGIE HALL IN MANHATTAN, SAMARA JOY IN CONCERT AND IN THE GROOVE # # # Most jazz vocalists dream of rapid success: winning a major contest, dazzling critics with a first recording by age 21, snagging a Best New Artist Grammy, racking up a shelf…
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Off-Broadway Review: JULIA MASLI: HA HA HA HA HA HA HA (Public Theater)
HA-LLELUJAH! HELP IS JUST A “HA” AWAY Julia Masli makes a slow, focused entrance onto the stage of the Anspacher Theater at The Public. Despite the surrounding moody blues, her face is lit by a pin spot attached to her arm. She pronounces “ha” in several different ways: drawn out, deliberate, hushed, questioned. She approaches…
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Off-Broadway Review: IMAGINARY INVALID (Red Bull Theatre at New World Stages)
Sick of It All—and Loving Every Minute: Molière’s Hypochondriac Gets a Hilarious Check-Up Molière’s final theatrical work, The Imaginary Invalid, is a scalpel-sharp satire of medicine and the absurdities of human nature. Written and performed in 1673 while he was seriously ill with tuberculosis, Molière took the stage with a genuine cough and died shortly…
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Off-Broadway Review: CHIAROSCURO: A LIGHT AND DARK SKIN COMEDY (National Black Theatre at The Flea Theater)
COLORISM, CRUISE SHIPS, AND COSMIC RECKONING Black myth meets modern identity in Aishah Rahman’s last work. The glossary page of Britain’s National Gallery website describes the concept chiaroscuro as, “…an Italian term which literally means ‘light-dark’. In paintings the description refers to clear tonal contrasts which are often used to suggest the volume and modelling…
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Off-Broadway Review: A FREEKY INTRODUCTION (Atlantic Theater Company Stage 2)
BUZZARDS, BOOTY, AND BECOMING NSangou Njikam’s A Freeky Introduction soars with swagger, satire, and sacred disruption. “An eagle was born in a nest of buzzards,” proclaimed playwright and performer NSangou Njikam in the comical opening monologue of A Freeky Introduction, his new work that opened tonight at Atlantic Stage 2. As Freeky Dee, he embodies…
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Off-Broadway Review: LUNAR ECLIPSE (Second Stage)
THIS LUNAR ECLIPSE SHINES WITH QUIET GRACE The seven stages of a lunar eclipse unfold on the Irene Diamond Stage at The Pershing Square Signature Center, produced by Second Stage. This New York premiere of Donald Margulies’s newest play, which opened tonight, mirrors the structure of a lunar eclipse. Told in seven scenes with titles…
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Highly Recommended Concerts: PICNIC PERFORMANCES (Bryant Park)
Bryant Park: A Perfect Picnic Performance Playground Whether you live in New York City or you’re visiting, one of the best places to be this summer is Bryant Park. Among the park’s many activities, one of the most outstanding is Bryant Park Picnic Performances, a series of 25 free concerts featuring live music, theater and…
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Concert Review: FATS AND THE DUKE (Dizzy’s Club / Jazz at Lincoln Center)
SONGBOOK SUNDAYS’ SWINGIN’ SALUTE TO TWO GIANTS OF JAZZ If you’re a student of British royals, hearing the names Thomas and Edward might make you think of brothers from the lineage; and if you grew up watching the children’s TV show Thomas the Tank Engine, you would know Thomas and Edward as faces of trains…
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Off-Broadway Review: BLOOD, SWEAT, AND QUEERS (Untitled Theater Company No. 61 at Bohemian National Hall)
A FORGOTTEN CHAMPION RECLAIMED Rehearsal for Truth International Theater Festival, an annual showcase of contemporary European theater, is unfolding under the banner of Perseverance at Bohemian National Hall—a charming all-purpose venue on the Upper East Side with a pull-out proscenium stage at one end. While the space lends itself well to intimate storytelling, be advised:…
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Off-Broadway Review: SEAGULL: TRUE STORY (La MaMa’s Ellen Stewart Theatre)
CHEKHOV WITH TEETH For those who’ve never bought the notion that Chekhov’s The Seagull is simply about broken hearts, director Alexander Molochnikov’s take on the play offers a thrilling, subversive vindication. His Seagull: True Story, now showing at La MaMa’s Ellen Stewart Theatre, is no conventional revival. Brilliantly written by Eli Rarey, it is part…
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FIRST TIME VISITING BROADWAY? MAKE USE OF THESE BEGINNER TIPS!
Visiting Broadway for the first time is a super exciting moment in any theater fan’s life. You’re finally in New York, ready to see the biggest shows in the most famous venues, and you’re keen to pack in as much of what Broadway has to offer as possible. Depending on the length of your trip,…
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Off-Broadway Review: CRACKED OPEN (Theatre Row)
A WELL-INTENTIONED LOOK AT MENTAL ILLNESS Dream Big World Theatre, Inc. opened Gail Kriegel’s Cracked Open tonight at Off-Broadway’s Theatre Row, tackling the complex and often stigmatized subject of mental illness—especially in young adults. The play approaches this sensitive topic with sincerity and directness, portraying the heartbreak and helplessness that can ripple through a family…
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Off-Broadway Review: GODDESS (The Public Theater)
GODDESS ISN’T JUST A SHOW, IT’S A CALLING. ANSWER IT. Goddess, which opened at The Public Theater tonight, doesn’t just arrive onstage like any musical—but like a warm and joyful jazz riff. Loosely inspired by the legend of Marimba, the African goddess who turned heartbreak into healing music, it succeeds in blending folklore with funk,…
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Theater Review: ROLLING STONE PRESENTS: AMPLIFIED, THE IMMERSIVE ROCK EXPERIENCE (Chelsea Market)
THIS ROLLING STONE JUST OPENED, AND ALREADY IT’S GATHERING MOSS If Rolling Stone Presents: Amplified were a device, it would be the BlackBerry of rock retrospectives. It is an earnest, well-meaning tribute to music by an iconic magazine but ultimately out of sync with the moment. It’s not immersive, not penetrating, and certainly not capable…


















