Areas We Cover
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New York
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Off-Broadway Review: BOWL EP (Vineyard Theatre)
A SURREAL, SKATER-RAP FEVER DREAM I’m not going to lie—I am not the intended audience for Bowl EP. But make no mistake: this is a well-mounted, undeniably audacious performance that resonated strongly with the younger, hipper crowd around me on opening night. Here’s what I know—and here’s what I saw. Oghenero Gbaje and Essence Lotus…
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Concert Review: MYSTIC RHYTHMS & SACRED CHANTS FOR SEVEN BLACK MADONNAS (Cathedral of St. John the Divine)
EXALTING, EXCITING, EXULTANT & EXUBERANT Last night, May 16, Alessandra Belloni and John T. La Barbera led a transcendent 90-minute concert titled Mystic Rhythms & Sacred Chants for 7 Black Madonnas at the Cathedral of St. John the Divine. More than a performance, it was a ritual journey—spiritual, historical, and profoundly musical—tracing the veneration of…
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Obituary: CHARLES STROUSE (American Composer of Broadway and Film Dies at 96)
Charles Strouse, 96, the celebrated and multi-award-winning American film, television, and Broadway musical composer, responsible for such legendary songs as “Put on a Happy Face,” “Tomorrow,” “Those Were the Days,” and many others, died at his home in New York City on May 15. His remarkable career spanned over seven decades, during which time he…
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Off-Broadway Review: FIVE MODELS IN RUINS, 1981 (LCT3 at the Claire Tow Theatre, Lincoln Center)
THE BACCHAE WEAR BRIDAL You remember the Bacchae – don’t you ? – those wild women of Thebes in Euripides’s ancient drama who, transformed by Dionysus, terrorized Pentheus’s kingdom with their orgiastic violence? Well, they’re back, raging again, in Caitlin Saylor Sterling’s strange and exotic new play at Lincoln Center, Five Models in Ruins, 1981….
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Off-Broadway Review: THE LAST BIMBO OF THE APOCALYPSE (The New Group)
GOES FROM A Y2K POP TO GEN ZZZZZZZZ There was a buzz of anticipation in the air as the house lights blacked out at the Alice Griffin Jewel Box Theater—an audible fandom of excitement. Had clips already surfaced on TikTok? Had a cast recording dropped early? Or was it a lure of past performances: America’s…
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Broadway Review: JOHN PROCTOR IS THE VILLAIN (Booth)
JOHN PROCTOR GETS CANCELLED In an honors English classroom at a county high school in northeast Georgia, seven juniors are cracking open Arthur Miller’s The Crucible. Mr. Smith (Gabriel Ebert), a charismatic and respected teacher, leads the discussion. He poses a deceptively simple question: “Why are the girls dancing in the woods in the first…
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Art Review: BECOMING THINGS, BECOMING TIME: BOLMAHAN AT DELIGHT GARDEN (ARTECH in NYC)
The love affair between art, technology, and imagination is nothing new. Jeff Koons creates small-scale models, digitally scanned and mapped, but he didn’t spend years hand-carving his silly balloon dogs. Likewise, Gerhard Richter never wondered out in the woods foraging for flower pigments for his still life works. Technology has always helped the arts. In…
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Off-Broadway Review: DRAT! THE CAT! (J2 Spotlight Theater Company at AMT Theater)
The “J2” in the name J2 Spotlight Theater Company of Manhattan doesn’t refer to descriptions that start with the letter “J,” like “joyful” and “joke-filled,” but it might as well, because their current offering is all that and more. The double dose of J is actually a nod to its co-founder/executive producer, Jim Jimirro, partnered…
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Off-Broadway Review: THE ALGORHYTHMS (Monday Night Musicals at Magnet Theater)
MATH APPEAL The Monday Night Musicals series at the intimate Magnet Theater offers a vibrant platform for new work that blends comedic storytelling with musical innovation. Stripped down to the essentials — music, lyrics, and performance — the series feels like both a showcase and a springboard, providing a glimpse of shows that could thrive…
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Off-Broadway Review: THE END OF ALL FLESH (Monday Night Musicals at Magnet Theater)
FLESHING IT OUT OF THE PARK The Monday Night Musicals series at the intimate Magnet Theater is serving up a theatrical amusement for those who like their bluegrass pickin’ with a side of post-apocalyptic patriarchy. Produced by Theater of Apes, this one-act musical runs through June on Mondays. The series spotlights new works that blend…
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Broadway Review: JUST IN TIME (Circle in the Square Theatre)
BEYOND THE SEA AND STRAIGHT INTO YOUR HEART Well, ring-a-ding-ding, folks — Broadway’s got itself a bona fide, velvet-voiced heartthrob lighting up Circle in the Square, and his name’s Jonathan Groff. In Just in Time, Groff doesn’t just croon — he glides, he grins, and he’s got more razzle-dazzle than a sock hop under a…
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Broadway Review: FLOYD COLLINS (Vivian Beaumont Theater)
THIS IS HOW GLORY FEELS Here’s an especially poignant and powerful musical about a real episode from the past that finally gains the word “Broadway” to its history exactly 100 years after the actual incidents took place. Its triumphant current incarnation is prominent in the lists of nominees for various theatre awards (including six Tony…
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Broadway Review: PIRATES! THE PENZANCE MUSICAL (Roundabout at Todd Haimes Theatre)
A JAZZY JUMBALAYA OF JOY The current revival of The Pirates of Penzance at the Todd Haimes Theatre isn’t just a revival — it’s a reincarnation. Yes, rechristened, reimagined, and thoroughly rewired, this rollicking remix of Gilbert and Sullivan’s nautical nonsense has a new title, a new book, a new sound, and enough New Orleans…
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Broadway Review: REAL WOMEN HAVE CURVES: THE MUSICAL (James Earl Jones Theatre)
FROM SWEATSHOP FLOORS TO BROADWAY DOORS: REAL WOMEN HAVE CURVES SEAMS TOGETHER A RUNWAY HIT The empowering new musical Real Women Have Curves, which opened Sunday night at the James Earl Jones Theatre, is a feel-good, crowd-pleasing celebration of identity, ambition, and body positivity. Based on Josefina López’s play and the acclaimed HBO film (co-written…
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Off-Broadway Review: ALL THE BEAUTY IN THE WORLD (Patrick Bringley at the DR2 Theatre)
“Art is the most intense mode of individualism that the world has known.” ~ Oscar Wilde The Louvre, Uffizi, and Hermitage may dazzle you with their emphasis on fine arts, the British Museum may educate you with its historical range, but the Metropolitan Museum of Art does it all; it is undoubtedly the Eighth Wonder of…
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Off-Broadway Review: CEREMONIES IN DARK OLD MEN (The Peccadillo Theater Company and Negro Ensemble Company at Theatre at St. Clement’s)
First produced by the Negro Ensemble Company in 1969, Lonne Elder III’s Ceremonies in Dark Old Men became an immediate critical success and a defining work of its era. For decades, it stood as the definitive Black American family drama — a blueprint for generations of playwrights, including August Wilson. Now, in a limited Off-Broadway…
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Concert Review: NEW YORK POPS’ 42ND BIRTHDAY GALA: WORDS AND MUSIC — DIANE WARREN (New York Pops’ 42nd Birthday Gala at Carnegie Hall)
Songwriter Diane Warren has won an Honorary Academy Award, a Grammy Award, an Emmy Award and two Golden Globe Awards. Her songs have been recorded by the likes of Cher, Celine Dion and Aerosmith. It’s easy to see why she was a fitting honoree for New York Pops’ 42nd Birthday Gala, Words and Music at…
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Broadway Review: STRANGER THINGS: THE FIRST SHADOW (Marquis Theatre)
SPECTACULAR. COMPLICATED. FUN. OVERLONG. DESTINIED TO BE A CULT CLASSIC. STRANGER THINGS HAVE HAPPENED. Having never seen the enormously popular Netflix series Stranger Things, I no doubt missed many references to the source material in the new Broadway prequel, Stranger Things: The First Shadow. But even if I had been a Stranger Things aficionado, the show would have…


















