Areas We Cover
Categories
Regional
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Regional Theater Review: TENNESSEE WILLIAMS UNSCRIPTED (Impro Theatre at South Coast Rep in Costa Mesa)
COMEDICAL, TRAGICAL, IMPROVISATORICAL Impro Theatre’s long-form improvisational theater is among the most impressive of the performing arts. At South Coast Rep, the group proffered a full-length Tennessee Williams play which is made up on the spot. For every Tennessee Williams UnScripted during the short run, the performers show up with nothing but dramaturgic know-how and…
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Los Angeles/Regional Music Preview: THE VIENNA PHILHARMONIC (Segerstrom Concert Hall)
CHOOSING TO SEE THE VIENNA PHILHARMONIC IS A WALTZ It may be the easiest decision you’ll make in a long time. If you want to hear one of the greatest orchestras in the world, the illustrious and rightly celebrated Vienna Philharmonic will be performing at the Renée and Henry Segerstrom Concert Hall this Monday, March…
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Los Angeles / Regional Theater Review: LYSISTRATA JONES (Chance Theater)
BASKETBALL MUSICAL IS ONE BIG PENALTY You wanna know how great the Chance Theater is? They actually made it a palatable experience to sit through one of the most half-baked and frivolous new musical comedies I could imagine. With only a dribble of sophisticated wit and attractive songs, book-writer Douglas Carter Beane (Xanadu) and his…
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Los Angeles / Regional Opera Review: LA TRAVIATA (Segerstrom Concert Hall in Costa Mesa)
ORANGE COUNTY GOES GREEN, I.E. VERDI Opera is alive and well in Orange County! Since the demise of Opera Pacific (1985-2008), Pacific Symphony, aided by Pacific Chorale, has emerged as the company’s most likely heir. Its current production of Verdi’s La Traviata is the final production of a successful three-year experiment initiated in 2010 by…
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Dallas Opera Review: DEATH AND THE POWERS (The Dallas Opera, screened at the Hammer Museum in L.A.)
THERE’S NOT AN APP FOR THAT Enough already. First, I applaud The Dallas Opera for taking a chance on Tod Machover’s new experimental opera Death and the Powers, as well as the diligent cast and crew. I also commend Los Angeles’ cool new opera company, The Industry, for presenting the “world’s first live interactive opera,” and…
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San Diego Opera Review: THE ELIXIR OF LOVE (San Diego Opera at the Civic Theatre)
THIS ELIXIR IS A TONIC FOR WHAT AILS YOU Some artistic works are such a product of their time that it is difficult for later generations to understand them without spending a considerable amount of time studying the work’s context. Others are immediately recognizable because they resonate easily with contemporary audiences. Gaetano Donizetti’s The Elixir…
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Los Angeles / Regional Theater Review: THE LIGHT IN THE PIAZZA (South Coast Repertory in Costa Mesa)
LIGHT SHINES IN SCR’S PIAZZA On general principle, it’d be very easy to dislike The Light in The Piazza. Let’s say you don’t consider stories about rich people in crisis having any relevance to you. Or if you chaff at the notion of those wealthy types traveling to Europe and falling in love with a…
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Los Angeles / Regional Dance Review: LILIOM (Hamburg Ballett at Segerstrom Hall in Costa Mesa)
IF I LOVED YOU At a time when many ballet companies are commissioning short dance pieces, it’s refreshing that John Neumeier’”since 1973, when he became Artistic Director and chief choreographer of the Hamburg Ballett [sic]’”continues to develop story ballets. His latest sweeping narrative which arrived at Segerstrom Hall last night is Liliom, based on Ferenc…
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San Diego Theater Review: THE FOREIGNER (Lamb’s)
THE FOREIGNER HAS GOOD REASON TO STAY PUT Some theatre is staged to raise our awareness. Some theatre is designed to tell a story that will move us emotionally. Some theatre is intended to share a different viewpoint. All of this is good. On the other end of the scale, some theatre exists for nothing…
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Los Angeles / Regional Music Preview: TORADZE PLAYS SHOSTAKOVICH (Segerstrom Concert Hall)
A SHOSTAKOVICH FESTIVAL Through February 8, 2014, a dizzying array of events celebrating Russian composer Dmitri Shostakovich is being presented by Pacific Symphony and Chapman University. Starting tonight, Russian powerhouse pianist Alexander Toradze, recognized as a masterful virtuoso with deep lyricism and intense emotion, joins Pacific Symphony to introduce a journey into the music of…
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San Diego Theater Review: MAPLE AND VINE (Cygnet)
A TWISTED TRIP DOWN MEMORY LANE Imagine yourself transported back to 1955: Forming values in the image of Father Knows Best; solving family problems as cleanly as Ozzie and Harriet; and living in the perfect suburban community with like-minded neighbors. When compared to our complicated, isolating, 21st-century push-button lives, we may feel a nostalgic longing to…
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Regional / Chicago Theater Review: END OF THE RAINBOW (Milwaukee Rep)
A FOGGY PLAY IN LONDON TOWN Should a play seemingly designed and targeted specifically for Judy Garland devotees have the right to be held to a different standard than a play for the public at large? That’s the question you’ll need to ponder before attending Milwaukee Rep’s production of End of the Rainbow. If you…
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Los Angeles/Regional Theater Preview: CHANCE THEATER’S 2014 SEASON (Chance Theater in Anaheim)
TAKE A CHANCE Merrily We Roll Along is a notoriously difficult musical to get right. Even with Sondheim’s magnificent score, the nature of the show’”its lopsided cynicism and moving-back-in-time device’”has hampered every production I have seen. Except one. And while I truly loved Chocolate Factory’s small-scale West End revival, which screened nationwide last October, Chance…
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Regional Theater Preview: TRUDY AND MAX IN LOVE (South Coast Rep in Costa Mesa)
AN UNCONVENTIONAL ROMANCE Meet Max, a celebrity novelist who is single, and Trudy, a happily married woman who is working on a new novel. They meet in a writer’s room and form a fast friendship that leads to a complicated affair. In the world premiere of her play Trudy and Max in Love, Zoe Kazan…
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Regional / Los Angeles Music Preview: THE MANHATTAN TRANSFER HOLIDAY CONCERT (Segerstrom Concert Hall in Costa Mesa)
MANHATTAN TRANSFERS TO ORANGE COUNTY FOR THE HOLIDAYS When it comes to vocal power, the jazz-pop quartet consisting of Alan Paul, Janis Siegel, Tim Hauser and Cheryl Bentyne, better-known as The Manhattan Transfer, have certainly set the industry standard for tightly wound harmonies. The amazing part is that as they approach their 40th anniversary (Bentyne…
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Opera Review: THE MAGIC FLUTE (1927 Theatre Company and LA Opera)
AN ANIMATED AND LIVELY FLUTE The Magic Flute was written specifically for the common man, and thus was structured as an exaggerated amusement so that special effects could be employed. Mozart’s accessible music is among the most popular in the repertoire; it’s youthfully melodious yet stretches for transcendent classicism. Emmanuel Schikaneder’s libretto is known as…
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London Dance Preview: THE NUTCRACKER (Royal Ballet at the Royal Opera House; screened nationwide by NCM Fathom Events)
A BEAMED DREAM As with most fairy tales, E. T. A. Hoffmann’s The Nutcracker and the Mouse King (1816), has some gruesome aspects. With a freakish, seven-headed Mouse King, his squished mother, and frightening violence inflicted upon an infant, young Marie Stahlbaum’s adventures with her beloved Christmas toy can easily be viewed as a nightmare….
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San Diego Theater Review: SIDE SHOW (La Jolla Playhouse)
YOU CAN’T TWIN THEM ALL There is nothing more fascinating for this Broadway musical aficionado than a flop’”but not for gloating purposes. It’s natural to wonder “What were they thinking?” with any train-wreck, but I’m obsessed with this particular branch of theater: With so many elements, a musical is one of the most difficult art…
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San Diego Theater Review: VENUS IN FUR (San Diego REPertory at the Lyceum)
WHIPPED INTO A FRENZY If I had any doubts prior to attending San Diego REP’s production of Venus in Fur (an on-again, off-again playwright; two characters; two directors), they were vanquished within minutes of curtain. This funny and fascinating look into the world of dominant/submissive relationships proved itself to be one of a handful of “must-see” shows…
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London Dance Review: ALICE’S ADVENTURES IN WONDERLAND (The Royal Ballet)
BALLET THROUGH THE LOOKING-GLASS Choreographer Christopher Wheeldon’s Alice’s Adventures in Wonderland, the Royal Ballet’s first full-length story ballet since 1995, received mixed reviews but was nonetheless an audience-pleasing success when it premiered in 2011. It returned in all its glory this year and a performance from March, 2013 was beamed to more than 500 cinemas…



















