Regional

HERE’S YOUR CHANTS A concert for the ages’”and all ages’”arrived at the stunningly gorgeous Segerstrom Concert Hall last night. The tremendous spirit of Pacific Symphony’s presentation of Ottorino Respighi’s Church Windows (1925) and Maurice Duruflé’s Requiem (1947) was more than matched by the sheer size of the event. Written for SATB choir and soloists, there…

THIS VENUS HAS THE RIGHT PAGE David Ives’ two-character adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs wowed New York in 2010, largely for its star turn by Nina Arianda as an actress auditioning for, and then auditing the deepest morality of, a playwright who has adapted Venus in Furs (but lopped off…

THERE’S A BRIGHT STAR SOMEWHERE ON THE HORIZON It takes a while to get on board with Steve Martin and Edie Brickell’s new musical at The Old Globe. In fact, emotional involvement by intermission is as distant as the Big Dipper. It’s certainly not a complete wash up before the second half, but the unwieldy…

MAGICIANS OF THEATRICALITY Aaron Posner is on fire right now. His adaptations, My Name Is Asher Lev  and Stupid Fucking Bird, are being produced all over the country, and his version of Shakespeare’s The Tempest, which he co- adapted and -directed with sleight-of-hand artist Teller in Las Vegas and Boston, now resides at South Coast Rep…

THE PAGEANT OF THE MASTERS IS ON THE CASE On March 18, 1990, two young men dressed as Boston police officers walked unchallenged into the Isabella Stewart Gardner Museum. Some 81 minutes later, after tying up security guards in the basement, they had taken 2 objets d’art and 11 major paintings’”including 3 of Rembrandt’s works’”with…

ETHER IS NEITHER/NOR A dramaturgical mess, Elizabeth Egloff’s strangely shapeless historical drama about the mid-19th-century advent of ether as an anesthesia contains a fascinating story but lacks clear protagonists and precisely drawn characters. With a sprawling number of roles played by a 16-member ensemble, Ether Dome (the name given to the operating theater of Boston’s…

FINDING NEW MOMENTS IN THE WOODS I wondered at the intermission of Fiasco Theater’s production of Into the Woods why they hadn’t cast amazing singers. Up to this point, the ten-member ensemble played instruments, doubled up on roles, and told the oft-produced Stephen Sondheim/James Lapine musical in a Story Theatre fashion, omitting the role of…

FOUR PLAY The setting for Ronald Harwood’s 1999 play is a retirement home in England for former opera singers. Three of the residents,   Reginald, Cecily, and Wilfred,  try to persuade a newcomer to sing with them the Quartet from Rigoletto (which they once were famous for) during Verdi’s Anniversary Gala. Problems arise as this new  arrival, an…

THE GREAT CALL OF CHINA The very nature of adoption can leave a child’”and the adult he or she becomes’”filled with questions: Who were you, Mother?   Why did you make this choice?   Do you regret it?   And perhaps most painful to ponder:   Would you be glad to meet me, if you could?   For Jade McCullough…

HARDLY THE ANIMAL IT WANTS TO BE Life comes to this new chamber musical, but only in the center of the second act, giving a hint of what the creators intended. Unfortunately, the flimsy premise and one-dimensional protagonists in librettist Rick Elice and composer/lyricist Michael Patrick Walker’s Dog and Pony result in a book with…

FRACTURED FAIRY TALES Director Jessica Kubzansky’s imagination is firing on all cylinders, turning frivolity into delight with South Coast Rep’s  The Stinky Cheese Man and Other Fairly Stupid Tales, a Theatre for Young Audiences production. Playwright John Glore closely follows  Jon Scieszka and Lane Smith’s best-selling 1992 children’s book of the same name, turning 13 beloved fairy…