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Joel Beers
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Regional Theater Review: THE COCOANUTS (Oregon Shakespeare Festival)
CUCKOO FOR COCOANUTS In its 79-year history, the Oregon Shakespeare Festival has cycled through Shakespeare’s canon three times. That’s impressive. But here’s a vote from this corner that the next oeuvre to be staged in Ashland is that of the Marx Brothers. Two years ago, OSF mounted an adaptation of the Brothers’ 1930 classic film…
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Regional Theater Review: A WRINKLE IN TIME (Oregon Shakespeare Festival)
LOST IN SPECTACULAR SPACE It’s easy to get lost during the world premiere production of A Wrinkle in Time, particularly if you’re not familiar with the classic science fiction/fantasy novel it’s based upon. Heady concepts like tesseracts and bending the time and space continuum fly by; there are journeys to bizarre worlds populated by equally bizarre…
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Regional Theater Review: THE GREAT SOCIETY (Oregon Shakespeare Festival)
LBJ’S RELEVANCY After premiering at the Oregon Shakespeare Festival in 2012 and moving to American Repertory Theater in Cambridge, Robert Schenkkan’s All the Way became the hot ticket on Broadway last year. Positive reviews and the presence of Bryan Cranston (from the AMC drama Breaking Bad) in the lead role of Lyndon B. Johnson had…
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National Tour Review: THE BOOK OF MORMON (Segerstrom Hall in Costa Mesa)
THERE’S NOTHING LIKE SITTING DOWN WITH A GREAT BOOK As someone who has not been living beneath a rock the past three years, I’d heard about The Book of Mormon. I laughed at the soundtrack, read a few things about it, knew about all the accolades and reviews and heard glowing assessments from people who’d…
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Los Angeles / Regional Theater Review: THE LIGHT IN THE PIAZZA (South Coast Repertory in Costa Mesa)
LIGHT SHINES IN SCR’S PIAZZA On general principle, it’d be very easy to dislike The Light in The Piazza. Let’s say you don’t consider stories about rich people in crisis having any relevance to you. Or if you chaff at the notion of those wealthy types traveling to Europe and falling in love with a…
Theater Review: DEAR EVAN HANSEN (Cygnet / San Diego)
by Milo Shapiro | September 17, 2026
in San Diego, TheaterTheater Review: WILD CHILD (Laguna Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: THE MAN WHO FELL WITH THE RAIN (Trap Door / Chicago)
by Croydon Fernandes | September 16, 2026
in Chicago, Los AngelesTheater Review: WITCH (Idle Muse / Chicago)
by Croydon Fernandes | September 15, 2026
in Chicago, TheaterTheater Review: WATER FOR ELEPHANTS (National Tour / Los Angeles)
by Christopher Lloyd Bratten | September 15, 2026
in Los Angeles, Theater, ToursMusic Review: BAY STATE HOT JAZZ FESTIVAL (Medford, MA)
by Lynne Weiss | September 14, 2026
in Boston, MusicAlbum Review: WHISKY SCENTED KISSES (Daphne Roubini and Black Gardenia / Cellar Live)
by Michael Landman-Karney | September 13, 2026
in AlbumsTheater Review: THE BLOOD OF THE LAMB (Promethean Theatre Ensemble / Chicago)
by Croydon Fernandes | September 11, 2026
in Chicago, TheaterOff-Broadway Preview: IMITATION OF LIFE (The Shed / New York)
by Gregory Bernard | September 11, 2026
in New York, TheaterTheater Preview: A SLOW FIRE (Steep Theatre / Chicago)
by Gregory Bernard | September 11, 2026
in Chicago, Theater




