Areas We Cover
Categories
San Francisco
(Bay Area)
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Theater Review: RUTHLESS! (New Conservatory Theatre Center in San Francisco)
KILLER KIDS, STAGE MOMS, AND CAMP TO DIE FOR NCTC revives a deliciously wicked cult musical Just in time for some holiday mischief, New Conservatory Theatre Center brings back the 1992 Off-Broadway cult favorite Ruthless!, the gleefully unhinged musical comedy with book and lyrics by Joel Paley and music by Marvin Laird. Directed by Dyan…
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Theater Review: SUNDAY IN THE PARK WITH GEORGE (Shotgun Players in Berkeley)
DOTS, DEDICATION, AND THE ART OF BEGINNING AGAIN Shotgun Players takes on Sondheim and Lapine’s most painterly meditation with exquisite results Shotgun Players presents Sunday in the Park with George, James Lapine and Stephen Sondheim’s singular, sometimes daunting, often ravishing meditation on art, obsession, and the human cost of creation. Directed by Susannah Martin with…
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Theater Review: CABARET (Oakland Theater Project)
ESCAPISM AT THE EDGE OF COLLAPSE A Kit Kat Club that feels uncomfortably close to home Since its founding in 2012, Oakland Theater Project has set out to create theater experiences that inspire compassion, embracing radical inclusivity and diversity while reflecting the dynamic communities of Oakland. Sally Bowles (Sharon Shao) Since its Broadway debut in…
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Theater Review: THE GOLDEN GIRLS LIVE: THE CHRISTMAS EPISODES (Curran Theatre)
THANK YOU FOR BEING A QUEEN Four drag icons, two episodes, and twenty years of perfectly timed shade Now celebrating its 20th consecutive year, The Golden Girls Live: The Christmas Episodes has become one of San Francisco’s most reliable holiday traditions. This drag reinvention of classic sitcom episodes is now a full-scale theatrical event. The…
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Opera Review: THE MONKEY KING (World Premiere by San Francisco Opera)
THE MONKEY KING LANDS WITH A ROAR A dazzling, design-driven premiere expands what opera can be Every now and then an opera house unveils something that doesn’t just premiere — it shifts the whole conversation about what new opera might be. San Francisco Opera’s The Monkey King is exactly that kind of event: vibrant, imaginative,…
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Theater Review: PETER PAN (Panto in the Presidio)
HOOK, LINE & SEQUINER Presidio’s Peter Pan Panto soars on camp, color, chaos, Christmas cheer, and unapologetic silliness ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ This holiday season, the Presidio Theatre brings back its beloved Panto in the Presidio for a fifth year — that joyful British pantomime tradition where audiences shout…
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Theater Review: INTO THE WOODS (SF Playhouse)
STILL CASTING ITS SPELL Sondheim and Lapine’s fractured fairytales find fresh magic at San Francisco Playhouse Stephen Sondheim and James Lapine’s Into the Woods may be one of the most beloved titles in the modern musical-theatre canon, but San Francisco Playhouse’s holiday-season staging makes a strong case for why it keeps earning its place. From…
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Theater Review: BEFORE I FORGET (World Premiere at The Marsh in San Francisco)
MISERY LOVES COMPANY — BUT WE DIDN’T BUY TICKETS FOR THAT A solo show so full of angst it forgets to entertain. I mean, there’s baring your soul… and then there’s burying the comedy Since 1989, The Marsh has hosted hundreds of performance artists launching their personal stories, usually through spoken word. The small stages…
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Theater Review: MOTHER OF EXILES (Berkeley Repertory)
MOTHER OF EXILES BAFFLES AT BERKELEY REP Jessica Huang’s world premiere Mother of Exiles has posted a closing date of December 21. The lengthy run may not be a blessing for a disjointed production said to have been in re-writes up to the night before the opener. Michele Selene Ang On a simple two-level set that takes advantage…
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Theater Review: ANNIE (Berkeley Playhouse)
THE RED-HEADED OPTIMIST IS BACK Just in time to nudge everyone into the holiday spirit, The Berkeley Playhouse is presenting Annie through most of December. This classic musical has been part of American pop culture for nearly half a century. Since the 1977 Broadway debut, the irrepressible redhead and her fellow orphans have marched through…
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Concert Review: DANNY ELFMAN’S MUSIC FROM THE FILMS OF TIM BURTON (San Francisco Symphony)
A SYMPHONIC CELEBRATION OF ELFMAN AND BURTON A visually and musically immersive concert that brings beloved scores thrillingly to life Music always enhances the moviegoing experience. It sets the tone, creates mood, and heightens the action and drama of a story. Long after a film has left theaters, its music often lingers in popular memory….
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Theater Review: SALLY & TOM (Marin Theatre Company)
BREAKING THE FOURTH WALL INTO THE WHITE HOUSE This play-within-a-play probes power, mythology, and who gets to tell the story Making its West Coast premiere at Marin Theatre Company is Sally & Tom — a return to material the same company explored in 2017 with the earlier, more controversial Thomas & Sally by Thomas Bradshaw….
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Theater Review: THE HILLS OF CALIFORNIA (Berkeley Repertory Theatre)
A FAMILY EPIC THAT EARNS ITS MILEAGE, SPRAWL AND ALL Family dynamics are always great fodder for drama. And when there are several children coming of age together in a household, it’s hard not to grow up with unspoken competitions for approval, success and love. More often than not at least one family member has…
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Theater Review: HARD TIMES (Appalachian Stories by Ron Rash | Word for Word & Z Space)
FAITH, FLIGHT, AND THE FIGHT TO ENDURE In our current state of political unrest — with government shutdowns and widespread uncertainty about how to make ends meet — stories about the power of the human spirit feel especially vital. Z Space and Word for Word Theatre Company present Hard Times: Appalachian Stories by Ron Rash,…
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Theater Review: NOISES OFF (San Francisco Playhouse)
THE HILARIOUS NOISES OFF IS ON AT SF PLAYOUSE — OFF YOU GO The huge interior of an imposing English country estate by Heather Kenyon greets visitors to the San Francisco Playhouse, scene of an outlandish new production of Michael Frayn’s enduringly popular farce-within-a-farce Noises Off. The cast Seamlessly directed by Bill English, everything that…
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Theater Review: THE HOT WING KING (New Conservatory Theatre Center)
JUST HOW I LIKE MY THEATER — HOT, SWEET, AND SAUCY Now playing at New Conservatory Theatre Center, The Hot Wing King is a spicy tale of love, friendship, and a cooking contest gone gloriously overboard. Katori Hall’s Pulitzer Prize-winning play, directed here by ShawnJ, brings its Memphis heat to San Francisco in a production…
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Event Review: HEXED (Terror Vault at The San Francisco Mint)
GHOULS JUST WANNA HAVE FUN A San Francisco Halloween favorite is back for its 7th annual show. Bay Area Drag Legend and performer extraordinaire Peaches Christ (Joshua Grannell) is back with his talented and scary cast of ghouls, zombies, witches and goblins. This year’s show at the Old Mint on 5th and Mission Streets (known…
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Theater Review: INTO THE WOODS (Spreckels Theatre Company in Rohnert Park)
A SONDHEIM SPECTACLE Sonoma County’s Spreckels Performing Arts Center has launched a tremendous production of Into the Woods, the perpetually popular and nearly forty-year-old musical spoof of classic fairy tales by composer/lyricist Stephen Sondheim and author James Lapine. The show debuted on Broadway in 1987, won multiple Tony awards, and has been a recurring item…
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Theater Review: THE RESERVOIR (Berkeley Repertory Theatre)
AN AUTHENTIC, FUNNY ACCOUNT OF SOBRIETY, STUMBLES, AND SURVIVAL Recovery from substance abuse isn’t just about putting down the drug of choice and living happily ever after. The “recovery” part then starts. It involves dealing with who you are in the world without being drunk, stoned or high. It becomes a lifelong process of self-examination….



















