Areas We Cover
Categories
San Francisco
(Bay Area)
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Bay Area Theater Review: HAMLET (California Shakespeare)
TRAGEDY FOR THE WHOLE FAMILY If you have ever wanted to introduce teenagers to Hamlet, the production directed by Leisl Tommy at California Shakespeare is the one to take them to. Staged on a decrepit waterless swimming pool, as if to suggest a decaying family mansion, Ms. Tommy wisely turns the most famous play in…
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Theater Review: THE OTHER PLACE (Magic Theatre in San Francisco)
THE PUZZLE BOX OF THE SOUL Critics should avoid discussing plot in their reviews, but playwright Sharr White has unintentionally placed a challenge before me: Because the play is a labyrinthine unraveling from the start, divulging any but the slightest bit of plot may irrevocably alter your experience. What I can tell you is that…
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San Francisco Theater Review: THE REAL AMERICANS (The Marsh San Francisco)
WILL THE REAL AMERICANS PLEASE STAND UP? I was on a road trip in 2007 seeking to explore the plethora of National Parks that we, the American people, own. While heading through Des Moines, I came upon a huge crowd of people gathered outside an unassuming “Barack Obama for President” campaign office. Within a few…
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San Francisco Theater Review: THE NORMAL HEART (A.C.T.)
MORE POLEMIC BARK THAN EMOTIONAL BITE IN THIS NORMAL HEART Some eyes will be misty, some guts will be wrenched, and some souls will be startled after attending Larry Kramer’s seminal play The Normal Heart, the Broadway transfer of which opened this week at A.C.T. However, discerning theatregoers will find something missing from Kramer’s semi-autobiographical…
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San Francisco Theater Review: THE PLAY ABOUT THE BABY (Custom Made Theatre Co.)
LOTS OF LEVELS TO PLAY WITH If you tend to like plays with concrete storylines, well-defined goals, and a balance of symbolism integrated into reality, you may find The Custom-Made Theatre Co.’s 14th season-opening production of Edward Albee’s The Play About the Baby a cacophony of absurdist abstracts that requires too much guesswork – one which teeters on the tedious and…
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San Francisco Theater Review: CHINGLISH (Berkeley Rep)
LANGUAGE AND CUSTOM ARE SOURCES OF HILARITY IN CHINGLISH At a time when Americans may feel a little uneasy about the rising power of China, Berkeley Repertory Theatre offers us a chance to step back and see a more human side of Chinese-American relations with its cleverly staged, sophisticated and uproarious Chinglish. Chinese-American playwright David…
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Tour Review: DRAGONS (Ringling Brothers and Barnum & Bailey Circus)
THE CIRCUS OF YOUR DREAMS In order to fully enjoy the opening of the 142nd edition of the Ringling Brothers and Barnum & Bailey Circus, I had to take a step back into yesteryear. It’s a pretty big step’”but as soon as I allowed myself to tap into that childlike wonder that I had long…
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San Francisco Theater Review: HUMOR ABUSE (A.C.T.)
A THREE-RING ONE-MAN SHOW Start with a true story about a family circus that shot to prominence even though it eschewed big-business-conglomerate backing, ran in a single ring without exotic animals, and interacted with and embraced the communities where it performed. Spice it up with superbly executed acrobatics. Top it off by having it performed…
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Bay Area Theatre Review: FOR THE GREATER GOOD, OR THE LAST ELECTION (San Francisco Mime Troupe)
DRAT THAT UNAPPRECIATIVE 99% For a good marriage of politics and theatre – pure melodrama, bull’s-eye political satire, a live band and zapping social commentary all served up by amazingly versatile actors – go (with almost the same urgency as you would to vote) to the San Francisco Mime Troupe’s For the Greater Good, or…
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San Francisco Theatre Review: THE MERCHANT OF VENICE (Custom Made Theatre)
THE MERCHANT OF VENICE: AS TRUE NOW AS THEN Setting Shakespeare’s The Merchant of Venice in the cutthroat world of contemporary finance a la Wall Street is an inspired notion and Custom Made Theatre Co. has produced a timely rendition of a timeless classic that’s creative, just right, and highly satisfying. In this story about…
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Bay Area Theater Review: SALOMANIA (Aurora Theatre in Berkeley)
SALOMANIA BLENDS HISTORY WITH GREAT THEATER The year is 1918 and the world is fraught with an unimaginable war. Only a doctor or a pervert knows what a clitoris is. For anyone else during this era known for its hypocrisy, such knowledge meant scandal that could and did blast lives. In Aurora Theatre Company’s Salomania,…
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San Francisco Theater Review: BRUJA (Magic Theatre)
A MYTH ADVENTURE In retelling Euripides’ Medea, Luis Alfaro stirs mythology, mysticism, vengeance, raw passion, the immigrant’s plight, and unfathomable traditions of cultures past into a theatrical crucible with Bruja (meaning a witch or sorceress). The Magic Theatre production has cooked up a colorful Mayan theatrical tapestry with nary a weak thread, creating a powerful,…
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San Francisco Theater Review: THE FULL MONTY (Ray of Light Theatre)
BARED SOULS AND BARE FLESH The huge production of Ray of Light Theatre’s The Full Monty may be packed into the tiny Eureka Theater (opening night was squirming-room-only), but it astonished me how satisfying such full measures of delight, laughter, robust song, and crisp dance could be packed into this revival. Add to that the musical’s…
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Regional Theater Review: THE SCOTTSBORO BOYS (Old Globe in San Diego)
AN AMERICAN TRAGEDY BECOMES A MUSICAL COMEDY 1931 was a crossroads in American history. With no economic recovery in sight, the Depression had people edgy, and when Americans are edgy, they are discordant. An acrimonious populace is a perfect breeding ground for intolerance. As such, issues that were quelled during the over-consuming, over-spending 1920’s were…
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San Francisco Theater Review: THE ALIENS (SF Playhouse in San Francisco)
THE ALIENS CUTS CLOSE TO THE BONE The Aliens was already sailing high when it made its West Coast premiere at the SF Playhouse, as it has been hailed by the New York Times as a “gentle and extraordinarily beautiful new play.” Playwright Annie Baker, an emerging young talent already rising to the top of…
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Los Angeles Theater Review: IN PARIS (The Broad Stage in Santa Monica)
UNFETTERED AND ALIVE In Paris, Dmitry Krymov’s adaptation of an Ivan Bunin story, traces in words, music, and movement a few moments in the lives of two Russian émigrés (Anna Sinyakina and Mikhail Baryshnikov) after the Russian Revolution. Living static lives of alienated poverty, the young waitress and the old general meet and begin a…
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Bay Area Theater Review: OTHELLO, THE MOOR OF VENICE (Marin Theatre Company in Mill Valley)
A GRIPPING PLUNGE INTO THE DARK SIDE Watching Marin Theatre Company’s Othello, I wondered if William Shakespeare was determined – with teeth-gritted ferocity – to make the audience squirm with the effort of holding back shouts of warning and outrage. While Elizabethan audiences were uncensored, presumably barking back to the stage at any of the…
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Theater Review: JULIUS CAESAR (African-American Shakespeare Company in San Francisco)
JULIUS CAESAR IN AFRICA Modern theater companies traditionally place Shakespeare into all kinds of settings, eras and cultures in search of new or updated relevance. While the choices for many endeavors feel largely arbitrary, the African-American Shakespeare Company sets Julius Caesar amongst the surreal violence of Africa. This inspired pairing brilliantly elucidates political maneuvering, brutal…
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National Tour/Nightclub Review: MARíA VOLONTÉ (Blue Tango National Tour)
THE DARK STREETS OF PASSION The voluptuous Argentine singer María Volonté glided elegantly onto the stage at The Rrazz Room, caressed her guitar as with a lover, and had me at, “Are you ready to be dragged into the world of passion?” Music historians may debate the origins of tango music, but no one will…
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Bay Area Theater Review: JESUS IN INDIA (Magic Theatre in San Francisco)
THE GREATEST STORY NEVER TOLD 18 year-old Jesus of Nazareth has heard some distressing news from his sucky carpenter of a father, so he bails Galilee with his whiny, Girl, Interrupted-like friend, Abigail, who’s, like, way in love with Jesus. They arrive in India where Jesus is ready to party. Like, suck on a hookah….



















