Areas We Cover
Categories
San Francisco
(Bay Area)
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San Francisco Dance Preview: THE NUTCRACKER (San Francisco Ballet)
SUPPORTING TRADITION Whereas other major companies trot out their tried-and-true but tired old annual cash-cow renditions of The Nutcracker, San Francisco Ballet’s version is a gift that makes me anticipate the holiday season. With no shortage of overblown and underwhelming productions of this holiday chestnut, SF Ballet, the country’s oldest professional ballet company and the…
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San Francisco Theater Review: THE GOLDEN GIRLS: THE CHRISTMAS EPISODES (Trannyshack at the Victoria Theater)
THANK YOU FOR BEING A DRAG QUEEN Now at the Victoria Theatre, Trannyshack’s drag version of classic holiday-themed The Golden Girls episodes seems to grow in popularity every year. Since its inception in 2005 when it was performed for a select crowd of friends, it has outgrown the living room and two subsequent South of…
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Bay Area Theater Review: TRISTAN & YSEULT (Berkeley Repertory Theatre)
A TRIUMPH OF IMAGINATIVE STORYTELLING Monty Python meets Shakespeare meets Cirque du Soleil in Tristan & Yseult at Berkeley Rep. A universal love story with roots in classic times at the storied Cornish countryside is bestowed wry English humor and a four-piece band that offer music spanning from spirited rock to haunting Celtic airs. Riveting…
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Bay Area Theater Review: A BRIGHT NEW BOISE (Aurora Theatre)
A BRIGHT NEW PRODUCTION Salvation can’t come soon enough when you’re a long-term, low-wage slave worker at the local Hobby Lobby. Samuel D. Hunter’s tragicomic look at life within the cultural wasteland of post-Capitalist middle America in the Obie award-winning A Bright New Boise goes beyond the stereotypes in an imaginative Bay Area premiere by Berkeley’s…
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San Francisco Theater Review: ARLINGTON (Magic Theatre Company in Fort Mason)
I KNOW WHY THE CAGED BIRD SINGS San Francisco’s Magic Theatre prides itself on cultivating new plays and giving up-and-coming playwrights the opportunity to produce new and thought provoking theater. The estimable company lives up to this manifesto by presenting the world premiere of Arlington, an innovative show which takes the audience on an entertaining…
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San Francisco Theater Review: PETER/WENDY (Custom Made Theatre Co.)
GET THE HOOK The story of Peter Pan, about that mischievous little flying boy who doesn’t want to grow up, has been told in numerous forms since J.M. Barrie’s 1904 play and subsequent 1911 novel Peter and Wendy. The adventures of the Lost Boys and the Darling children was musicalized for Broadway in 1954, with…
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Bay Area Theater Preview: TRISTAN & YSEULT (Kneehigh Theatre Company at Berkeley Rep)
KNEEHIGH RETURNS TO BERKELEY REP I wonder if Bay Area residents know how ridiculously lucky they are to have Berkeley Rep, a regional theater so prestigious that Britain’s Kneehigh Theatre is bringing Tristan & Yseult, their latest hit show from the UK, to the Rep’s Roda Theatre. This ancient tale of forbidden desires, broken hearts,…
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San Francisco and Tour Theater Review: AMALUNA (Cirque du Soleil)
OVER THE MOON A big top with a 13-meter stage, despite its yawning spatial dimensions, hardly seemed big enough to contain the amount of sheer artistry, astounding gymnastic physicality, slapstick humor, mythology, classic literature, contemporary music and dazzling delight that make up Cirque du Soleil’s Amaluna, a tribute to the voice and work of women….
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San Francisco Music Preview: NATALIE COLE WITH THE SF SYMPHONY (Davies Hall)
NATALIE CON GUSTO Yes, she’s the daughter of jazz legend Nat “King” Cole, but I’ve been a fan of Natalie Cole’s since she burst on the scene in 1976 with her hit single and album I’ve Got Love on My Mind (her dance song, “Dangerous,” is still on my iPod). She won a whole new…
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San Francisco Opera Review: THE BARBER OF SEVILLE (San Francisco Opera)
STROP THE PRESSES! A NEW RAZOR-SHARP BARBER COMES TO TOWN Gioachino Rossini’s frolicsome 1816 comic opera The Barber of Seville is superbly realized with ebullience and verve in San Francisco Opera’s new production. The first night cast (one of two) was a sparkling SF Opera debut for both Mexican tenor Javier Camarena as Count Almaviva and zesty…
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San Francisco Theater Review: MY BEAUTIFUL LAUNDRETTE (New Conservatory Theatre Center)
A BEAUTIFUL ADAPTATION The British indie My Beautiful Laundrette was praised when it came out for its multi-layered portrait of the immigrant experience, and is now best remembered for Daniel Day Lewis’s screen debut, not to mention putting Channel Four Films and director Stephen Frears on the map. Adapted for the stage by Andy Graham…
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San Francisco Theater Review: I MARRIED AN ANGEL (42nd Street Moon at the Eureka Theater)
ON A WING AND A PRAYER The original 1938 Broadway production of Rodgers and Hart’s I Married an Angel (choreographed by George Balanchine and directed by newcomer Joshua Logan no less) ran a respectable 338 performances, the national tour of which concluded right here at the Curran Theater in San Francisco (the 1942 film version…
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Bay Area Theater Review: A WINTER’S TALE (California Shakespeare Theater)
TO UPDATE OR NOT UPDATE: THAT IS THE QUESTION If, as described in its publicity, Cal Shakes’ A Winter’s Tale takes viewers through “a Narnia-esque door to fantastical lands” to fulfill the Bard’s vision of “a family-friendly fairy tale featuring music, miracles, dance, audience participation,” then this production succeeds – fully and satisfyingly realizing Shakespeare’s…
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San Francisco Theater Review: 1776 (A.C.T.)
IF ONLY OUR CURRENT CONGRESS WAS THIS MUCH FUN Who would think that a musical featuring a bunch of middle-aged white men talking politics could be fun? But that’s the miracle of Frank Galati’s production of 1776. the rousing revival of the 1969 musical classic currently at A.C.T. Peter Stone’s witty dialogue and Sherman Edwards’…
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Bay Area Theater Review: PLíCIDO DOMINGO (Greek Theatre at UC Berkeley)
DOMINGO DAZZLES What do world-renowned singers do once they have reached the age of retirement? On the strength of their name, they fill cabarets and concert houses across the land with nostalgia-filled patrons who seek a glimpse of their heroes live. Recent years have seen both opera and Broadway stars in just such concerts, and…
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Bay Area Theater Review: AFTER THE REVOLUTION (Aurora Theatre)
I SAY YOU WANT THIS REVOLUTION After the Revolution is a chewy new play about family dynamics and the difficulty of making moral judgments, especially after the fact. For audiences thirsting for a literate, intelligent, stimulating, and accessible new play, it will fill the bill nicely. The Amy Herzog 2010 drama premiered Off Broadway and…
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San Francisco Opera Review: MEFISTOFELE (San Francisco Opera)
HEAVEN OR HELL? I surmise that opinions will be all over the map for San Francisco Opera’s production of Mefistofele, Arrigo Boito’s 1868 take on the Faust legend. To begin with, this is a clunky, fragmented and uneven opera. There are a few memorable tunes, especially for the chorus, and there are some juicy parts. And while the…
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San Francisco Theater Review: MACBETH (We Players)
SOUND AND FURY INDEED The idea of site-specific theater’”theatre which is performed in unconventional spaces compatible to the script’”is nothing new, but it seems to be gaining ground. From New York (Then She Fell) to Los Angeles (The Manor) to Chicago (The Madness of Edgar Allan Poe) to Oregon Shakespeare Festival (Willful), theater practitioners are…
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San Francisco Theater Review: IN FRIENDSHIP: STORIES BY ZONA GALE (Word for Word)
A PRAIRIE THEATER COMPANION As many newer plays fail to grasp the art of storytelling, Word for Word Performing Arts Company offers compelling narratives via short stories which are performed literally, well, word for word. Their 20th anniversary production is a seamless compendium of Zona Gale stories which take place in the town of Friendship…
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Bay Area Theater Preview: GOOD PEOPLE (Marin Theatre Company)
GOOD PEOPLE GETS BAY AREA PREMIERE Having seen productions of David Lindsay-Abaire’s Good People at both the Geffen Playhouse in Los Angeles and Steppenwolf in Chicago, I can attest that this is the playwright’s best work (it is currently the most produced play in America). Knowing the quality and professionalism of Marin Theatre Company, whose…















