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Stacy Trevenon
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Recommended Concert: AN EVENING WITH STING AND THE SAN FRANCISCO SYMPHONY (Davies Hall)
STING JOINS THE SAN FRANCISCO SYMPHONY FOR TWO CONCERTS, PERFORMING HIS MOST CELEBRATED HITS REIMAGINED FOR ORCHESTRA Tickets go on sale Friday, October 13, 2023, at 10am PT Pre-sale for SF Symphony subscribers on October 11, 2023 Sting.com fan club pre-sale begins October 12 at 10am PT An Evening with Sting and the San Francisco…
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Theater Review: A CHORUS LINE (SF Playhouse)
THE MUSICAL WITH LEGS San Francisco Playhouse‘s exuberant, high-kicking production of A Chorus Line proves that the musical is as fresh as the day it appeared almost fifty years ago, when the standard Broadway musical was already fading away, making room for the jukebox musicals and mostly hollow spectacles we are still forced to endure….
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Recommended Classical Concert: Conductor JURAJ VALÄŒUHA & Pianist BEHZOD ABDURAIMOV (SF Symphony at Davies Hall)
COME HEAR ONE OF THE WORLD’S GREAT PIANISTS Conductor Juraj ValÄuha returns to lead the San Francisco Symphony in music by Hannah Kendall, Sergei Rachmaninoff, and Sergei Prokofiev, November 3, 4 & 6, 2022 at Davies Symphony Hall. Opening the program is the SF Symphony premiere of Hannah Kendall’s The Spark Catchers, commissioned and premiered…
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Theater Review: HARRY POTTER AND THE CURSED CHILD (Curran Theatre in San Francisco)
A MAGICAL TREAT Going into San Francisco’s famed, 100-year-old Curran Theater for the opening night of Harry Potter and the Cursed Child, theatergoers must have felt like Harry did when he stepped on board the Hogwarts Express in 1997, bound for Hogwarts School of Witchcraft and Wizardry. Harry Potter and the Philosopher’s Stone was the…
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Theater Preview: LIVE STREAMING EVENTS (SF Playhouse)
SAN FRANCISCO PLAYHOUSE ANNOUNCES AUGUST LIVE STREAMING EVENTS San Francisco Playhouse is offering five new episodes of its live streaming calendar, including three Zoomlet Live Play Readings and two Fireside Chats. The events will be streamed free of charge on the Company’s website. Announcements of additional episodes and programming will be made over the coming weeks….
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Bay Area Theater Review: THE HOUND OF THE BASKERVILLES (TheatreWorks)
A HOWLINGLY FUNNY BASKERVILLES SPOOF IS MORE THAN ELEMENTARY It turns out that you can teach an old dog new tricks, proven by TheatreWorks’ contemporary stage-spoof treatment of the 1901 Sherlock Holmes classic The Hound of the Baskervilles. Initially, as a longtime fan of Holmes and Watson and of Sir Arthur Conan Doyle’s literature, I…
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Bay Area / Tour Theater Review: MAN IN A CASE (Berkeley Repertory Theatre)
A CASE OF HIGH-TECH FUSION This production is described by Berkeley Rep as “high-tech fusion” and that, I found, indeed is what it is. Two Anton Chekhov circa-1898 short stories, “Man in a Case” and “About Love,” are dovetailed together within a marriage of theatre, interpretive movement, dance, video and music. Add to that interpretations…
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Bay Area Theater Review: THE CHRISTMAS REVELS: SPIRITS OF HADDON HALL (Scottish Rite Theater)
SPIRITS MATERIALIZE A SPIRITED CHRISTMAS IN SONG AND DANCE Anyone with a soft spot for holiday song and dance through history must attend the California Revels lofty production of The Christmas Revels: Spirits of Haddon Hall at Oakland’s Scottish Rite Theater. Don’t look for polished theatrical sophistication here. Rather, enjoy what you’ll find instead: High-spirited…
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Bay Area Theater Review: TRISTAN & YSEULT (Berkeley Repertory Theatre)
A TRIUMPH OF IMAGINATIVE STORYTELLING Monty Python meets Shakespeare meets Cirque du Soleil in Tristan & Yseult at Berkeley Rep. A universal love story with roots in classic times at the storied Cornish countryside is bestowed wry English humor and a four-piece band that offer music spanning from spirited rock to haunting Celtic airs. Riveting…
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San Francisco and Tour Theater Review: AMALUNA (Cirque du Soleil)
OVER THE MOON A big top with a 13-meter stage, despite its yawning spatial dimensions, hardly seemed big enough to contain the amount of sheer artistry, astounding gymnastic physicality, slapstick humor, mythology, classic literature, contemporary music and dazzling delight that make up Cirque du Soleil’s Amaluna, a tribute to the voice and work of women….
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Bay Area Theater Review: A WINTER’S TALE (California Shakespeare Theater)
TO UPDATE OR NOT UPDATE: THAT IS THE QUESTION If, as described in its publicity, Cal Shakes’ A Winter’s Tale takes viewers through “a Narnia-esque door to fantastical lands” to fulfill the Bard’s vision of “a family-friendly fairy tale featuring music, miracles, dance, audience participation,” then this production succeeds – fully and satisfyingly realizing Shakespeare’s…
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Los Angeles Theater Review: HUMOR ABUSE (Mark Taper Forum)
A THREE-RING ONE-MAN SHOW Start with a true story about a family circus that shot to prominence even though it eschewed big-business-conglomerate backing, ran in a single ring without exotic animals, and interacted with and embraced the communities where it performed. Spice it up with superbly executed acrobatics. Top it off by having it performed…
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San Francisco Cabaret Review: TRIBUTE TO MARVIN HAMLISCH (Bay Area Cabaret at the Venetian Room)
MARVIN HAMLISCH GETS A WARM-HEARTED, STAR-FILLED MUSICAL TRIBUTE You had the feeling you were watching the cream of musical theater history come fully, wholeheartedly alive on the evening of June 2 in the Venetian Room. That’s when its elegant intimacy enfolded an affectionate tribute to the late Marvin Hamlisch on what would have been the…
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San Francisco Theater Review: ARCADIA (American Conservatory Theater)
A STIRRING MENTAL EXERCISE WELL DONE In reviewing A.C.T.’s Arcadia, I feel compelled to begin with a caveat: It is a highly cerebral work – a tapestry of threads connected by bloodlines, theories, and time that requires constant focus. Those with a literary turn of mind, who revel in being made to think, will find…
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Bay Area Theater Review: GUYS AND DOLLS (Berkeley Playhouse)
DETROIT COMES TO BERKELEY The Berkeley Playhouse production of Guys and Dolls is just the thing for a theater lover, a fan of this timeless musical, or a family to kick back and enjoy. The show, directed by Jon Tracy, is meant to be pure entertainment, with well-executed catchy and hummable songs, fun and lively…
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Bay Area Opera Review: THE SECRET GARDEN (Cal Performances and SF Opera at Zellerbach Hall)
A PERFECT CHILDREN’S STORY FOR OPERA, BEAUTIFULLY STAGED…BUT IS IT READY FOR CHILDREN? I confess to being passionately attached to the score for the successful stage musical, The Secret Garden by Lucy Simon and Marsha Norman (1991), but translating Frances Hodgson Burnett’s classic children’s novel – the story of Mary, a spoiled 19th-century 11-year-old sent…
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Bay Area Theater Review: THE MOUNTAINTOP (TheatreWorks in Palo Alto)
INSPIRATIONAL, THOUGHTFUL, DARING What if Dr. Martin Luther King was a down-to-earth, simple, vulnerable human being like the rest of us? What if human existence could be viewed from another dimension, one that allowed the viewer to weigh the pluses and minuses of the greater good versus personal choice, or the math of one human…
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Bay Area Theater Review: THE FOURTH MESSENGER (Ashby Stage in Berkeley)
MAY THE WONDERFUL FOURTH MESSENGER BE A HARBINGER OF GOOD THEATER TO COME Enter a flight of fancy and imagine the scenario if a deity on the scale of a Buddha were a woman living today, where she and her disciples grapple with modern-day challenges. That is the setup of the exceptional new musical The…
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San Francisco Theater Review: 4000 MILES (A.C.T.)
GROWING UP AND GROWING OLD Engaging, comfortable, realistic, gripping, and heart-tugging – all these tags apply equally to story, language, script and performances in American Conservatory Theater’s 4000 Miles, graciously directed by Mark Rucker. Billed as a “comic drama,” 4000 Miles is indeed an engrossing human drama spiced with down-to-earth humor. 21-year-old Leo arrives unexpectedly…
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San Francisco Theater Review: CAT ON A HOT TIN ROOF (African-American Shakespeare Company)
A SOBERING AND SUBSTANTIAL CAT Why do we tend to stick with the intolerable? When slashing at those closest to us becomes our way of filling inner emptiness or expressing a family bond, even love, what extremes are we capable of? Is it possible that webs of deceit can serve as a strong familial glue…
Theatre Review: HYMN (Odyssey Theatre Ensemble)
by Ernest Kearney | May 3, 2026
in Los Angeles, TheaterDance Review: GISELLE (Los Angeles Ballet)
by Shari Barrett | May 3, 2026
in Dance, Los AngelesOff-Broadway Review: KENREX (Lucille Lortel)
by Carol Rocamora | May 1, 2026
in New York, TheaterDance Review: MERE MORTALS (SF Ballet)
by Chuck Louden | April 30, 2026
in Dance, San Francisco
(Bay Area)Theater Review: BLUE KISS (Ruskin Group Theatre)
by Ernest Kearney | April 30, 2026
in Los Angeles, TheaterMusic Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New York
















