Areas We Cover
Categories
San Francisco
(Bay Area)
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Theater Review: CYRANO (Los Altos Stage Company)
CYRANO GETS A CONFUSING NOSE JOB Why anyone involved in Los Altos Stage Company’s current production of Cyrano thought it would be a good idea to make Cyrano a woman—and without the trademark large proboscis at that—is a bit of a mystery. Cyrano de Bergerac remains a beloved staple of the stage, loosely based on…
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Theater Review: JERSEY BOYS (Palo Alto Players)
Palo Alto Players’ Jersey Boys Finds the Beat, Even When the Staging Stumbles Opening night at Palo Alto Players’ Jersey Boys had the Lucie Stern audience itching to jump out of their seats and dance. And who could blame them? The hits keep coming in this crowd-pleasing jukebox musical about Frankie Valli and the Four…
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Theater Review: WRITING FRAGMENTS HOME (Hillbarn Theatre in Foster City)
COUCH SURFING AND CULTURAL BAGGAGE It makes sense that Jeffrey Lo—a Filipino artist who writes, directs, and knows the Peninsula theater scene inside and out—could write a play like Writing Fragments Home. It’s personal without being sentimental, funny without trying too hard, and it lands exactly where it needs to. I was at the near-sold-out…
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Theater Review: HERE THERE ARE BLUEBERRIES (Tectonic Theater Project at Berkeley Repertory Theatre)
HERE THERE ARE HORRORS Moisés Kaufman and Amanda Gronich’s Here There Are Blueberries, directed by Kaufman at Berkeley Rep, involves a fascinating true story. We are at the U.S. Holocaust Memorial Museum in Washington D.C., where archivists study, document, and interpret Holocaust history—people often donate letters, photographs, and personal mementos from family members of that…
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Dance Review: BROKEN LOVE (“Broken Wings” & “Marguerite and Armand” | San Francisco Ballet)
A VISCERAL DOUBLE BILL OF PASSION, PAIN AND POETIC MOVEMENT The San Francisco Ballet’s Broken Love program dives headfirst into the tempestuous territory of heartbreak and transformation through two emotionally charged ballets: Annabelle Lopez Ochoa’s Broken Wings, and Sir Frederick Ashton’s Marguerite and Armand. It’s a double bill that traverses both the intimate and the…
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Dance Review: VAN MANEN: DUTCH GRANDMASTER (San Francisco Ballet)
At 92, Hans van Manen remains a towering figure in European choreography—a master of form, musicality, and provocation. Van Manen: Dutch Grandmaster, San Francisco Ballet’s four-part tribute to the Dutch icon, is more than a retrospective; it’s a sensual and cerebral immersion into a choreographer whose style is at once spare and lush, abstract and…
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Theater Review: BUTTERCUP (Intercontinental Drift at Marin Shakespeare)
A RIOTOUS ROMP Audiences are often drawn to a theatre by curiosity when an unknown play opens, particularly when the description is “The sacred, the profane, and side-splitting hilarity unite mother and daughter.” What on earth does that mean? Gianna Digregorio Inspired by Guy de Maupassant’s 1880 short story “Boule de Suif” (which translates into…
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Theater Review: HAMLET (A.C.T.’s Strand Theatre)
A rare and exhilarating theatrical event is unfolding at American Conservatory Theater’s Strand Theater: Suzy Eddie Izzard’s one-person performance of Hamlet. This is no ordinary production. It’s a singular encounter with Shakespeare’s masterpiece, filtered through the mind, wit, and boundless energy of a celebrated British comedian, actor, and self-described “action transvestite” who now goes by…
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Theater Review: THE HEART SELLERS (TheatreWorks)
With just two actors onstage for 90 minutes, The Heart Sellers relies entirely on the chemistry, charisma, and emotional intelligence of its performers—and in TheatreWorks’s production, Nicole Javier as Luna and Narea Kang as Jane more than rise to the occasion. Under the fluid direction of Jennifer Chang, their performances are vivid, honest, and remarkably…
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Theater Review: FAT HAM (San Francisco Playhouse)
TO THINE OWN SELF BE TRUE…AND FUNNY Now playing at San Francisco Playhouse, Fat Ham is James Ijames’ Pulitzer Prize-winning and Tony-nominated riff on Hamlet—but this is no brooding royal revenge tale. Instead, it’s a vibrant, funny, and deeply human family drama set in a Southern backyard, where barbecue smoke and family secrets hang thick…
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Theater Review: THE WORLD GOES ‘ROUND (Lark Theater)
CELEBRATING KANDER & EBB: WHAT A LARK! In the heart of southern Marin County, Larkspur’s Lark Theater is a 1936 art deco movie house with a single screen. It required hard work, dedicated volunteers and plenty of donations from 2004 to 2007 to transform it into a state-of-the-art film and cultural center. Today, this historic…
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Theater Review: CABARET (NTC Playhouse in Novato)
WHEN THE GRIM PAST WAS A PARTY Willkommen to the intimate 99-seat NTC Playhouse in Novato, transformed into the seedy Kit Kat Klub in pre-war Berlin. While poverty, unemployment, and a sense of doom fill the streets, free-wheeling sex, drugs, and jazz entertain inside the club. Unpleasant political developments are willingly pushed aside by these…
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Theater Review: WILD WITH HAPPY (NCTC in San Francisco)
ASHES TO ASHES, PIXIE DUST TO PIXIE DUST Academy Award-nominated actor, playwright, and former Bay Area resident Colman Domingo‘s semi-autobiographical dramedy, Wild With Happy, is having its San Francisco debut this month at the New Conservatory Theatre Center. The title itself is a contradiction, perfectly capturing the show’s blend of humor and heartfelt emotion. The…
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Theater Review: MRS. KRISHNAN’S PARTY (Marin Theatre)
FEEL-GOOD SHOW SPICES UP MARIN THEATRE Marin Theatre takes a flying leap into immersive culture with Mrs. Krishnan’s Party—which opened tonight in the intimate Boyer Main Stage. The interactive comedy is a short, frenetic and very funny helping of what goes on in back-of-the-store India, transported to Mill Valley. The audience slowly enters a backstage…
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Theater Review: ART (Shotgun Players, Ashby Stage in Berkeley)
THE ART OF MAKING ART An extravagant art purchase causes a major upheaval among three old friends in Yasmina Reza’s Art, at Berkeley’s Ashby Stage through April 9. David Sinaiko and Benoît Monin The setup: former college buddies Serge, Marc, and Yvan meet regularly for dinner, drinks, and discussion. One day Serge (Benoît Monin) announces…
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Theater Review: NOBODY LOVES YOU (A.C.T.’s Toni Rembe Theater)
AUDACIOUS AND FUN MUSICAL TAKES ON REALITY TV Last Wednesday, A.C.T. opened an extremely likeable, engaging and entertaining musical telling one of the tried-and-true stories of the 21st century. It’s boy meets girl. Boy loses girl. Boy goes on girl’s favorite reality dating show to win girl back! In an era where technology dominates communication…
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Theater Review: REEFER MADNESS (Lucky Penny in Napa)
NAPA’S LUCK PENNY GOES TO POT– IN A GOOD WAY A hokey 1930s propaganda film runs headlong into Beach Blanket Babylon in Reefer Madness at Napa’s Lucky Penny Productions through March 23. A musical spoof by Dan Studney and Kevin Murphy, the show opens with a swarm of zombies lifted right out of Michael Jackson’s…
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Theater Review: HAPPY PLEASANT VALLEY: A SENIOR SEX SCANDAL MURDER MYSTERY MUSICAL (TheatreWorks Silicon Valley in Palo Alto and CenterREP in Walnut Creek)
WILD ROMP IN SENIOR LIVING TheatreWorks Silicon Valley has launched an uproarious spoof of senior living with Happy Pleasant Valley: A Senior Sex Scandal Murder Mystery Musical. It’s an all-encompassing effort by Min Kahng. He knows his stuff: he’s definitely of an age to qualify for Medicare, but Kahng wrote book, music and lyrics, and…
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Theater Review: NIGHT DRIVER (Pearl Ong at The Marsh)
CABS, COKE AND COMING OUT: PEARL ONG’S JOYRIDE THROUGH SF At The Marsh Theater, Pearl Ong—who describes herself as a “former Hong Kong Princess, pot-smoking and coke-snorting lesbian—is performing her one-woman show, Night Driver—and it’s a perfect fit for San Francisco. After moving here from Hong Kong with her mother in the 1970s, as many…
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Theater Review: CHICAGO (Throckmorton Theatre, Mill Valley)
CHICAGO: IT’S A RAZZLE DAZZLE HELLUVA SHOW How did Throckmorton Theatre in downtown Mill Valley get such a stunning production of Chicago? This isn’t Broadway, or is it? With the flash of a giant overhead marquee, a mute trumpet oozing honeyed notes, and a stageful of beautiful bodies in racy outfits, Chicago is one helluva…


















