Areas We Cover
Categories
San Francisco
(Bay Area)
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Theater Review: CRUMBS FROM THE TABLE OF JOY (Aurora Theatre in Berkeley)
The pleasure lies not in the cookies, but in the pattern the crumbs make when the cookies crumble. ~ Michael Korda Playwright Lynn Nottage is a national treasure—a two-time Pulitzer Prize winner for drama, and among the very best storytellers in mining nuance from ordinary circumstances and historical facts. Her heart-rending Intimate Apparel and Sweat…
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Theater Review: SHAMELESS HUSSY (Marsh San Francisco)
SHAMELESS AND SUBLIME: ANAÏS NIN COMES ALIVE AT THE MARSH Anaïs Nin (1903–1977), the French-Cuban-American diarist, is best known as one of the original female writers of erotica. Starting at age 11, when she and her mother immigrated to the United States from Cuba, Nin began chronicling her life in her new country. Her diaries…
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Theater Review: SIMPLE MEXICAN PLEASURES (New Conservatory Theatre Center in San Francisco)
New Conservatory Theatre is premiering Eric Reyes Loo’s family dramedy about life, breakups and soul searching: Simple Mexican Pleasures. The show opens with Eric (Alex Rodriguez) reeling from a break up with his boyfriend that he didn’t see coming. Eric is of Latino heritage and lives in Los Angeles. He decides the time is right…
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Theater Reviews: OTHER DESERT CITIES (Masquers Playhouse in Point Richmond and Lucky Penny in Napa)
A TALE OF TWO CITIES Theater is all about storytelling, and stories don’t come any better crafted than Jon Robin Baitz’s Pulitzer Prize-nominated Other Desert Cities. The SF Bay Area is enjoying two simultaneous presentations of this compelling family drama—one directed by Dana Nelson-Isaacs at Napa’s Lucky Penny Productions through May 4, and the other…
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Theater Review: TWO TRAINS RUNNING (The Acting Company at American Conservatory Theater)
August Wilson’s Two Trains Running takes place in 1969 in the working-class Hill District of Pittsburgh, Pennsylvania. Now on at American Conservatory Theater, it’s part of Wilson’s famous “Pittsburgh Cycle,” his series of ten plays that depict African-American life across different decades. His best-known work, Fences, portrayed the 1950s and premiered on stage in 1985…
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Theater Review: I LOVE YOU, YOU’RE PERFECT, NOW CHANGE (Sonoma Arts Live)
LOVE AND CHANGE, SONOMA STYLE Dating and mating get fully examined and fully skewered in I Love You, You’re Perfect, Now Change at Sonoma Arts Live in downtown Sonoma, through May 4. Ably helmed by North Bay veteran Carl Jordan in Andrews Hall at the Sonoma Community Center, the production is a series of musical…
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Theater Review: IT’S TRUE, IT’S TRUE, IT’S TRUE (Marin Theatre in Mill Valley)
FALSE WITNESS HAS NOT CHANGED An ear-splitting blast from a punk-rock band opens this thought-provoking glimpse into an ancient event. Playwrights Ellice Stevens and Billy Barrett pieced together actual court manuscripts from a 1612 Roman trial of rape, adding contemporary dialogue and raucous music to intensify the content. Maggie Mason, Keiko Shimosato Carreiro, Alicia M….
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Theater Review: CYRANO (Los Altos Stage Company)
CYRANO GETS A CONFUSING NOSE JOB Why anyone involved in Los Altos Stage Company’s current production of Cyrano thought it would be a good idea to make Cyrano a woman—and without the trademark large proboscis at that—is a bit of a mystery. Cyrano de Bergerac remains a beloved staple of the stage, loosely based on…
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Theater Review: JERSEY BOYS (Palo Alto Players)
Palo Alto Players’ Jersey Boys Finds the Beat, Even When the Staging Stumbles Opening night at Palo Alto Players’ Jersey Boys had the Lucie Stern audience itching to jump out of their seats and dance. And who could blame them? The hits keep coming in this crowd-pleasing jukebox musical about Frankie Valli and the Four…
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Theater Review: WRITING FRAGMENTS HOME (Hillbarn Theatre in Foster City)
COUCH SURFING AND CULTURAL BAGGAGE It makes sense that Jeffrey Lo—a Filipino artist who writes, directs, and knows the Peninsula theater scene inside and out—could write a play like Writing Fragments Home. It’s personal without being sentimental, funny without trying too hard, and it lands exactly where it needs to. I was at the near-sold-out…
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Theater Review: HERE THERE ARE BLUEBERRIES (Tectonic Theater Project at Berkeley Repertory Theatre)
HERE THERE ARE HORRORS Moisés Kaufman and Amanda Gronich’s Here There Are Blueberries, directed by Kaufman at Berkeley Rep, involves a fascinating true story. We are at the U.S. Holocaust Memorial Museum in Washington D.C., where archivists study, document, and interpret Holocaust history—people often donate letters, photographs, and personal mementos from family members of that…
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Dance Review: BROKEN LOVE (“Broken Wings” & “Marguerite and Armand” | San Francisco Ballet)
A VISCERAL DOUBLE BILL OF PASSION, PAIN AND POETIC MOVEMENT The San Francisco Ballet’s Broken Love program dives headfirst into the tempestuous territory of heartbreak and transformation through two emotionally charged ballets: Annabelle Lopez Ochoa’s Broken Wings, and Sir Frederick Ashton’s Marguerite and Armand. It’s a double bill that traverses both the intimate and the…
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Dance Review: VAN MANEN: DUTCH GRANDMASTER (San Francisco Ballet)
At 92, Hans van Manen remains a towering figure in European choreography—a master of form, musicality, and provocation. Van Manen: Dutch Grandmaster, San Francisco Ballet’s four-part tribute to the Dutch icon, is more than a retrospective; it’s a sensual and cerebral immersion into a choreographer whose style is at once spare and lush, abstract and…
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Theater Review: BUTTERCUP (Intercontinental Drift at Marin Shakespeare)
A RIOTOUS ROMP Audiences are often drawn to a theatre by curiosity when an unknown play opens, particularly when the description is “The sacred, the profane, and side-splitting hilarity unite mother and daughter.” What on earth does that mean? Gianna Digregorio Inspired by Guy de Maupassant’s 1880 short story “Boule de Suif” (which translates into…
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Theater Review: HAMLET (A.C.T.’s Strand Theatre)
A rare and exhilarating theatrical event is unfolding at American Conservatory Theater’s Strand Theater: Suzy Eddie Izzard’s one-person performance of Hamlet. This is no ordinary production. It’s a singular encounter with Shakespeare’s masterpiece, filtered through the mind, wit, and boundless energy of a celebrated British comedian, actor, and self-described “action transvestite” who now goes by…
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Theater Review: THE HEART SELLERS (TheatreWorks)
With just two actors onstage for 90 minutes, The Heart Sellers relies entirely on the chemistry, charisma, and emotional intelligence of its performers—and in TheatreWorks’s production, Nicole Javier as Luna and Narea Kang as Jane more than rise to the occasion. Under the fluid direction of Jennifer Chang, their performances are vivid, honest, and remarkably…
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Theater Review: FAT HAM (San Francisco Playhouse)
TO THINE OWN SELF BE TRUE…AND FUNNY Now playing at San Francisco Playhouse, Fat Ham is James Ijames’ Pulitzer Prize-winning and Tony-nominated riff on Hamlet—but this is no brooding royal revenge tale. Instead, it’s a vibrant, funny, and deeply human family drama set in a Southern backyard, where barbecue smoke and family secrets hang thick…
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Theater Review: THE WORLD GOES ‘ROUND (Lark Theater)
CELEBRATING KANDER & EBB: WHAT A LARK! In the heart of southern Marin County, Larkspur’s Lark Theater is a 1936 art deco movie house with a single screen. It required hard work, dedicated volunteers and plenty of donations from 2004 to 2007 to transform it into a state-of-the-art film and cultural center. Today, this historic…
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Theater Review: CABARET (NTC Playhouse in Novato)
WHEN THE GRIM PAST WAS A PARTY Willkommen to the intimate 99-seat NTC Playhouse in Novato, transformed into the seedy Kit Kat Klub in pre-war Berlin. While poverty, unemployment, and a sense of doom fill the streets, free-wheeling sex, drugs, and jazz entertain inside the club. Unpleasant political developments are willingly pushed aside by these…
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Theater Review: WILD WITH HAPPY (NCTC in San Francisco)
ASHES TO ASHES, PIXIE DUST TO PIXIE DUST Academy Award-nominated actor, playwright, and former Bay Area resident Colman Domingo‘s semi-autobiographical dramedy, Wild With Happy, is having its San Francisco debut this month at the New Conservatory Theatre Center. The title itself is a contradiction, perfectly capturing the show’s blend of humor and heartfelt emotion. The…


















