Areas We Cover
Categories
San Francisco
(Bay Area)
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Theater Review: JESUS CHRIST SUPERSTAR (Berkeley Playhouse at Julia Morgan Theater)
JESUS CHRIST SUPERSTAR RISES AGAIN. ROCK ON. Rock operas don’t come much more iconic than Jesus Christ Superstar, and Berkeley Playhouse’s electric new production makes it feel as urgent and incendiary as ever. With a timeless score by Andrew Lloyd Webber and Tim Rice, this show has been rattling the rafters of theaters since its…
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Theater Review: THE HEART SELLERS (Aurora Theatre)
YOU GOTTA HAVE HEART Two young immigrant women find joy and hope in a budding friendship in Lloyd Suh’s The Heart Sellers, at Berkeley’s Aurora Theatre through March 9. The show moves to TheatreWorks in Mountain View for a three-week run in April. Adroitly directed by Jennifer Chang, the two-actor 90-minute one-act, an uproarious comedy…
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Theater Review: FROGGY (Center REP in Walnut Creek)
FANTASTIC FROGGY Jennifer Haley’s audacious graphic novel Froggy comes roaring to life on the Margaret Lesher Theatre’s big stage in Walnut Creek, and it’s one of the freshest theatrical offerings anywhere. Jamella Cross (Froggy) At its core a tale of a young woman who falls for a flaky third-tier actor, Froggy is a dark comedy spoofing…
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Dance Review: COOL BRITANNIA (San Francisco Ballet)
BREATHTAKING BRITANNIA San Francisco balletgoers are in for a treat this month with Cool Britannia. Actually, as proved at last night’s opening, a better title would be Breathtaking Britannia. Now, that’s an apt description of this triple bill of one-act ballets by British choreographers. The cultural explosion of the mid-90s, known as Cool Britannia, fostered…
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Theater Review: WASTE (Marin Theatre in Mill Valley)
WHAT—OR WHOM—SHALL BE DISCARDED? Marin Theatre Company has never shied away from provocative material, and its current production, Waste, is no exception. Waste tells the story of politically ambitious and idealistic Henry Trebell (Lance Gardner) and the loss of his political dreams when his affair with Mrs. O’Connell (Liz Sklar), a married woman, becomes public…
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Theater Review: DOODLER (The Marsh San Francisco, SAFEHouse & Theatre Rhinoceros)
A SUSPENSEFUL ONE-MAN MURDER MYSTERY The Gay community in San Francisco was shocked and terrified by a series of murders between 1974-75 committed by a serial killer known as “The Doodler.” Believed to have killed between six and sixteen men, most of whom were gay, he was known for meeting his victims in bars, and…
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Theater Review: EXOTIC DEADLY: OR THE MSG PLAY (San Francisco Playhouse)
WELL-SEASONED THEATER IS LOADED WITH FLAVOR Welcome to 1999, a time of hysteria over the impending Y2K crisis, widespread fear of monosodium glutamate (MSG), crude video games and crude popular culture. In the midst of all this wanders a Japanese-American high school girl named Ami (Ana Ming Bostwick-Singer), wrestling with her cultural identity, arguing with…
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Theater Review: FRANCIS GREY AND THE CASE OF HIS DEAD BOYFRIEND (New Conservatory Theatre Center)
Currently playing at The New Conservatory Theater, Francis Grey and the Case of His Dead Boyfriend is a whirlwind one-man mystery that fuses elements of classic whodunits, camp, film noir, and drag—all packed into a breakneck, one-hour experience. This world premiere, written, directed, and performed by the multi-talented Nathan Tylutki, is a theatrical high-wire act…
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Theater Review: THE THING ABOUT JELLYFISH (Berkeley Rep)
THE THING ABOUT GREAT THEATER Directed by Tyne Rafaeli, Berkeley Rep’s world premiere production of The Thing About Jellyfish delivers an emotionally resonant adaptation of Ali Benjamin’s beloved coming-of-age novel, weaving together grief, wonder, and the mysteries of growing up with an ethereal, dreamlike quality, as a young girl on the cusp of adolescence searches…
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Theater Review: THE SPITFIRE GRILL (Ross Valley Players)
THERE’S A HOT HIT COOKING IN ROSS In ancient biblical texts, Gilead is not only a place of final peace, but also invokes healing and hope. How appropriate that playwrights James Valcq and Fred Alley chose this name as the location of The Spitfire Grill, a café in a down-on-its-luck small town, grown smaller by…
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Theater Review: SIX DEGREES OF SEPARATION (Sonoma Arts)
SIX DEGREES SPOOFS UPPER-CLASS PRETENTIONS Sonoma Arts Live (SAL) has launched an ambitious production of Six Degrees of Separation, John Guare’s now-classic tale of belief and deception among New York City socialites. Purportedly based on a real story, Six Degrees played on Broadway before becoming a 1993 film starring Donald Sutherland and, from the Lincoln…
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Dance Review: MANON (San Francisco Ballet)
MAN, OH MANON, DOES SF BALLET EVER DELIVER San Francisco Ballet opened its season last weekend with Manon—the first in its “British Icons” series—the sumptuous and heartbreaking ballet by Sir Kenneth MacMillan. Based the hugely influential novel L’Histoire du chevalier des Grieux et de Manon Lescaut by the colorful Abbé Prévost, Martin Yates arranged and…
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Theater Review: THE GLASS MENAGERIE (Los Altos Stage Company at Bus Barn Theater)
NOSTALGIA NEVER GETS OLD When The Glass Menagerie by Tennessee Williams premiered on Broadway in 1945, it became his first major success. Nearly 80 years later, the play remains relevant, touching on themes of family conflict, personal failure, and the power of memory. At the heart of the story is a fractured family: an angry…
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Theater Review: DAISY (Hillbarn Theatre in Foster City)
THE MINUTE THAT CHANGED POLITICAL CAMPAIGNING FOREVER On September 7, 1964, a 60-second TV ad transformed American politics. Known as “Daisy Girl,” it featured a young girl counting daisy petals, followed by a countdown and a nuclear explosion. The ad became iconic for its emotional, innovative approach to negative political advertising. It’s even better known…
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Theater Review: PRESENT LAUGHTER (Novato Theater)
A PRESENT LAUGHTER THAT UPENDS THE PAST Britain’s beloved playwright Sir Noël Coward crafted this lighthearted, autobiographical comedy as a showcase for his own flamboyant celebrity. A renowned bon vivant, Coward dazzled as a writer, singer, and performer, with friends and admirers orbiting his stardom. Adapting this blithe farce, director Carl Jordan brings a radical…
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Theater Review: IMPROVISED LAW & ORDER (Synergy Theater
A SPONTANEOUS MOCKERY OF JUSTICE, INDEED Now on for a short run through January 26 at Walnut Creek’s Lesher Theater, Synergy Theater brings an improvised spoof of the iconic TV series Law & Order. Complete with the signature “Chung Chung” between scenes, this show offers a hilarious and unpredictable take on the long-running crime drama….
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Theater Review: NOISES OFF (Palo Alto Players)
LAUGH-A-MINUTE FUN When English playwright Michael Frayn wrote his slapstick farce in 1982, it bore little resemblance to the production that opened Saturday night at the Lucie Stern Theater in Palo Alto. It started out as a one-act play called Exits, but was later expanded into the production Palo Alto Players is offering theatergoers. Noises…
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Theater Review: RACHMANINOFF AND THE TSAR: A NEW MUSICAL PLAY (TheatreWorks Silicon Valley)
Hershey Felder has become synonymous with TheatreWorks Silicon Valley, returning year after year from Europe to present his original musical productions. This year, he brings Rachmaninoff and the Tsar, a largely successful exploration of the life of Sergei Vasilyevich Rachmaninoff, the renowned Russian composer, pianist, and conductor. Felder has stated that this marks the final…
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Theater Review: KALEIDOSCOPE (Circus Bella, Embarcadero)
THIS TRULY IS HOLIDAY JOY Now playing this holiday season through January 5, 2025, down by The Embarcadero: The circus is in town. But not just any circus. Circus Bella, in a colorful Big Top tent at Beale & Howard, puts the circus in your lap with Kaleidoscope. Certainly what is achieved in this one-ring…
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Theater Review: LITTLE WOMEN THE MUSICAL (Sonoma Arts Live at Sonoma Community Center)
CLASSIC STORY ENCHANTS Sonoma Arts Live captures the challenges of four sisters growing up in the late 1800s in this adaptation by Allan Knee, based on the classic novel written by Louisa May Alcott. Nate Mercer, Joanna “Lynn” Burt, Dani Innocenti Beem, Hannah Passinisi, and Emma Sutherland Sandra Ish skillfully directs a cast of eleven…


















