Areas We Cover
Categories
San Francisco
(Bay Area)
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Opera Review: INNOCENCE (San Francisco Opera)
THE CAPTIVATING INNOCENCE AT SAN FRANCISCO OPERA IS KAIJA SAARIAHO’S MASTERPIECE San Francisco Opera is offering the hauntingly beautiful U.S. premiere of Innocence, a contemporary opera that is destined to be a staple of the modern operatic repertoire. Composed by the late Finnish composer Kaija Saariaho, the opera delves into themes of guilt, redemption, and…
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Opera Review: PARTENOPE (San Francisco Opera)
HANDEL MEETS GATSBY IN CHRISTOPHER ALDEN’S VIBRANT PRODUCTION OF PARTENOPE Baroque opera enthusiasts are in for a treat with San Francisco Opera‘s recent production of Handel’s comic opera, Partenope, which opened last weekend at War Memorial Opera House for five performances only. Composed in 1730 during a period of intense competition and innovation in London’s…
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Theater Review: GARUDA’S WING (Magic Theatre)
A COMPELLING ECO-DYSTOPIAN STORY The destruction of tropical ecosystems has been a worldwide concern since the 1960s. Through June 23, San Francisco’s Magic Theatre examines the crisis in a personal manner with Naomi Iizuka’s Garuda’s Wing, Directed by prolific actor/director (and university professor) Margo Hall, it’s an eco-dystopian tale spanning approximately five decades in the…
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BENEFIT: BROADWAY AND BEYOND (REAF’s “Help Is on the Way” | Marines’ Memorial Theater & Beacon Grand Hotel, July 14)
The Richmond/Ermet Aid Foundation presents Help is on the Way: 30th Anniversary Concert & Gala on Sunday, July 14, 2024 at the Marines’ Memorial Theater (concert) and Beacon Grand Hotel (VIP after party with the cast). This show will feature cast members for the Broadway touring cast of Mrs. Doubtfire with the lead actor, Rob…
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Theater Review: HEAD OVER HEELS (Berkeley Playhouse)
MY HEAD SAID “STAY” BUT MY HEELS SAID “RUN” Since 2007 the Berkeley Playhouse is one of the few theaters in the Bay Area that offers classes and camps for youths. Consequently their shows feature large ensemble casts of young actors who sing and dance with passion. Past shows include Matilda The Musical, Cinderella Enchanted…
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Theater Review: EVERYBODY’S TALKING ABOUT JAMIE (Ray of Light Theatre in San Francisco)
EVERYBODY WILL BE TALKING ABOUT RAY OF LIGHT’S EVERYBODY’S TALKING ABOUT JAMIE Now, it’s a legend. First there was the 2011 British television documentary Jamie: Drag Queen at 16, which became a concept album for the hit musical Everybody’s Talking About Jamie, which opened on the West End in 2017, toured, then recorded and screened in…
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Theater Review: DEAR SAN FRANCISCO: A HIGH-FLYING LOVE STORY (The 7 Fingers at Club Fugazi)
CIRQUE AND THE CITY During Dear San Francisco at Club Fugazi in North Beach, one could be forgiven for feeling like you’d jumped into a Cirque Du Soleil production, and that’s fine as the founders of this San Francisco based cirque troupe worked there for a time. The intimate and immersive resident production was created…
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Theater Review: CABARET (Center Repertory Company at the Lesher Theater in Walnut Creek)
COME TO THIS CABARET Cabaret is a masterpiece of American musical theater that has been presented in a vast variety of musical and physical shapes and sizes since its premiere on Broadway in 1966. John Kander and Fred Ebb’s score has been cut, added to, and shifted around, and the mood and look have been…
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Theater Review: TICK, TICK … BOOM! (New Conservatory Theatre Center in San Francisco)
A MUSICAL THEATRE EXPLOSION San Francisco’s New Conservatory Theatre Center is presenting a musical by the late Broadway composer, lyricist and playwright Jonathan Larson. If you have heard of the runaway smash hit Rent then you are familiar with Larson’s style. tick, tick… BOOM! predates Rent by a few years, but the tight harmonies and quick…
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Theater Review: TORCH SONG (Marin Theatre in Mill Valley)
A SONG WHICH HAS BECOME A STANDARD Harvey Fierstein wrote his semi-autobiographical Torch Song Trilogy in the late 1970s. In it, Arnold Beckoff, a gay, Jewish man and professional drag queen and torch singer looks for love and family in the pre-AIDS world of New York City. The three one-act plays, the first of which, International…
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Theater Review: GALILEO: A ROCK MUSICAL (Berkeley Rep)
Bay Area theater and music lovers are in for a treat, albeit one that needs adjustment before heading to Broadway. The Berkeley Repertory Theatre is now presenting Michael Mayer’s world premiere production of Galileo: A Rock Musical. It’s the story of the famous 17th-century scientist, astronomer and polymath Galileo Galilei, whose celestial observations advanced science…
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Theater Review: THE GLASS MENAGERIE (San Francisco Playhouse)
FRAGILE GIRL, KOOKY MOM, POSSIBLY QUEER SON, HANDSOME CALLER, STURDY PRODUCTION The Glass Menagerie is likely the reason you’ve heard the name Tennessee Williams. The Glass Menagerie put Tennessee Williams on the map and led the way to American classics like A Streetcar Named Desire, Night of the Iguana, and Cat on a Hot Tin…
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Theater Review: EXTREME ACTS (The Marsh San Francisco)
EXTREME ACTS IS EXTREMELY GOOD A performance artist recounts the greatest moments of her career, from work that got her started, to the performance that almost killed her in the exciting and emotional two-act two-hander Extreme Acts by prolific playwright Lynne Kaufman, directed by Molly Noble. The show, which opened last night at The Marsh San…
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Film / Concert Review: STAR WARS: THE EMPIRE STRIKES BACK–FILM WITH LIVE ORCHESTRA (SF Symphony)
SF SYMPHONY STRIKES BACK When you watch a film in theaters or play a video game at home you simply cannot recreate the power, emotion and feel of a live orchestra. As a result most music gets remembered by a few bars of catchy melody despite being, in some cases, hours long and in most…
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Theater Review: BITCH SLAP! (San Francisco’s Oasis)
BITCH, YOU AGING GOOD In the tradition ’80s sitcoms but with elements of telenovela melodrama, Bitch Slap! is a hilarious, over-the-top spoof comedy written and directed by San Francisco’s inaugural drag laureate D’Arcy Drollinger. Bitch Slap first opened in 2017 and is back on stage through May 18 at Oasis. D’Arcy Drollinger, Katya Smirnoff The…
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Theater Review: A STRANGE LOOP (American Conservatory Theatre in San Francisco)
YOU’LL WANT TO GET CAUGHT IN THIS LOOP A Strange Loop, a Pulitzer Prize winning, loosely autobiographical, one-act musical drama by Michael R. Jackson explores a myriad of themes related to identity, queerness, self-esteem, and religion. It first debuted off Broadway in 2019, won a Tony when it hit Broadway in 2022, and is now…
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Theater Review: FOREVER PLAID (42nd Street Moon)
GLAD PLAID Forever Plaid, an Off-Broadway musical revue written in the late eighties by Stuart Ross, takes place in the in-between, or whatever exists between this life and the next. The Plaids, a prototypical guy group in appearance, harmonies and temperament, find themselves dead right at the top of the show. But, they have been…
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Theater Review: THE TUTOR (NCTC in San Francisco)
New Conservatory Theatre Center is offering The Tutor, a gripping and thought-provoking three-person drama that tells a timely story of love, lies, survival, and culture. With insightful minimal staging by Sahar Assaf, the performers pile-drive Torange Yeghiazarian‘s whip-smart dialogue into a powerful intimate ride that never lets up. Debórah Eliezer, Lawrence Radecker, Maya Nazzal Debórah…
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Theater Review: THE PRIDE OF LIONS (Theater Rhinoceros)
A MAJESTY OF DRAG QUEENS BECOMES A PRIDE OF LIONS Founded in 1977 The Castro District’s Theatre Rhinoceros is the longest-running queer theater in the nation. This month is the world premiere of non-binary playwright Roger Q. Mason’s boundary breaking play The Pride of Lions. 1928, New York City. Mae West’s play, The Pleasure Man,…
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Dance Review: NEXT@90 CURTAIN CALL (SF Ballet)
San Francisco Ballet kicked off their 2024 season, the first curated by Artistic Director Tamara Rojo, with Next@90 Curtain Call, a look back at performances from last year’s Next@90 Festival. Jennifer Stahl and Luke Ingham in Gateway to the Sun We open on a slice of windswept desert. A lone poet (Isaac Hernández) is standing…


















