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Christopher Beale
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Theater Review: EVITA (San Francisco Playhouse)
MEHVITA Eva Perón is back on stage downtown as San Francisco Playhouse stages the classic Broadway musical Evita. Inspired by a radio documentary about Perón, the first lady of Argentina, Evita began as a 1976 rock opera by Andrew Lloyd Webber and Tim Rice, the authors of Jesus Christ Superstar; it was staged as a musical on…
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Theater Review: MRS. DOUBTFIRE THE MUSICAL (National Tour at the Orpheum Theatre in San Francisco)
MRS. DOUBTFIRE IN GOOD HANDS WITH ROB McCLURE In Mrs. Doubtfire The Musical, a familiar San Francisco-based plot meets with the Tony-nominated actor Rob McClure, who makes Robin Williams’ classic ‘drag’ character come to life in an entirely new way. But the road from the 1987 Anne Fine novel that inspired the franchise on its…
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Theater Review: EVERYBODY’S TALKING ABOUT JAMIE (Ray of Light Theatre in San Francisco)
EVERYBODY WILL BE TALKING ABOUT RAY OF LIGHT’S EVERYBODY’S TALKING ABOUT JAMIE Now, it’s a legend. First there was the 2011 British television documentary Jamie: Drag Queen at 16, which became a concept album for the hit musical Everybody’s Talking About Jamie, which opened on the West End in 2017, toured, then recorded and screened in…
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Theater Review: DEAR SAN FRANCISCO: A HIGH-FLYING LOVE STORY (The 7 Fingers at Club Fugazi)
CIRQUE AND THE CITY During Dear San Francisco at Club Fugazi in North Beach, one could be forgiven for feeling like you’d jumped into a Cirque Du Soleil production, and that’s fine as the founders of this San Francisco based cirque troupe worked there for a time. The intimate and immersive resident production was created…
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Theater Review: TICK, TICK … BOOM! (New Conservatory Theatre Center in San Francisco)
A MUSICAL THEATRE EXPLOSION San Francisco’s New Conservatory Theatre Center is presenting a musical by the late Broadway composer, lyricist and playwright Jonathan Larson. If you have heard of the runaway smash hit Rent then you are familiar with Larson’s style. tick, tick… BOOM! predates Rent by a few years, but the tight harmonies and quick…
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Theater Review: THE GLASS MENAGERIE (San Francisco Playhouse)
FRAGILE GIRL, KOOKY MOM, POSSIBLY QUEER SON, HANDSOME CALLER, STURDY PRODUCTION The Glass Menagerie is likely the reason you’ve heard the name Tennessee Williams. The Glass Menagerie put Tennessee Williams on the map and led the way to American classics like A Streetcar Named Desire, Night of the Iguana, and Cat on a Hot Tin…
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Theater Review: EXTREME ACTS (The Marsh San Francisco)
EXTREME ACTS IS EXTREMELY GOOD A performance artist recounts the greatest moments of her career, from work that got her started, to the performance that almost killed her in the exciting and emotional two-act two-hander Extreme Acts by prolific playwright Lynne Kaufman, directed by Molly Noble. The show, which opened last night at The Marsh San…
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Film / Concert Review: STAR WARS: THE EMPIRE STRIKES BACK–FILM WITH LIVE ORCHESTRA (SF Symphony)
SF SYMPHONY STRIKES BACK When you watch a film in theaters or play a video game at home you simply cannot recreate the power, emotion and feel of a live orchestra. As a result most music gets remembered by a few bars of catchy melody despite being, in some cases, hours long and in most…
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Theater Review: BITCH SLAP! (San Francisco’s Oasis)
BITCH, YOU AGING GOOD In the tradition ’80s sitcoms but with elements of telenovela melodrama, Bitch Slap! is a hilarious, over-the-top spoof comedy written and directed by San Francisco’s inaugural drag laureate D’Arcy Drollinger. Bitch Slap first opened in 2017 and is back on stage through May 18 at Oasis. D’Arcy Drollinger, Katya Smirnoff The…
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Theater Review: A STRANGE LOOP (American Conservatory Theatre in San Francisco)
YOU’LL WANT TO GET CAUGHT IN THIS LOOP A Strange Loop, a Pulitzer Prize winning, loosely autobiographical, one-act musical drama by Michael R. Jackson explores a myriad of themes related to identity, queerness, self-esteem, and religion. It first debuted off Broadway in 2019, won a Tony when it hit Broadway in 2022, and is now…
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Theater Review: FOREVER PLAID (42nd Street Moon)
GLAD PLAID Forever Plaid, an Off-Broadway musical revue written in the late eighties by Stuart Ross, takes place in the in-between, or whatever exists between this life and the next. The Plaids, a prototypical guy group in appearance, harmonies and temperament, find themselves dead right at the top of the show. But, they have been…
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Dance Review: NEXT@90 CURTAIN CALL (SF Ballet)
San Francisco Ballet kicked off their 2024 season, the first curated by Artistic Director Tamara Rojo, with Next@90 Curtain Call, a look back at performances from last year’s Next@90 Festival. Jennifer Stahl and Luke Ingham in Gateway to the Sun We open on a slice of windswept desert. A lone poet (Isaac Hernández) is standing…
Dance Review: MERE MORTALS (SF Ballet)
by Chuck Louden | April 30, 2026
in Dance, San Francisco
(Bay Area)Theater Review: BLUE KISS (Ruskin Group Theatre)
by Ernest Kearney | April 30, 2026
in Los Angeles, TheaterMusic Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, Theater










