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New York
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Dance Review: MARTHA GRAHAM (Program C at The Joyce)
The Martha Graham Dance Company is back at The Joyce for its 99th season with a new dance concert titled Dances of the Mind, featuring 11 works across three programs through April 13, 2025. I saw Program C, and it was a moving, powerful experience. Janet Eilber, the exquisite Artistic Director of the dance company,…
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Off-Broadway Review: I’M ASSUMING YOU KNOW DAVID GREENSPAN (Atlantic Stage 2)
MR. GREENSPAN, PARTY OF FOUR Here’s a one-of-a-kind, one-person, one-act play in which one man plays four women—simultaneously—without ever leaving the stage. Three (sometimes all four) of these women are present in the same scene for a good chunk of the time. Our intrepid performer simply pivots his body as the women speak, often trading off…
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Off-Broadway Review: A MOTHER (World Premiere with Jessica Hecht at Baryshnikov Arts Center)
Brecht once said, “In the dark times, will there also be singing? Yes, there will be singing. About the dark times.” This must have been the inspiration for A Mother, a truly amusing collection of heartfelt life snippets by writer Neena Beber, co-conceived with actress Jessica Hecht, now playing at Baryshnikov Arts. It is not…
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Off-Broadway Review: HUMPTY DUMPTY (Eric Bogosian New York Premiere at The Chain Theater)
LIFE IS LIKE A CARTON OF EGGS; YOU NEVER KNOW WHAT YOU’RE GOING TO GET UNTIL YOU CRACK ONE OPEN How do we cope with the loss of control in a crisis? Imagine two couples (one from Manhattan, the other from Los Angeles) that meet for an idyllic winter vacation in a secluded cabin Upstate…
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Broadway Review: BOOP! THE MUSICAL (Broadhurst Theatre)
HERE’S THE SCOOP ON BOOP! ENDEARINGLY CUTE, ASTUTE AND A HOOT Some things are meant to last. Cartoon character Betty Boop has been around for 95 years and has just been rejuvenated—as youthful, spirited, spunky, sprightly, spit-curled and curvy as ever. The new Broadway musical, simply called BOOP!—which opened last night at the Broadhurst Theatre—presents…
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Concert Review: ALISA WEILERSTEIN, THOMAS LARCHER & SCHUMANN (NY Phil; Nikolaj Szeps-Znaider, conductor)
A DREAM TURNS TO DARKNESS AND THEN INTO THE LIGHT At 11 AM on April 4, the NY Phil matinee cracked open with a live wire performance in a world premiere that left me breathless, if not a little rattled. Alisa Weilerstein is, without exaggeration, the most ferocious, almost feral, cellist I’ve ever seen live….
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Highly Recommended Broadway: FLOYD COLLINS (Vivian Beaumont Theater at Lincoln Center)
I CAN’T CAVE ENOUGH In 1917, Kentucky cave explorer Floyd Collins discovered Crystal Cave. Located in the same area as Mammoth Cave—the longest cave system known in the world—the site operated as a tourist attraction by his family. In 1925, while searching for a new entrance to the hundreds of miles of interconnected caves, Collins…
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Broadway Review: GLENGARRY GLEN ROSS (Palace Theatre)
SHARP AS EVER, BUT DOES IT CUT DEEP ENOUGH? OR, IF YOU WANT BIGGER SHARKS, YOU NEED MORE BLOOD IN THE WATER Glengarry Glen Ross is a testosterone-saturated 24 hours of five salesmen, some metaphorically dying like Willie Loman–others who go home at night and live, no doubt, in a shark tank. Their best sales…
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Off-Broadway Review: MASTERCLASS (NYC Skirball)
WHITEOUT NYU Skirball adheres closely to James Baldwin’s dictum: “Artists are here to disturb the peace.” With the U.S. premiere of Masterclass, Skirball’s mission has been resoundingly fulfilled. Presented by Brokentalkers & Adrienne Truscott, this provocative, 60-minute two-hander, written by Feidlim Cannon, Gary Keegan, and Truscott, is performed by two of its authors—Cannon and Truscott—presumably…
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Off-Broadway Review: LAST CALL (New World Stages)
A WAR OF WORDS BETWEEN BERNSTEIN AND VON KARAJAN… AND THE AUDIENCE LOSES Peter Danish‘s Last Call at New World Stages imagines a high-stakes intellectual showdown between two musical titans—Leonard Bernstein and Herbert von Karajan—in Sacher Hotel’s Blaue Bar in Vienna, 1988. On paper, this has the makings of an electrifying clash: a liberal Jewish…
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Broadway Review: THE PICTURE OF DORIAN GRAY (Music Box)
THE PICTURE OF ASTOUNDING THEATRE I’ve been fortunate to witness some extraordinary one-person plays on Broadway. To name a few: Zoe Caldwell in Lillian, Ben Kingsley in Edmund Kean, Robert Morse in TRU, as well as Elaine Stritch at Liberty, I Am My Own Wife, and outstanding performances by John Leguizamo, Eric Bogosian, and Anna…
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Off-Broadway Review: WHO IS JIMMY PANTS? (York Theatre)
IT’LL KNOCK THE PANTS OFF O’ YOUSE Who Is Jimmy Pants? is the second production in the York’s Spring 2025 “New2NY” series, presented at the Theater at St. Jean’s on East 76th Street—a welcome upgrade from their former home at Saint Peter’s Church, which was unfortunately lost to flooding in 2021. This 90-minute concert-style staged…
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Dance Review: HUBBARD STREET DANCE CHICAGO (The Joyce Theater in New York City)
HUBBA-HUBBA HUBBARD STREET “It’s not magic, but it should seem like it is.” That advice came from a veteran jazz musician in the 1930s as he counseled a young aspiring player. In many ways, that nugget of truth applies to the world as dance as well. Closing in on its fifth decade, few contemporary dance…
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Broadway Review: PURPOSE (The Hayes Theater)
HERE’S A BROADWAY SUCCESS THAT ALSO BRIMS WITH PURPOSE Branden Jacobs-Jenkins’ doesn’t just expose the cracks in a so-called perfect life—he shines a floodlight on them. Except for a few sequences, Purpose, his triumphant new work which opened March 17, is not earth-shattering—yet it’s extremely consequential. Here’s a writer who can create a topical play…
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Off-Broadway Review: WE HAD A WORLD (Manhattan Theatre Club World Premiere by Joshua Harmon at NY City Center)
WE HAD A BALL Manhattan Theatre Club’s We Had a World is an unconventional modern-day three-hander memory play that covers roughly 30 years. Our diarist, memoirist, and damn funny playwright Joshua Harmon is trying to make sense of a real-life senseless event at a Passover dinner, but what he creates–with himself as the protagonist Joshua…
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Off-Broadway Review: UPSIDE DOWN (AMT Theater)
UPSIDE DOWN A STRAIGHT UP MUSICAL SATIRE I admire AMT Theater for two key reasons: its dedication to developing new works—particularly musicals, which I’ve witnessed in the past—and its commitment to showcasing up-and-coming talent, often granting well-deserved Off-Broadway debuts. It’s also impressive that this intimate 97-seat venue is staging the two-act musical Upside Down with…
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Broadway Review: BUENA VISTA SOCIAL CLUB (Gerald Schoenfeld Theatre)
FROM HAVANA TO BROADWAY: A SOCIAL CLUB WORTH JOINING Buena Vista Social Club is a sun-drenched, rhythm-soaked explosion of life, proving that sometimes a show just needs space to breathe—and in this case, to raise the roof. After its more intimate Off-Broadway run at The Atlantic, this production has found its true home on the…
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Theater Interview: JASON TAM (currently performing in “The Jonathan Larson Project” at NYC’s The Orpheum Theatre)
EMBRACIN’ JASON For many, Jason Tam first made a lasting impression with his unforgettable audition for Paul in the Broadway revival of A Chorus Line, as seen in the documentary Every Little Step. (If you haven’t seen it, I urge you to do so — it’s an example of a perfect audition.) But believe it…



















