New York

A PUZZLE WORTH SOLVING A slow-burn puzzle that rewards patience with emotional clarity In the middle of nowhere, in an abandoned house, Broken Snow begins with a promise. Kris (Tony Danza) steps forward and tells us he has a story—“one of utmost significance,” he insists, “a moment where everything changes.” It’s a bold promise, not…

STOP SIGNS AND SOCIAL SIGNALS Sharp, humane, and richly acted, this new comedy lands with both wit and weight In The Balusters, playwright David Lindsay-Abaire once again proves himself a master of tonal tightrope walking—balancing biting social critique with deep wells of empathy, all wrapped in the polished veneer of a parlor room comedy. Set…

FINDING YOUR SONG Debbie Allen’s revival honors Wilson’s depth with a richly realized production The Barrymore Theatre’s revival of August Wilson’s Joe Turner’s Come and Gone, directed by the very talented Debbie Allen, is an exquisitely crafted classic production brought to life by a thoughtfully assembled cast and creative team. Set in 1911, the story…

THE MATH DOESN’T ADD UP A starry revival that struggles to convince All the action in the Broadway revival of David Auburn’s Proof takes place on the porch of Robert and Catherine’s home in Hyde Park, Chicago. Teresa L. Williams’s set and Amanda Zieve’s lighting emphasize the sloping lines of the house’s double gables, the…

A LITTLE SIN, A LOT OF GIN A fizzy Noël Coward comedy where anticipation —and alcohol—do the heavy lifting There is a particular kind of overupholstered, well-mannered, and suffocating living room that exists primarily so that someone may eventually misbehave in it. In Fallen Angels, now at the Roundabout’s newly renovated Todd Haimes Theatre, writer…

COMEDY TONIGHT— AND PLENTY OF IT A zippy, low-budget romp that lands big laughs When in ancient Rome,do as the ancient Romans—and moderns—would do:enjoy the kind of humor that never feels ancient.This musical confection from 1962 has ageless funny flavors and farcical fun. If Theater 2020 charged its audience a dime for every laugh-out-loud moment…

MIX, MATCH, AND MAKE IT UP An intergenerational troupe turns audience ideas into live musical theater Here’s a special recipe for success and entertainment. It’s all in the mixing and blending and combining of diverse ingredients. The people participating are of different ages and experiences and talents. The elements of the production are acting, music,…

MIDDLE-AGED PEOPLE IN THE MIDDLE EAST, IN THE MIDDLE OF ADVENTURES Jerry Herman’s early musical still charms Through the magic of musical theatre, we’re vicariously taking a guided tour through Israel in the early 1960s. On your left, a group of widows seeing the sights and setting their sights on finding—maybe (who knows?)—a husband. On…

CELINE TAKES THE WHEEL An irreverent Titanic spoof that goes all in on camp and pop spectacle Titaníque, the Titanic parody which premiered in Los Angeles in 2017, opened at The Asylum Theatre in June 2022 and later transferred to the Daryl Roth Theatre, has finally docked on Broadway. And it is irreverent, energetic, and…

MAY THE FUNNY FORCE BE WITH YOU A solo show that blasts fandom toxicity into hyperspace Plot a course, prime the hyperdrive, and punch it, Chewie! A sci-fi multimedia solo show lands in the 2026 FRIGID New York City Fringe Festival. “Ahsoka Tano is arguably one of the most Millennial Star Wars characters to ever…

MAN VS. MACHINE, STILL LOSING Rice’s century-old warning lands with unsettling familiarity In its inaugural production at the newly claimed St. Clement’s Theatre, The New Group launches its next chapter with a revival of The Adding Machine that feels both like a nod to the past and a wary glance toward the future. Written by…

LOVE, LIES, AND LETHAL CHARM Gina Gionfriddo’s comedy of dysfunction refuses easy labels—and lands every blow “Rom-com?” No. “Meet-cute”? Far from it. Sitting through Becky Shaw at the Helen Hayes Theater on Broadway last night, laughing my head off, I struggled to define the genre of this captivating work by Gina Gionfriddo. And I’m still…

HOLDING UP UNDER PRESSURE A bold stage adaptation that captures much —but not all—of the film’s tension Adapting an iconic film like Dog Day Afternoon for the stage is a challenge. There are still many people who remember Al Pacino yelling “Attica!” to the cheering crowd and his intense phone conversation with his wife. But…