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Theater

  • Theater Review: HEROES OF THE FOURTH TURNING (San Francisco Playhouse)

    To be a hero or a heroine, one must give an order to oneself. Simone Weil One of the best new plays to come down the pike in years, Will Arbery’s considered 150-minute one-act may seem to some a level-headed treatise on what it means to be a conservative in the age of Trump. Yet…

  • Theater Review: COME FROM AWAY (North American Tour)

    A TONIC FOR OUR TIMES Come from Away  tells the story of how residents of the small town of Gander, Newfoundland, in Canada suddenly found themselves the host to 7,000 airline passengers grounded in the immediate aftermath of the 9/11 terrorist attack on New York City. The show doesn’t deal wallow in the high drama of…

  • Theater Review: POWER OF SAIL (Geffen Playhouse)

    THE KIDS AREN’T ALL RIGHT Ever heard of Godwin’s Law? If you’ve spent a sizable amount of time on social media you’ve surely experienced it. An adage from the ‘90s, Godwin’s Law states that the longer an online discussion continues the chance that someone gets compared to Hitler (or Nazis) is inescapable. The Law serves…

  • Theater Review: BLUES IN THE NIGHT (Porchlight in Chicago)

    SERIOUS STOMPIN’ IN CHICAGO One of the many things I enjoy about Porchlight Music Theatre here in Chicago is no one dusts off a little-known musical for a revamping better than this talented team. Case in point, their latest restaging of the Tony-nominated musical revue, Blues in the Night. Set in a South Side Chicago…

  • Theater Review: LIFE SUCKS (Cygnet in San Diego)

    LIFE MAY SUCK, BUT THE PLAY SURE DOESN’T For those familiar with Anton Chekhov’s Uncle Vanya, it might seem an odd choice to modernize. But Aaron Posner’s tight script, combined with Cygnet’s strong cast, is a breath of fresh air, as it takes Chekhov’s story solidly into the stress of our post-2020 world — and…

  • Theater Review: WEST SIDE STORY (Marriott Theatre)

    A ROCKIN’ REVIVAL OF WEST SIDE STORY AT MARRIOTT Fans of musical theater in general and West Side Story in particular should thoroughly enjoy the Marriott Theatre revival. The production offers everything this demanding classic requires — intelligent directing, skilled high energy choreography, and a large talented cast, most of them triple threat singers, dancers,…

  • Theater Review: GROUNDHOG DAY: THE MUSICAL (Paramount Theatre in Aurora, Chicagoland)

    GROUNDHOG DAY DOES NOT BEAR REPEATING The Paramount Theatre has a well deserved reputation for presenting classy productions of musicals that approach Broadway caliber. That certainly can be said about the Paramount’s revival of Groundhog Day: The Musical. Unfortunately, a classy production is all the compliment that can be offered a tiresome show that runs…

  • Theater Review: QUEEN OF THE NIGHT (Victory Gardens)

    NOT QUITE A ROYAL REIGN FOR QUEEN OF THE NIGHT After over 750 plus days dark, Victory Gardens Theater is mounting its first new production of their mainstage season and of the year.  Queen of the Night, written by travis tate, is a two-character play proving no one can get under your skin quite like family….

  • Theater Review: GROUNDHOG DAY: THE MUSICAL (Paramount Theatre in Aurora, Chicagoland)

    REDEMPTION ON REPEAT, BUT IT’S TOUGH TO GET THROUGH THIS SCORE ONCE When it comes to timing, the Paramount Theater has absolutely nailed the opening date of its latest large-scale musical. Groundhog Day: The Musical has officially opened the same week as the celebrated holiday. February 2 routinely marks Groundhog Day, a popular North American…

  • Theater Review: EVITA (Drury Lane in Chicagoland)

    EVITA: SURPRISINGLY GOOD FOR YOU Evita at the Drury Lane Theatre is a prime example of a revival that preserves the virtues of the original musical while injecting enhancements that should refresh the viewing experience of even veteran fans of the show. This is the real life story of Eva Duarte as a teenager, who…

  • Theater Review: WOMEN OF SOUL (Mercury Theater Chicago)

    SISTERS DOING IT FOR THEMSELVES I cannot think of a better way to celebrate the beginning of Black History Month than with the musical musings and distinguished divas now honored at the Mercury Theater Chicago. Director Daryl D. Brooks has remounted his hit 2018 musical revue, Women of Soul, championing a half-century of the celebrated…

  • Theater Review: HAIRSPRAY (North American Tour)

    YOU REALLY CAN’T STOP THE BEAT There was some major foot stomping, shoulder shimmying and hip swaying happening downtown last night, despite a major snowstorm that dumped half a foot of snow on Chicagoland. The national non-Equity tour of Hairspray the musical has hit the CIBC Theater. This show is so hot, it will melt…

  • Theater Review: EVERYBODY’S TALKING ABOUT JAIME (Ahmanson Theatre)

    WHAT WILL YOU TALK ABOUT? Red high-heeled shoes? Professional drag queens? Repetitive pop music? Overcoming homophobia? Yeah, the new-ish musical Everybody’s Talking About Jaime sounds a lot like Kinky Boots, because it is. (There are so many ways to glitter and be gay in modern Musical Theater.) Jaime is a musical about a 16-year-old boy…

  • Theater Review: GEM OF THE OCEAN (Goodman in Chicago)

    SIMPLY SUBLIME What a wonderful way to kick off Black History Month in the Windy City. The Goodman Theatre is revisiting a thoroughly engaging production of August Wilson’s Gem of the Ocean. For a three-hour-plus play, there wasn’t a wasted second. Originally staged back in 2003, what a wonderful twentieth year celebration offering this is….

  • Theater Review: HEISENBERG (Scripps Ranch Theatre in Scripps Ranch/San Diego)

    THE PHYSICS OF ATTRACTION If this totally non-physicist reviewer understands what he is reading — the Uncertainty Principle  launched by renowned physicist Werner Heisenberg, roughly states that the more precise the position of a particle is given, the less precisely can one say what its momentum is. If that has your head already spinning, no worries;…

  • Theater Review: RELENTLESS (TimeLine Theatre)

    RELENTLESS: A BOLD DEBUT As the snow falls, a fire is currently smoldering centerstage at Theater Wit. This slow-burning ember is better known as the World Premiere, Relentless. Playwright Tyla Abercrumbie’s ferocious, fierce, determined and monolithic three-hour play is definitely a conversation starter. This parable confronts the societal pandemic of racism that has plagued this…

  • Theater Review: THE SECRET COUNCIL (First Folio Theatre in Oak Brook, Chicagoland)

    THE SECRET IS OUT: COUNCIL IS A WINNER The First Folio Theatre has come up with an unexpected winner in David Rice’s world premiere adaptation of Agatha Christie’s light novel of international intrigue The Secret Council, originally titled The Secret Adversary when it was first published in 1922. Andrés Enriquez and Melanie Keller The novel…

  • Theater Review: FIREFLIES (Northlight in Skokie)

    FIREFLIES SHINES BRIGHT AT NORTHLIGHT Fireflies at the Northlight Theater takes audiences back to the fraught year of 1963 in the Deep South, where racial tensions burn hot, as black people attempt to assert their Civil Rights in the face of violent, often deadly white resistance. Playwright Donja R. Love has concentrated his single-act drama…

  • Theater Review: FIREFLIES (Northlight in Skokie)

    FIREFLIES FAILS TO TAKE FLIGHT The old adage, behind every great man is an even greater woman, has never been truer than in the new play, Fireflies, now being staged at the North Shore Center for the Performing Arts in Skokie. A thinly veiled, fly on the wall look at a day in the life…

  • Theater Review: CAGES (Woolf and the Wondershow, DTLA)

    CAGES : AND THE FUTURE OF THEATER In late September, the long-delayed Tony Awards proudly announced: “Broadway’s Back!” Yet even before Christmas, theaters from The Great White Way to L.A. have canceled performances — even closed shows early — due to an upward surge of Omicron, the latest COVID-19 variant. This, of course, falls on…

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