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Off-Broadway Review: URINETOWN (Encores! / New York City Center)
URINE FOR A GOOD TIME SO, MIND YOUR PEES AND QUEUES It’s the perfect time for a Urinetown revival. Twenty-four years after its successful Broadway debut, City Center’s Encores! returns with a rousing production. This satirical musical takes place in a dystopian future where a severe water shortage has led to a draconian system of…
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Theater Review: WASTE (Marin Theatre in Mill Valley)
WHAT—OR WHOM—SHALL BE DISCARDED? Marin Theatre Company has never shied away from provocative material, and its current production, Waste, is no exception. Waste tells the story of politically ambitious and idealistic Henry Trebell (Lance Gardner) and the loss of his political dreams when his affair with Mrs. O’Connell (Liz Sklar), a married woman, becomes public…
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FROM SCRIPT TO SCREEN: CAN AI WRITE AND DIRECT A MOVIE?
The rapid advancement of artificial intelligence (AI) has transformed various industries, and the world of filmmaking is no exception. AI-powered tools are now capable of generating scripts, creating video sequences, and even directing short films. This raises an intriguing question: Can AI write and direct a movie that is both compelling and artistically meaningful? While…
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Theater Review: AVENUE Q (Revolution Stage in Palm Springs)
GUARANTEED HAPPINESS AWAITS It was just slightly over a year ago that the newcomer Revolution Stage Company staked its claim as one of The Valley’s top production companies with their presentation of Avenue Q (see Stage and Cinema‘s review) There was a bit of concern when the company announced that it would be restaged for this…
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Theater Review: DOODLER (The Marsh San Francisco, SAFEHouse & Theatre Rhinoceros)
A SUSPENSEFUL ONE-MAN MURDER MYSTERY The Gay community in San Francisco was shocked and terrified by a series of murders between 1974-75 committed by a serial killer known as “The Doodler.” Believed to have killed between six and sixteen men, most of whom were gay, he was known for meeting his victims in bars, and…
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Theater Review: FOOL FOR LOVE (Steppenwolf Theatre)
A BRILLIANTLY BRACING LOOK AT LOVE’S OTHER SIDE Romantic love is rarely easy. Even when a relationship progresses from first attraction to full commitment to picture-perfect nuptials, there are no guarantees. Since its 1983 debut in San Francisco, Sam Shepard’s hour-long one-act Fool for Love, written after a difficult divorce, has become a template for…
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Off-Broadway Review: EMILIO’S A MILLION CHAMELEONS (SoHo Playhouse’s International Fringe Encore Theater Series)
A COLORFUL, KINETIC AND PUPPET-FILLED POW Emilio’s A Million Chameleons at Soho Playhouse offers family-friendly, fabulously frenzied fun. Like many offerings aimed at, or at least semi-targeted, to kids, it’s brief—just under an hour—but packed with energy. And that’s an understatement. But the frantic, almost unrelenting, race and pace is justified, not only catering to…
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Theater Review: THE BROTHERS ABELSON SINCE 1946 (Electric Lodge in Venice)
A TIME CAPSULE OF GENERATIONAL LOVE, PAIN, AND RESILIENCE Every family has a unique mix of personalities, every member knowing their place and how to maneuver others to get what they need. But universal truths define Jewish families of Eastern European descent, shaping a shared culture forged through eviction from their homeland and the necessity…
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FOSTERING CREATIVITY AND INNOVATION: THE LIFELONG BENEFITS OF AN ART EDUCATION
Art education transcends the boundaries of paintbrushes and canvases. It shapes critical thinkers, problem-solvers, and visionaries. Creativity isn’t limited to the art room; it flows into every facet of life, driving innovation and adaptability. When nurtured early, artistic skills develop into lifelong assets that influence personal growth, career success, and societal contributions. In today’s fast-paced…
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Concert Review: LET’S MISBEHAVE: THE SONGS OF COLE PORTER (New York Pops)
MY HEART BELONGS TO THE NY POPS The New York Pops’ Let’s Misbehave: The Songs of Cole Porter was filled with many of Porter’s best-known songs: “Night and Day,” “I Love Paris,” “My Heart Belongs to Daddy.” But the evening at Carnegie Hall was also filled with many surprises, thanks to the multi-talented cast. Music …
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Theater Review: EXOTIC DEADLY: OR THE MSG PLAY (San Francisco Playhouse)
WELL-SEASONED THEATER IS LOADED WITH FLAVOR Welcome to 1999, a time of hysteria over the impending Y2K crisis, widespread fear of monosodium glutamate (MSG), crude video games and crude popular culture. In the midst of all this wanders a Japanese-American high school girl named Ami (Ana Ming Bostwick-Singer), wrestling with her cultural identity, arguing with…
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Music Review: ELEMENTS AND ENERGY (John Adams and the LA Phil New Music Group at Disney Hall)
Last season, the LA Phil premiered the first five of 16 etudes commissioned by Creative Chair John Adams, with the goal to have a piece for each instrument of the orchestra to show off as a soloist. On January 28, we got to hear three more premieres from the series. First was Quantum Ptarmigan, by…
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Theater Review: FRANCIS GREY AND THE CASE OF HIS DEAD BOYFRIEND (New Conservatory Theatre Center)
Currently playing at The New Conservatory Theater, Francis Grey and the Case of His Dead Boyfriend is a whirlwind one-man mystery that fuses elements of classic whodunits, camp, film noir, and drag—all packed into a breakneck, one-hour experience. This world premiere, written, directed, and performed by the multi-talented Nathan Tylutki, is a theatrical high-wire act…
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NFTs BEYOND ART: THE FUTURE OF DIGITAL OWNERSHIP
Non-fungible tokens (NFTs) initially rose to fame after creators started selling digital artwork at multimillion-dollar costs which captured public attention. NFT technology offers capabilities that extend beyond digital art markets to affect businesses including gaming along with real estate and intellectual property management and supply chain systems. Understanding NFTs and Digital Ownership The blockchain technology…
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Theater Review: HELLO, DOLLY! (San Diego Musical Theatre)
GOOD GOLLY, MISS DOLLY! Under Randy Slovacek’s direction for San Diego Musical Theatre, Hello, Dolly! festoons the theater with a cumulatively enchanting restoration of this infectious delight. So much that life fails to encourage, theater redeems—seldom more winningly than in Hello, Dolly! Charismatic matchmaker Dolly Levi (Heidi Meyer) arrives in Yonkers in the late 1800s,…
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Theater Review: OTHER DESERT CITIES (Cygnet Theatre)
LEARNING HOW TO SURVIVE IN THE DESERT Jon Robin Baitz‘s Other Desert Cities—which opened at Cygnet Theatre last weekend—portrays about 24 hours in the upscale home of the Wyeth home in Palm Springs, California, and it’s an emotional stunner. Baitz sets his play over a 24-hour period in 2004. All the action takes place in the…
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Theater Review: MY FAIR LADY (Palm Canyon Theatre)
THIS CLASSIC MUSICAL STILL SPARKLES By and large, I don’t understand why people are so eager to return to familiar musicals. We know that Curly and Laurie are going to get hitched and that Annie is going to enjoy a plush life with Daddy Warbucks. For that reason, I have avoided My Fair Lady for…
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FROM STUDIO TO SCREEN: CAN AI-GENERATED HEADSHOTS HELP ACTORS LAND MORE ROLES?
Everybody with an Internet connection has probably heard about the many changes brought on by AI technology over the last couple of years. One of the many ways this fascinating technology has impacted us is in the world of film. One survey found that 93% of Hollywood professionals will be crucial for film creation in…
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Theater Review: SPACE (Central Square Theater and Brit d’Arbeloff Women in Science in Cambridge, MA
TO BOLDLY GO WHERE NO WOMAN HAS GONE BEFORE After seeing SPACE at Central Square Theater, the line that haunted me came from Mae Jemison, the first Black woman to travel into space: “Rockets leave behind the thing that got them up there—their fuel tanks.” Like those fuel tanks, the first group of courageous and…
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