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Cabaret Review: UNDRESSED: THE MUSICAL (Red Eye NY)
UNMENTIONABLES WORTH MENTIONING New Yorkers are generally up for anything. Improv musical? Sure. Improv musical with five men in their underwear? Absolutely! Improv musical based on your most embarrassing moment in public? Uhhh… Luckily, the talented performers of Undressed: The Musical even the playing field by performing in their knickers. The audience aren’t the only…
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Broadway Review: A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (Studio 54)
HELLO, SATCHMO! THANK GOODNESS LOUIS IS BACK IN TOWN; WE NEED HIM MORE THAN EVER There’s a new jukebox musical in town. But don’t run in the other direction. A Wonderful World, which opened at Studio 54 tonight, November 11, is the bio-musical of Louis Armstrong, aka the Ambassador of Blues, the King of Jazz,…
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Theater Review: PRIVATE EYES (Theatre Palisades)
PRIVATE EYES IS SO PRIVATE THAT YOU’LL CROSS YOUR EYES TRYING TO FIGURE IT OUT Perhaps Shakespeare was right to say “All the world’s a stage, and all the men and women merely players.” At least that seems to be the case in Steven Dietz’s Private Eyes, a “Comedy of Suspicion” now onstage at Theatre…
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BOOSTING THEATRE INTEREST IN THE YOUNGER GENERATION
Just as much as putting on a production itself takes a lot of work, getting people to fill the seats can also feel like a massive effort. People are now spoiled for choice in terms of entertainment options, and it means that competing for the attention of the public needs more and more changes to…
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Off-Broadway: HOLD ON TO ME DARLING (written by Kenneth Lonergan; starring Adam Driver; Lucille Lortel)
Kenneth Lonergan’s Hold on to Me Darling is playing through Dec. 22, starring Adam Driver, at the Lucille Lortel Theatre. Joining Driver as Strings McCrane are Heather Burns as Nancy, Adelaide Clemens as Essie, Keith Nobbs as Jimmy, CJ Wilson as Duke, and Frank Wood as Mitch. On learning of his mother’s death, country music icon Strings McCrane (Driver) finds himself in an existential tailspin. The only way out,…
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Extras: THEME EXPLORATION: THE INTERSECTION OF SPORTS AND PERFORMANCE
Sports events, much like theatrical performances, captivate audiences with their unique blend of preparation, excitement, and unpredictability. Athletes become the performers, and the stadium or arena transforms into the stage where their physical skills and strategies unfold. In both fields, there is an undeniable sense of anticipation, the building of tension, and the ultimate payoff…
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Theater Review: TARTUFFE (Hub Theatre Company of Boston)
SOMETIMES YOU CAN GET WHAT YOU WANT I have been in a foul mood for the past several days, looking for ways to smash the patriarchy, cursing the unseasonably warm and dry November in my soul and longing to methodically knock a few people’s hats off. Thus I accounted it high time to get to…
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CAN CANNABIS REALLY HELP IN CANCER TREATMENT? HERE’S WHAT RESEARCH SAYS
The conversation surrounding cannabis and its potential role in treating various health conditions has gained considerable momentum in recent years. With ongoing studies and evolving laws, more people are curious about whether cannabis can play a part in cancer treatment. While research is still developing, there are promising signs that cannabis may provide benefits to…
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Theater Review: DATA (Arena Stage in D.C.)
SURE, LET SILCON VALLEY DO ITS JOB WITH THE GOVERNMENT. WHAT COULD GO WRONG? Along with The Other Americans, Arena Stage is offering yet another world premiere. A highly relevant corporate thriller that makes the Enron financial scandal look tame, DATA plunges viewers into the ethically complex world of Silicon Valley at a time when our…
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Theater Review: SOJOURNERS (Huntington Theatre, Boston)
SETTING THE STAGE FOR AN EXTRAORDINARY CYCLE OF SHOWS How appropriate! I thought, as I stood in the August Wilson Lobby of the Huntington Theatre last night. I was about to see Sojourners, the first in the nine-play Ufot Family Cycle that celebrates multiple generations of a Nigerian and Nigerian-American family. Playwright Mfoniso Udofia was…
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Theater Review: THE OTHER AMERICANS (World Premiere by John Leguizamo at Arena Stage in D.C.)
SEEN THROUGH A LATINO CONTEXT, THE OTHER AMERICANS IS A UNIVERSAL GLIMPSE INTO FAMLY TRAUMA The world premiere of John Leguizamo’s newest endeavor, The Other Americans, directed by Ruben Santiago-Hudson, packs a hard punch in the gut while exploring familial dysfunction and immigrant survival. John Leguizamo (Nelson) and Luna Lauren Velez (Patti) Leguizamo stars as…
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Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)
MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…
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Theater Review: GATZ (Elevator Repair Service at The Public)
GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…
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Theater Review: BACK TO THE FUTURE: THE MUSICAL (National Tour)
TIME I’LL NEVER GET BACK Without hyperbole, I can say that Back to the Future is the worst musical I have ever seen. Any time I see a show that truly knocks it out of the park, it fills me with so much joy to be able to review it. Nothing quite compares to the…
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Extras: CASINOS IN CINEMATIC HISTORY: A DYNAMIC EVOLUTION AND THEIR CONTINUED ALLURE
The gambling culture has always been intertwined with the cinematic culture as cinema has always been fascinated with the glamour of the casino world. The gambling culture is thriving in the United States where for example the casino hotspot Las Vegas continues to gain high numbers in revenue, for example reporting a revenue stream of…
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Theater Review: DRAGON LADY (Lesher Theatre, Walnut Creek)
DRAGON LADY ROARS AT CENTER REP Sara Porkalob’s solo tribute to her grandmother is both an astounding theatrical event and a master class in storytelling. Part biography, part autobiography, part cabaret musical, and part comedy, the show is a tour-de-force, on a sumptuous set by Randy Wong-Westbrooke. Dragon Lady runs at the beautiful Lesher Theatre in Walnut…
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Opera Recommendation: LITTLE WOMEN (Fort Worth Opera)
This November 22 and 24 at the W. E. Scott Theatre in the Fort Worth Cultural District, Fort Worth Opera presents its season-opening production: Mark Adamo’s operatic adaptation of beloved literary classic, Little Women. Adamo’s exquisite opera, a daringly contemporary adaptation, provides a rich new version of the story, breathing exciting life into the resonant…
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Opera Review: DON BUCEFALO (Pacific Opera Project at The Garibaldina in Los Angeles)
PACIFIC OPERA PROJECT UNEARTHS A TREASURE In the often unexplored corners of the operatic repertoire lie forgotten gems that, when rediscovered, shine brightly. Pacific Opera Project’s revival of Don Bucefalo by Antonio Cagnoni is one such treasure. Premiering in Milan in 1847, Don Bucefalo enjoyed considerable success in its time but has since slipped into…
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Theater Review: PERICLES (Royal Shakespeare Company at Chicago Shakespeare on Navy Pier)
ROYAL SHAKESPEARE’S RADIANT PERICLES All the indicators promised that it’d be special: after a 30-year lull, England’s Royal Shakespeare Company (RSC) and Chicago Shakespeare Theater (CST) entered a new and ongoing partnership. Part of this refreshed collaboration included bringing RSC’s production of Shakespeare’s seldom seen Pericles to Navy Pier. But it wasn’t until the first…
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Highly Recommended Opera: AIDA and THE OPERA GALA (Boston Lyric Opera at Emerson Colonial Theater)
Stefan Egerstrom (King of Egypt), Brian Major (Amonasro) and Morris Robinson (Ramfis) On Sunday, November 10, 2024, Boston Lyric Opera’s one-performance-only of Giuseppe Verdi’s triumphal masterpiece Aida preceded the return of its annual fundraiser that supports access through community initiatives. Following the 3pm staged concert performance of Aida, the stunning Opera Gala 2024, which will…
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