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Recommended Jazz Concert: KERSTEN STEVENS & CHRISTIAN MCBRIDE (“Queen Rising” City Winery NY)
Kersten Stevens, queen of the violin, launches her much anticipated fifth album Queen Rising, which includes the single “Release The Grace,” an ode to Luther Vandross. Be the first to see Kersten perform original songs and newly recorded tracks along with Christian McBride at City Winery – The Loft on November 27, 2023 at 7:30pm. Along…
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Extras | Film: MOVIE POSTER ART: FROM HAND-PAINTED CLASSICS TO MODERN GEMS
Movie posters are films in themselves, telling us the story of a film even before we enter the theater. Like movies, these visual masterpieces have taken a fascinating journey through time, evolving immensely over the years. And their development isn’t only related to techniques used to promote cinematic pieces. Their purpose goes way beyond that,…
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Off-Broadway Review: THE REFUGE PLAYS (Laura Pels Theatre at the Harold and Miriam Steinberg Center)
TAKING REFUGE IN THEATER Where does one find refuge? Is it somewhere in this physical world or on the spiritual plane? Or is there some intersectional vortex where the two meet and handily co-exist? Possibly in a hand-hewn house with no address, maybe off the grid and deep in the Illinois woods? In Nathan Alan…
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Film and Event Review: THE ROCKY HORROR PICTURE SHOW (The Ford)
ROCKY HORROR: THE PICTURE AND THE SHOW “IT’S ASTOUNDING” that a close to fifty-year-old movie about a transvestite from a planet Transexual in a galaxy Transylvania, replete with elbow sex, a dance called the “Time Warp,” and an act of cannibalism, should draw a full house in an outdoor venue on a chilly autumn night in…
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Highly Recommended Theater: THE BOY BAND PROJECT (Revolution Stage Company in Palm Springs)
BOY, OH BOYS Are you ready for a non-stop 90 minutes of unsurpassed vocals, synchronized choreography, and sizzling interactions as four humpy boyz give it their all offering fan-favorite covers of chart-topping hits by NSYNC, Backstreet Boys, Boyz II Men, Jonas Brothers, One Direction, and more? Get to Revolution Stage Company on Thursday Nov. 2…
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Theater Review: RENT (Palm Canyon Theatre)
MAKING THE RENT Jonathan Larson’s Rent is in a musical theater empyrean; indeed, productions are as ubiquitous as the stars in the firmament. The show is about a year in the life of bohemian artists struggling to survive, and if that sounds familiar, Larson based his 1997 work on Puccini’s opera La Bohème, which contrasts lavish life…
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Cabaret Review: A PLACE FOR US: A CELEBRATION OF JEWISH BROADWAY (Ari Axelrod)
ARI AXELROD HAS FOUND HIS PLACE Considering how many Jewish musicians have written for Broadway, it must have been difficult for Ari Axelrod to choose the repertoire for his new cabaret show, A Place for Us: A Celebration of Jewish Broadway. Nevertheless, the show represents a wide range of songwriters, from Rodgers and Hammerstein to…
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Theater Review: WE ARE CONTINUOUS (New Conservatory Theatre Center in San Francsico)
COMING OUT AS A CONTINUANCE New Conservatory Theater’s Fall offering is the West Coast Premiere of a new play by Harrison David Rivers (The Bandaged Place, This Bitter Earth, a semi autobiographical journey. we are continuous examines how we change with the times and how our definitions of love and family can evolve. Alicia Stamps…
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Theater Review: THE LITTLE FELLOW (OR THE QUEEN OF TARTS TELLS ALL) (World Premiere at Cygnet Theatre in San Diego)
KEIKO GREEN IS THE QUEEN IN KATE HAMILL’S TERRIFIC NEW PLAY The Little Fellow (or The Queen of Tarts Tells All) may seem like a frivolous title for a serious play, but dramatist Kate Hamill has plenty of weighty themes in her script, now getting its world premiere at Cygnet Theatre. And with Hamill at…
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Highly Recommended Album: SUMPTUOUS PLANET (by David Shapiro; performed by The Crossing Choir)
SUMPTUOUS ALBUM On Friday, November 10, 2023, The Crossing, one of our greatest choirs, will release SUMPTUOUS PLANET, a virtuosic and spectacular concert-length work by composer David Shapiro based primarily on the writings of the evolutionary biologist Richard Dawkins (famous, in part, for his defense of atheism). Sumptuous Planet is an expression of belief about the nature of life and the joy we can find in understanding it, paradoxically told through a Christian Mass and…
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Music & Film Review: THE BRIDE OF FRANKENSTEIN WITH LIVE ORCHESTRA (Theatre at the Ace Hotel)
STITCHED TOGETHER WITH BRILLIANCE For Halloween this past weekend, LA Opera‘s hugely popular annual celebration of horror and live music at the breathtaking Theatre at Ace Hotel featured James Whale’s 1935 gothic horror classic The Bride of Frankenstein, accompanied by the LA Opera Orchestra. The Bride of Frankenstein with Live Orchestra was another resounding success…
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Theater Review: THE BOOK OF WILL (Hub Theatre Company of Boston)
A FOLIO AND ITS MAKERS Playwright Lauren Gunderson (Bauer, Silent Sky) has a gift of dramatizing small moments in history to illuminate larger influences, and that is exactly what she does in The Book of Will. Under the direction of Bryn Boice, the Hub Theatre Company, which offers pay-what-you-can tickets for every seat at every…
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Off-Broadway Review: STEREOPHONIC (Playwrights Horizon)
THE LONG-PLAYING STEREOPHONIC SHOULD’VE BEEN A SINGLE David Adjmi’s Stereophonic at Playwrights Horizons, directed by Daniel Aukin, has an excellent ensemble cast, a perfectly realistic set by David Zinn and pleasant, if derivative music by Will Butler. Unfortunately, that doesn’t quite make up for the verbosity and excessive length of the play. Eli Gelb and…
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Theater Review: SLOW THUNDER (The Emerson at the Theatre 68 Arts Complex)
SO, WHERE’S THE THUNDER? What a strange and unsatisfying evening. As baffling as the title of the producing company, bAfA TheatreWorks, Suse Sternkopf’s Slow Thunder is all slow and no thunder. Even with the presence of two of my favorite actors — Ann Noble and Rob Nagle — Sternkopf as director fails to create the undercurrent…
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Music Review: HADELICH AND MENDELSSOHN (Los Angeles Chamber Orchestra)
It’s always fascinating to come for a headliner and be completely bowled over by other parts of the program. The draw for Los Angeles Chamber Orchestra’s two performances last weekend was Augustin Hadelich, one of the world’s greatest violinists, performing Mendelssohn’s melodic Violin Concerto in E minor at The Alex Theatre. I have seen the…
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Concert Review: SHEENA EASTON (Pepperdine Malibu)
THE SHEEN IS OFF Grammy Award-winning Pop and Broadway musical star Sheena Easton gave a disarrayed performance at the Lisa Smith Wengler Center for the Arts on the Pepperdine University Campus in Malibu last night, Thursday, October 26. Wearing a form-fitting short sparkling teal dress, she shared the stage with four musicians and a male…
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Dance Review: JUNGLE BOOK REIMAGINED (BroadStage, Santa Monica; U.S. opening of Global Tour)
MOWGLI, GET YOUR GUN Brilliant dancing gets waylaid by a chaotic and illegible narrative in this multimedia eco-morality play. Two words are redefining the medium of dance: Video Projection. In lieu of expensive and unwieldy portable sets, a new generation of traveling productions requires only a theater’s built-in scrim and cyclorama – and an animator…
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Highly Recommended Theater: TACOS LA BROOKLYN (Los Angeles Theatre Center)
Extended through Nov. 5: Multilingual comic dramaTacos La Brooklyn is quintessential L.A. at The LATC Appropriation: or appreciation? Latino Theater Company has extended its world premiere, multilingual production of Joel Ulloa‘s Tacos La Brooklyn for three additional performances through Nov. 5, 2023 at the Los Angeles Theatre Center. Sayaka Miyatani and Paul Dateh Esperanza America Chino, a young and ambitious Korean…
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Theater Review: DEATHTRAP (International City Theatre in Long Beach)
CAUGHT IN A TRAP Without spoiling, there’s only so much I can say about Deathtrap. Written by Ira Levin, this 1978 Tony-nominated play is an imperfect, though relatively delightful thriller now getting an even more imperfect, though relatively delightful production at International City Theatre in Long Beach. Best known for Rosemary’s Baby and The Stepford…
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Theater Review: BLOOD AT THE ROOT (Open Fist)
THE ROOT OF THE MATTER Hooray and hallelujah, for Open Fist‘s taut 80-minute production of Dominque Morisseau‘s Blood at the Root, dynamically directed by Michael A. Shepperd, and choreographed by Yusuf Nasir, has been extended until November 6, 2023 at Atwater Village Theatre. Easily the most powerful play on any L.A. stage right now, Blood…
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