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Theater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
TOO MANY HANDS ON DECK An inventive but overstuffed adaptation floods the narrative The world premiere of DNAWorks‘ adaptation of Joseph Conrad’s “The Secret Sharer,” directed by Daniel Banks at Emerson Paramount Center offers a lot of intriguing approaches to this classic tale of two men who strongly resemble one another. Regarded as a novella…
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ST. AUGUSTINE MUSEUMS: Why Medieval Torture Museum Belongs at the Top of Your List
St. Augustine, Florida, occupies a unique position in the American cultural landscape. As the oldest continuously occupied European-established settlement in the continental United States, it carries more than five centuries of layered history — Spanish colonial architecture, Native American heritage, British occupation, and the complex narratives of settlement, conflict, and transformation that define the American…
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BEFORE THE GLORY: MORGAN FREEMAN’S VERY FIRST MOVIE ROLE IN THE PAWNBROKER (1964)
Some careers start with a bang, whereas others start with a whisper. The career of Morgan Freeman started with a single, uncredited moment on a busy New York street. No name in the credits and no lines to deliver. Just a young man in the background of one of the most powerful American films of…
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Broadway Review: THE BALUSTERS (Manhattan Theatre Club at the Samuel J. Friedman Theatre)
STOP SIGNS AND SOCIAL SIGNALS Sharp, humane, and richly acted, this new comedy lands with both wit and weight In The Balusters, playwright David Lindsay-Abaire once again proves himself a master of tonal tightrope walking—balancing biting social critique with deep wells of empathy, all wrapped in the polished veneer of a parlor room comedy. Set…
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Theater Review: COCKROACHES (World Premiere at Revolution Stage Company, Palm Springs)
THIS SHOW BUGS ME A Southern Gothic that hints at something deeper but never quite gets there For all its promise, Cockroaches, the 2024 Del Shores Foundation Best Play winner by Emma Schillage, leaves you grasping for clarity—and, at times, patience. Set in a decaying Southern home, the play centers on three sisters—Charlie (Leilani Baldwin),…
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HOW TO START A CANNABIS DELIVERY SERVICE: A PRACTICAL GUIDE FOR 2026
A few years ago, most people wouldn’t seriously consider launching a cannabis delivery company. The rules were unclear, the risks were high, and the whole idea felt… unstable. Now the situation looks very different. For entrepreneurs thinking about how to start a cannabis delivery service, this niche has quietly become one of the most practical…
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YOUR LINKEDIN HEADSHOT IS LOSING YOU BUSINESS: HERE’S THE $29 FIX
Here’s a number that should bother you: LinkedIn profiles with a professional photo get 21 times more profile views and 9 times more connection requests than those without one. And yet, most professionals are either using a cropped wedding photo, a selfie from 2019, or nothing at all. That’s not a headshot problem. That’s a…
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Concert Review: THE SOLDIER’S TALE (Boston Symphony Chamber Players, Symphony Hall)
FIDDLER, DEVIL, AND A DEAL GONE WRONG Beautifully realized, with narration and music in sync—The Soldier’s Tale is devilishly surprising, if a bit abrupt at the finish Igor Stravinsky composed L’Histoire du Soldat (The Soldier’s Tale) in the waning days of World War I, when resources were scarce. Working with a Swiss writer named C….
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Broadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
FINDING YOUR SONG Debbie Allen’s revival honors Wilson’s depth with a richly realized production The Barrymore Theatre’s revival of August Wilson’s Joe Turner’s Come and Gone, directed by the very talented Debbie Allen, is an exquisitely crafted classic production brought to life by a thoughtfully assembled cast and creative team. Set in 1911, the story…
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Comedy Preview: UNITARD – “UNI-VERSARY: 25 YEARS OF UNITARD” (Joe’s Pub, NYC)
STILL RUDE AFTER ALL THESE YEARS The cult comedy trio celebrates 25 years of saying what you’re thinking—and shouldn’t If you like your comedy sharp, shameless, and just a little dangerous, Unitard is back to celebrate a quarter-century of gleeful bad behavior. The long-running trio—Mike Albo, Nora Burns, and David Ilku—returns to Joe’s Pub on…
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Music Preview: SANTA MONICA INTERNATIONAL JAZZ FESTIVAL (Various Venues, Santa Monica)
COASTAL COOL, GLOBAL GROOVE A new festival turns Santa Monica into L.A.’s jazz epicenter L.A. jazz lovers are already buzzing about the inaugural Santa Monica International Jazz Festival, a nine-day, citywide event running May 1–9 that aims to turn the beachside enclave into a bona fide jazz destination. Anchored by major headliners, centennial tributes, and…
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CAN AN AI PHOTO SHOOTER STREAMLINE REAL CREATIVE WORK?
Most of us have wrestled with image editing software that demands hours of tutorials, layer masks, and painstaking manual retouching. The promise of artificial intelligence in photography is not new, but the gap between marketing claims and actual output has often been wide – images can look over-processed, faces become uncanny, and fine detail dissolves…
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SUBDELETE REVIEW: FEATURES, PROS, CONS & PRICING
We have all been in that situation, looking at a bank bill, thinking when it was we subscribed to that little-known streaming app or that time management tool that we only used on two occasions. Subscription creep exists, and it silently robs millions of accounts every month. SubDelete is a solution to this issue, providing…
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BEHIND THE CURTAINS: WHY EVERY THEATER CREW NEEDS EMERGENCY READINESS
WHAT HAPPENS WHEN THE SHOW CAN’T GO ON Spotlight on Safety: Why Stage Managers Are Getting Certified Live performances are entirely unpredictable. While stage managers constantly prepare for missed cues and broken props, true medical emergencies in a packed theater require real readiness. Getting certified in First Aid and CPR ensures arts students and event…
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WHY SLOT ONLINE APPEALS TO A NEW GENERATION OF USERS
Ever looked at how younger digital users spend their free time and thought, “What makes some kinds of online entertainment click so fast?” That question helps explain a lot about the growing pull of slot online for newer users. Today’s digital generation is used to smooth screens, quick interaction, short sessions, and entertainment that feels…
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FLAWLESS MLM: MLM Software That Powers Network Marketing Infrastructure in 2026
See how FlawlessMLM’s platform handles commission automation and distributor management at scale. FlawlessMLM’s configurable platform—built for binary, unilevel, matrix, and hybrid compensation plans at enterprise scale. Key Takeaways 78% of new MLM ventures fail within 90 days of launch. The primary trigger is not a weak product or poor leadership. It is a commission engine…
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Theater Review: BOTH (Teatro Vista Productions at Steppenwolf’s 1700 Theater, Chicago)
TRAUMA, TRUTH, AND THE STORIES WE SELL A taut psychological thriller that cuts deep and lingers “Look at this place. Just how rich did our trauma make you?” Of all the devastating zingers hurled about the posh living room of Xochi’s lake house in Both, the brilliant new play by Paloma Nozicka, that’s the one…
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Theater Review: ERNEST SHACKLETON LOVES ME (Coachella Valley Repertory, Cathedral City)
ICE, LOVE, AND LOOP PEDALS A technically dazzling two-hander that charms with ingenuity Coachella Valley Repertory closes its season with the inventive two-hander Ernest Shackleton Loves Me, a production that reflects the company’s recent pivot toward more musical offerings; it’s a shift that’s paying off. On the surface, the show—with a book by Joe DiPietro—seems…
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Theater Commentary: THE PRICE OF NOT PERFORMING EMPATHY
CRITICISM VS CONFESSION When analysis starts to look like refusal Editor’s note: Jesse Green was reassigned from his role as chief theatre critic at The New York Times in 2025 and now serves as a culture correspondent, continuing to write about theatre alongside broader arts coverage. This commentary reflects on the larger critical and cultural…
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Theater Review: FENCES (The Old Globe, San Diego)
FENCED IN AND LASHING OUT A powerful touring revival of August Wilson’s enduring drama The Old Globe Theatre is presenting August Wilson’s 1987 drama Fences, part of his cycle of plays about African American life in the industrial United States during the 20th century. Each play explores Black life in a different decade, in an…
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